Review by New York Times Review
vandalizing the Parthenon temple in Athens has been a tenacious tradition. Most famously, Lord Elgin appropriated the "Elgin marbles" in 1801-5. But that was hardly the first example. In the Byzantine era, when the temple had been turned into a church, two bishops - Marinos and Theodosios - carved their names on its monumental columns. The Ottomans used the Parthenon as a gunpowder magazine, hence its pockmarked masonry - the result of an attack by Venetian forces in the 17th century. Now Catherine Nixey, a classics teacher turned writer and journalist, takes us back to earlier desecrations, the destruction of the premier artworks of antiquity by Christian zealots (from the Greek zelos - ardor, eager rivalry) in what she calls "The Darkening Age." Using the mutilation of faces, arms and genitals on the Parthenon's decoration as one of her many, thunderingly memorable case studies, Nixey makes the fundamental point that while we lionize Christian culture for preserving works of learning, sponsoring exquisite art and adhering to an ethos of "love thy neighbor," the early church was in fact a master of anti-intellectualism, iconoclasm and mortal prejudice. This is a searingly passionate book. Nixey is transparent about the particularity of her motivation. The daughter of an ex-nun and an ex-monk, she spent her childhood filled with respect for the wonders of postpagan Christian culture. But as a student of classics she found the scales - as it were - falling from her eyes. She wears her righteous fury on her sleeve. This is scholarship as polemic. Nixey writes up a storm. Each sentence is rich, textured, evocative, felt. Christian monks in silent orders summoned up pagan texts from library stores with a gagging hand gesture. The destruction of the extraordinary, frankincense-heavy temple of Serapis in Alexandria is described with empathetic detail; thousands of books from its library vanished, and the temple's gargantuan wooden statue of the god was dismembered before being burned. One pagan eyewitness, Eunapius, remarked flintily that the only ancient treasure left unlooted from the temple was its floor. Christians became known as those "who move that which should not be moved." Their laudable appeal to have-nots at the bottom of the pile, both free and unfree, meant that bishops had a citizen-army of pumped-up, undereducated young men ready to rid the world of sin. Enter the parabalini, sometime stretcher-bearers, sometime assassins, who viciously flayed alive the brilliant Alexandrian mathematician and pagan philosopher Hypatia. Or the circumcellions (feared even by other Christians), who invented a kind of chemical weapon using caustic lime soda and vinegar so they could carry out acid attacks on priests who didn't share their beliefs. Debate - philosophically and physiologically - makes us human, whereas dogma cauterizes our potential as a species. Through the sharing of new ideas the ancients identified the atom, measured the circumference of the earth, grasped the environmental benefits of vegetarianism. To be sure, Christians would not have a monopoly on orthodoxy, or indeed on suppression: The history of the ancient world typically makes for stomach-churning reading. Pagan philosophers too who flew in the face of religious consensus risked persecution; Socrates, we must not forget, was condemned to death on a religious charge. But Christians did fetishize dogma. In A.D. 386 a law was passed declaring that those "who contend about religion ... shall pay with their lives and blood." Books were systematically burned. The doctrinal opinions of one of the most celebrated early church fathers, St. John Chrysostom - he of the Golden Mouth - were enthusiastically quoted in Nazi Germany 1,500 years after his death: The synagogue "is a den of robbers and a lodging for wild beasts ... a dwelling of demons." Actions were extreme because paganism was considered not just a psychological but a physical miasma. Christianity appeared on a planet that had been, for at least 70,000 years, animist. (Asking the women and men of antiquity whether they believed in spirits, nymphs, djinns would have been as odd as asking them whether they believed in the sea.) But for Christians, the food that pagans produced, the bathwater they washed in, their very breaths were thought to be infected by demons. Pollution was said to make its way into the lungs of bystanders during animal sacrifice. And once Christianity became championed by Rome, one of the most militaristic civilizations the world has known, philosophical discussions on the nature of good and evil became martial instructions for purges and pugilism. Still, contrary to Nixey, there was not utter but rather partial destruction of the classical world. The vigorous debates in Byzantine cultures about whether, for example, magical texts were demonic suggest that these works continued to have influence in Christian Europe. The material culture of the time also lends nuance to Nixey's story: Silverware and dining services in Byzantium were proudly decorated with images of the "Iliad" and "Odyssey." And while 90 percent of all ancient literature has been lost, paganism still had a foothold on the streets. In Constantinople, the spiritual headquarters of Eastern Christendom, the seventh-century church was still frantically trying to ban the Bacchanalian festivities that legitimized cross-dressing, maskwearing and Bacchic adulation. I read this book while tracing the historical footprint of the Bacchic cult. On the tiny Greek island of Skyros, men and children, even today, dress as half human, half animal; they wear goat masks, and dance and drink on Bacchus' festival days in honor of the spirit of the god. It seems that off the page there was a little more continuity than Christian authorities would like to admit. But the spittle-flecked diatribes and enraging accounts of gruesome martyrdoms and persecution by pagans were what the church chose to preserve and promote. Christian dominance of academic institutions and archives until the late 19th century ensured a messianic slant for Western education (despite the fact that many pagan intellectuals were disparaging about the boorish, ungrammatical nature of early Christian works like the Gospels). As Nixey puts it, the triumph of Christianity heralded the subjugation of the other. And so she opens her book with a potent description of black-robed zealots from 16 centuries ago taking iron bars to the beautiful statue of Athena in the sanctuary of Palmyra, located in modern-day Syria. Intellectuals in Antioch (again in Syria) were tortured and beheaded, as were the statues around them. The contemporary parallels glare. The early medieval author known as Pseudo-Jerome wrote of Christian extremists: "Because they love the name martyr and because they desire human praise more than divine charity, they kill themselves." He would have found shocking familiarity in the news of the 21st century. Nixey closes her book with the description of another Athena, in the city of her name, being decapitated around A.D. 529, her defiled body used as a steppingstone into what was once a world-renowned school of philosophy. Athena was the deity of wisdom. The words "wisdom" and "historian" have a common ancestor, a proto-Indo-European word meaning to see things clearly. Nixey delivers this ballista-bolt of a book with her eyes wide open and in an attempt to bring light as well as heat to the sad story of intellectual monoculture and religious intolerance. Her sympathy, corruscatingly, compellingly, is with the Roman orator Symmachus: "We see the same stars, the sky is shared by all, the same world surrounds us. What does it matter what wisdom a person uses to seek for the truth?" ? The early church was a master of anti-intellectualism, iconoclasm and mortal prejudice. behaný hughes is the author of "Istanbul: A Tale of Three Cities." Her latest film, "Bacchus Uncovered," was recently broadcast on BBC World. She is currently making a documentary about the worship of war, "Mars Uncovered."
Copyright (c) The New York Times Company [June 17, 2018]
Review by Booklist Review
The European Dark Ages, 350-1000 CE, are so-called because in them Greek and Latin philosophy, art, and historiography, the lights of learning, were all but extinguished. More than 90 percent of classical literature, art, and architecture was destroyed. The barbarians, common knowledge has it, put out the lights. That, classicist turned journalist Nixey allows, isn't incorrect. But the barbarians weren't invading Goths and Vandals but marauding monks and legitimate soldiers within the Roman Empire, who were empowered by law after Christianity became the state religion. Nixey clearly but untendentiously summarizes phenomena that led up to the elimination of classical polytheism, such as imperial persecutions of Christians by emperors before Constantine and the intellectual refutation of Christianity by philosophers whose works were later expunged, and actual incidences and kinds of persecution, 385-532 CE that is, between the destruction of Athena's temple in Palmyra and the expatriation of the last philosophers of the Athenian Academy, founded by Plato in 387 BCE. This history is too little known, she says, in an era, the present, that ill appreciates the dangers of monotheism.--Olson, Ray Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review
In her debut, Times (UK) journalist Nixey boldly challenges the conventional narrative of the happy triumph of early Christianity by telling the story from the perspective of those whom the Church defeated. Her gripping, albeit sometimes sensationalistic, revisionist popular history calls into question the standard accounts of topics such as monasticism, the Roman persecution of Christians, and martyrdom while vividly portraying the tragedies of people such as Hypatia of Alexandria and Damascius of Athens. Nixey's overarching purpose is to provoke readers to consider the terrible cost of the rise of the Christian faith. Although medieval monasteries did indeed preserve a lot of classical knowledge, prior to that the Church demolished, vandalized, and destroyed art, statues, temples, and books and was an instrument of persecution, intolerance, and anti-intellectualism as it conquered its rivals across the Roman Empire. Verdict While providing a valuable corrective and alternative to Christian-centric historical perspectives, Nixey is prone to push too far in the other direction, oversimplifying complex events, presenting speculation as fact, and offering limited evidence to support dramatic conclusions. Regardless, readers interested in unorthodox histories will appreciate this stimulating and iconoclastic work.-Brian Sullivan, Alfred Univ. Lib., NY © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
"The destroyers came from out of the desert": a vigorous account of a vengeful early Christianity that burned temples and booksand dissenters.Think today's fundamentalist Christianity is anti-science, anti-woman, and anti-diversity? Things were even more fraught in its early centuries, writes Times (U.K.) arts reporter and classicist Nixey. In the case of the great ancient Near Eastern city of Palmyra, ascetic religions targeted the temple of Athena for destruction forthwith, setting into motion what the author calls, with qualification, the "triumph of Christianity"with qualification because in a zero-sum game, there can be no triumph without someone vanquished, and the vanquished included the philosophers, artists, and writers of the ancient world as well as people of ordinary belief, so the "triumph" came at considerable cost. Nixey suggests that Western philosophy as such ended in 529, when the last "pagan" thinkers were driven from Athens and St. Benedict destroyed the temple to Apollo at Monte Cassino. Many other events figure in these pages: the burning of the much-torched Library of Alexandria and the gruesome murder of the philosopher Hypatia, the torching of ivory statues in Rome, the suppression of divergent Christianities such as Arianism, and the beginnings of the systematic oppression of Jews, who, accordingly to the zealots at the head of the new Christian movement, "were not a people with an ancient wisdom to be learned from: they were instead, like the pagans, the hated enemies of the Church." Nixey paints with a wide brush, but her point is well-taken that even if it took hundreds of years for Christianity to sweep aside competing forms of belief in the ancient world, it was not universally well-receivedthough its narrative that it was greeted with open arms everywhere was accepted as truth after the fact, in a landscape of temples in rubble, mutilated statuary, and lost libraries.A fine history that is surely controversial in its view of how victims become victimizers and how professions of love turn to terror. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.