The spies of Warsaw A novel

Alan Furst

Book - 2008

A French aristocrat working as a military attache at the French embassy in Warsaw in 1937 tries to gather information for Poland and France, wondering what move Germany will make next. Romantic sparks fly between the French aristocrat's cousin and a Franco-Polish woman who works as a lawyer for The League of Nations, all against the backdrop of Hitler's gathering war.

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Subjects
Published
New York : Random House c2008.
Language
English
Main Author
Alan Furst (-)
Edition
1st ed
Physical Description
266 p. : map ; 25 cm
ISBN
9781400066025
Contents unavailable.
Review by New York Times Review

THE queasy thrill of prewar espionage doesn't come from the prospect of war, or even the spying; it comes from the moral compromises forced by fear and accommodation. Alan Furst has always had a knack for conveying how the one begets the other. "The light had gone out, it seemed, the very notion of heroism excised," is how he described Stalinist Russia in "Dark Star," an early novel. That world was "now filled with soft, bruised, frightened people scheming over a few lumps of coal or a spoonful of sugar." Spy novels tend to focus on the few people who rise above self-interest, but the best also give voice to those who don't. Furst's latest, "The Spies of Warsaw," begins with just such a specimen: Edvard Uhl, a plodding, middle-aged German engineer with business in Poland who on the eve of the war is seduced, then blackmailed into slipping military secrets to French intelligence. Uhl feels the occasional pang of fright, but not guilt. "In such chaotic times," his French handler reasons with him, "smart people understood that their first loyalty was to themselves and their families." Characters who are braver or more farsighted have a special doomed poignancy. Furst's tales, usually set in Paris and Eastern Europe and entwined around the Nazis or the Soviet secret police, are infused with the melancholy romanticism of "Casablanca," and also a touch of Arthur Koestler's novel "Darkness at Noon." "The Spies of Warsaw" follows Jean-François Mercier de Boutillon, a French aristocrat and veteran of World War I who, as the military attaché in Warsaw, studies German preparations for war. He runs agents and conducts some risky fieldwork of his own, but it doesn't take much for him to deduce that Hitler plans to go around the Maginot Line and invade through Belgium: articles in German military journals all but spell it out. Official France pays no heed. Most assignments in historical thrillers are futile: readers know what's coming, while those characters who suspect the worst cannot fully comprehend the looming cataclysm even as they risk their lives trying to forestall it. The mission in a Furst novel is never as interesting as the men and women who volunteer - or are forced - to complete it. Polish counts, SS officers, French film producers, damsels and demi-mondaines are drawn into the action, but so are Jewish Bolsheviks, Slav partisans, Hungarian diplomats and Bulgarian fishermen. From Lisbon to Malmo, Furst's novels are full of stark contrasts and weird congruities: he links the Bulgarian National Union marching along the Danube to expatriates in Paris ordering Champagne and another platter of oysters at the fashionable Brasserie Heininger. As in Balzac's "Human Condition," characters who loom large in one novel reappear as minor figures in another, sometimes at the next table in Heininger's, where one mirror, cracked by a bullet, is left unrepaired as a memorial to the day thugs shot up the dining room and left the Bulgarian headwaiter dead in the ladies room. It is there, in fact, over choucroute and Champagne, that Mercier briefs one of the few French generals who share his mistrust of Pétain's defense strategy. The other, of course, is Charles de Gaulle, after whom Furst has clearly modeled Mercier; the fictional Mercier is an old friend of de Gaulle's and shares much of his life story. Like de Gaulle, Mercier has aristocratic roots, graduated from military school in the class of 1912, spent time in a German prison camp during World War I and helped Polish troops fight the Red Army in 1920. But whereas de Gaulle eventually returned to Paris, Furst's hero is redeployed to the French Embassy in Poland. Furst's early works were thickly braided with history, subplots and dozens of vividly drawn minor characters. But even masters of the genre can slow down, stretch material and fall back on formula. His previous novel, "The Foreign Correspondent," about an Italian newspaperman in Paris and Berlin, was not very convincing. "The Spies of Warsaw" is more satisfying, but it too seems thin: the plot is spare, and Mercier - a tall, handsome, rich widower - is de Gaulle as Harlequin romance hero. FURST is often likened to Graham Greene and John le Carré, in part because he delves so persuasively into the darker corners of history, marking the ambivalence and moral ambiguities of those who play a part in shaping it. He is equally at ease describing the hors d'oeuvres at an embassy party and the Soviet spy schools where recruits are taught to undermine the West but quickly discover that more fearsome enemies lie in the next cot or cubicle. His most memorable heroes turn to clandestine operations not because they are honorable or dutiful but because they have little choice. In "Night Soldiers," Khristo Stoianev, on the run from local fascists, is recruited by a Soviet agent and finds himself trapped in the paranoid and murderous N.K.V.D. at the time of the purges - he is pushed, like tumble-weed in a storm, from Moscow to the Spanish Civil War, then to the shady émigré community of Paris, French prison, the French resistance and eventually New York. In "Dark Star," André Szara, a foreign correspondent for Pravda in the 1930s (modeled on the Russian journalist Ilya Ehrenburg), knows better than to say no when his government's security services request favors in Ostend, Berlin and Prague. Writers sometimes save the best for first. "The Spies of Warsaw" is not as richly complex as earlier Furst novels, but it is still smarter and more soulful than most espionage novels being written today. Alessandra Stanley is the chief television critic for The Times.

Copyright (c) The New York Times Company [October 27, 2009]
Review by Booklist Review

*Starred Review* It's the autumn of 1937, and the shadows of war are darkening over Warsaw. Colonel Jean-Francois Mercier, military attaché with the French embassy (a spy, that is), doesn't like what he's hearing, wherever he snoops. The Poles know trouble is coming but aren't prepared for it, and the French, who might still be able to prepare, are convinced they are impregnable. As spies from throughout Europe gather at sundry diplomatic functions to trade innuendos, Mercier stumbles across what could be the real thing: access to a renegade Nazi who might be able to broker a deal that could give the French knowledge of German attack plans. This is Furst's wheelhouse, of course, Europe sliding toward war, intelligence flowing as freely as wine in every café, romance (a shadow sport, like espionage) flourishing as tanks gather at the border. Furst uses essentially the same setting (Warsaw stands in for Paris this time) and establishes the same mood in most of his novels, but he always gives us something new, some heretofore unrevealed angle of vision. This time it's a behind-the-scenes look at French spies trying to convince French politicians to open their eyes. That's the big picture, but as always, it's the human side of the drama that draws us: Mercier, the career soldier, falling in love at the wrong time with a Polish lawyer and attempting to carve out an individual life in the midst of international chaos. Nobody does this stuff better than Furst because nobody can dramatize like he can the horrible realization that somebody else's politics will soon obliterate daily life as you know it.--Ott, Bill Copyright 2008 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Furst (The Foreign Correspondent) solidifies his status as a master of historical spy fiction with this compelling thriller set in 1937 Poland. Col. Jean-Francois Mercier, a military attache at the French embassy in Warsaw who runs a network of spies, plays a deadly game of cat-and-mouse with his German adversaries. When one of Mercier's main agents, Edvard Uhl, an engineer at a large Dusseldorf arms manufacturer who's been a valuable source on the Nazis' new weapons, becomes concerned that the Gestapo is on to him, Mercier initially dismisses Uhl's fears. Mercier soon realizes that the risk to his spy is genuine, and he's forced to scramble to save Uhl's life. The colonel himself later takes to the field when he hears reports that the German army is conducting maneuvers in forested terrain. Even readers familiar with the Germans' attack through the Ardennes in 1940 will find the plot suspenseful. As ever, Furst excels at creating plausible characters and in conveying the mostly tedious routines of real espionage. Author tour. (June) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Furst's latest novel is sure to be counted as one of the very best of the historical espionage genre. Literate, admirably plotted, and featuring a memorable protagonist, it is realistic and sad but hopeful and romantic. A highly competent French army officer, Jean-Francois Mercier is assigned in 1937 to military attache duty in Warsaw, a position recognized by all as an opportunity, if not a duty, to engage in spying. Mercier is a World War I combat-wounded hero, a widower whose behavior reveals a nobility and a sense of honor mostly lacking in today's fiction heroes. Using Polish and German agents, he engages in thrilling derring-do and soon recognizes the sinister intentions of the Nazis, which the French high command apparently chooses to ignore. He does his best to alert the French General Staff, especially as to German invasion strategy. Furst brilliantly captures the setting, along with the cynicism of the Warsaw sociopolitical scene. His presentation of Mercier's romantic interludes with a Parisian woman of Polish heritage is sophisticated, elegant, and discreet. Enthusiastically recommended for all libraries. [See Prepub Alert, LJ 2/1/08.]--Jonathan Pearce, California State Univ., Stanislaus (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

As the Nazis openly plan an invasion, France's military attach in Warsaw does a little spying, eats good meals, travels a bit and spends time in pleasant surroundings with a lovely lawyer for the League of Nations. Wounded in the Great War, Col. Jean-Fran‡ois Mercier is a widower with two grown daughters, a vast Parisian apartment, a handsome, slightly shabby country estate and two fine hunting dogs. His current assignment in Poland has him mixing with the local swells--where he picks up bits of information on the tennis court and at dinners--and running a modestly successful intelligence operation involving Herr Uhl, a plump German engineer who swaps details of the Nazis new tank for nights of love with a zaftig "Countess" in Mercier's employ. From the various little bits of information Mercier has gleaned, it becomes depressingly evident that the Nazis are beefing up their tank warfare capability with an eye on the Ardennes forest, the quickest way around the "impregnable" Maginot Line in which France's thick-headed military leaders have placed their total trust. Then the Uhl operation falls apart. An obedient hausfrau sharing his train compartment reports Uhl's nervous behavior to the authorities, resulting in his nearly successful kidnapping by some overeager intelligence agents. Mercier's successful intervention in the snatch earns him a place on the Nazi hit list. Undaunted, the suave Frenchman plans a fake hike on the German border to photograph the latest tank war games, obtaining even more evidence of the Huns' strategy, which will yet again be ignored by the dinosaurs at the top of the French army. Offsetting the frustrations at work is a dalliance with beautiful Anna Szarbek, his blind date at an embassy dinner. Furst (The Foreign Correspondent, 2006, etc.) cuts back a bit on the usual tension, but there is all of the wonderfully wistful late-'30s atmosphere that is his specialty. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

HOTEL EUROPEJSKI In the dying light of an autumn day in 1937, a certain Herr Edvard Uhl, a secret agent, descended from a first-class railway carriage in the city of Warsaw. Above the city, the sky was at war; the last of the sun struck blood-red embers off massed black cloud, while the clear horizon to the west was the color of blue ice. Herr Uhl suppressed a shiver; the sharp air of the evening, he told himself. But this was Poland, the border of the Russian steppe, and what had reached him was well beyond the chill of an October twilight. A taxi waited on Jerozolimskie street, in front of the station. The driver, an old man with a seamed face, sat patiently, knotted hands at rest on the steering wheel. "Hotel Europejski," Uhl told the driver. He wanted to add, and be quick about it, but the words would have been in German, and it was not so good to speak German in this city. Germany had absorbed the western part of Poland in 1795-Russia ruled the east, Austria-Hungary the southwest corner-for a hundred and twenty-three years, a period the Poles called "the Partition," a time of national conspiracy and defeated insurrection, leaving ample bad blood on all sides. With the rebirth of Poland in 1918, the new borders left a million Germans in Poland and two million Poles in Germany, which guaranteed that the bad blood would stay bad. So, for a German visiting Warsaw, a current of silent hostility, closed faces, small slights: we don't want you here. Nonetheless, Edvard Uhl had looked forward to this trip for weeks. In his late forties, he combed what remained of his hair in strands across his scalp and cultivated a heavy dark mustache, meant to deflect attention from a prominent bulbous nose, the bulb divided at the tip. A feature one saw in Poland, often enough. So, an ordinary- looking man, who led a rather ordinary life, a more-than-decent life, in the small city of Breslau: a wife and three children, a good job- as a senior engineer at an ironworks and foundry, a subcontractor to the giant Rheinmetall firm in Düsseldorf-a few friends, memberships in a church and a singing society. Oh, maybe the political situation- that wretched Hitler and his wretched Nazis strutting about-could have been better, but one abided, lived quietly, kept one's opinions to oneself; it wasn't so difficult. And the paycheck came every week. What more could a man want? Instinctively, his hand made sure of the leather satchel on the seat by his side. A tiny stab of regret touched his heart. Foolish, Edvard, truly it is. For the satchel, a gift from his first contact at the French embassy in Warsaw, had a false bottom, beneath which lay a sheaf of engineering diagrams. Well, he thought, one did what one had to do, so life went. No, one did what one had to do in order to do what one wanted to do-so life really went. He wasn't supposed to be in Warsaw; he was supposed, by his family and his employer, to be in Gleiwitz-just on the German side of the frontier dividing German Lower Silesia from Polish Upper Silesia-where his firm employed a large metal shop for the work that exceeded their capacity in Breslau. With the Reich rearming, they could not keep up with the orders that flowed from the Wehrmacht. The Gleiwitz works functioned well enough, but that wasn't what Uhl told his bosses. "A bunch of lazy idiots down there," he said, with a grim shake of the head, and found it necessary to take the train down to Gleiwitz once a month to straighten things out. And he did go to Gleiwitz-that pest from Breslau, back again!-but he didn't stay there. When he was done bothering the local management he took the train up to Warsaw where, in a manner of speaking, one very particular thing got straightened out. For Uhl, a blissful night of lovemaking, followed by a brief meeting at dawn, a secret meeting, then back to Breslau, back to Frau Uhl and his more-than-decent life. Refreshed. Reborn. Too much, that word? No. Just right. Uhl glanced at his watch. Drive faster, you peasant! This is an automobile, not a plow. The taxi crawled along Nowy Swiat, the grand avenue of Warsaw, deserted at this hour-the Poles went home for dinner at four. As the taxi passed a church, the driver slowed for a moment, then lifted his cap. It was not especially reverent, Uhl thought, simply something the man did every time he passed a church. At last, the imposing Hotel Europejski, with its giant of a doorman in visored cap and uniform worthy of a Napoleonic marshal. Uhl handed the driver his fare-he kept a reserve of Polish zloty in his desk at the office-and added a small, proper gratuity, then said "Dankeschön." It didn't matter now, he was where he wanted to be. In the room, he hung up his suit, shirt, and tie, laid out fresh socks and underwear on the bed, and went into the bathroom to have a thorough wash. He had just enough time; the Countess Sczelenska would arrive in thirty minutes. Or, rather, that was the time set for the rendezvous; she would of course be late, would make him wait for her, let him think, let him anticipate, let him steam. And was she a countess? A real Polish countess? Probably not, he thought. But so she called herself, and she was, to him, like a countess: imperious, haughty, and demanding. Oh how this provoked him, as the evening lengthened and they drank champagne, as her mood slid, subtly, from courteous disdain to sly submission, then on to breathless urgency. It was the same always, their private melodrama, with an ending that never changed. Uhl the stallion-despite the image in the mirrored armoire, a middle-aged gentleman with thin legs and potbelly and pale chest home to a few wisps of hair-demonstrably excited as he knelt on the hotel carpet, while the countess, looking down at him over her shoulder, eyebrows raised in mock surprise, deigned to let him roll her silk underpants down her great, saucy, fat bottom. Noblesse oblige. You may have your little pleasure, she seemed to say, if you are so inspired by what the noble Sczelenska bloodline has wrought. Uhl would embrace her middle and honor the noble heritage with tender kisses. In time very effective, such honor, and she would raise him up, eager for what came next. He'd met her a year and a half earlier, in Breslau, at a Weinstube where the office employees of the foundry would stop for a little something after work. The Weinstube had a small terrace in back, three tables and a vine, and there she sat, alone at one of the tables on the deserted terrace: morose and preoccupied. He'd sat at the next table, found her attractive-not young, not old, on the buxom side, with brassy hair pinned up high and an appealing face-and said good evening. And why so glum, on such a pleasant night? She'd come down from Warsaw, she explained, to see her sister, a family crisis, a catastrophe. The family had owned, for several generations, a small but profitable lumber mill in the forest along the eastern border. But they had suffered financial reverses, and then the storage sheds had been burned down by a Ukrainian nationalist gang, and they'd had to borrow money from a Jewish speculator. But the problems wouldn't stop, they could not repay the loans, and now that dreadful man had gone to court and taken the mill. Just like them, wasn't it. After a few minutes, Uhl moved to her table. Well, that was life for you, he'd said. Fate turned evil, often for those who least deserved it. But, don't feel so bad, luck had gone wrong, but it could go right, it always did, given time. Ah but he was sympathique, she'd said, an aristocratic reflex to use the French word in the midst of her fluent German. They went on for a while, back and forth. Perhaps some day, she'd said, if he should find himself in Warsaw, he might telephone; there was the loveliest café near her apartment. Perhaps he would, yes, business took him to Warsaw now and again; he guessed he might be there soon. Now, would she permit him to order another glass of wine? Later, she took his hand beneath the table and he was, by the time they parted, on fire. Ten days later, from a public telephone at the Breslau railway station, he'd called her. He planned to be in Warsaw next week, at the Europejski, would she care to join him for dinner? Why yes, yes she would. Her tone of voice, on the other end of the line, told him all he needed to know, and by the following Wednesday-those idiots in Gleiwitz had done it again!-he was on his way to Warsaw. At dinner, champagne and langoustines, he suggested that they go on to a nightclub after dessert, but first he wanted to visit the room, to change his tie. And so, after the cream cake, up they went. For two subsequent, monthly, visits, all was paradise, but, it turned out, she was the unluckiest of countesses. In his room at the hotel, brassy hair tumbled on the pillow, she told him of her latest misfortune. Now it was her landlord, a hulking beast who leered at her, made chk-chk noises with his mouth when she climbed the stairs, who'd told her that she had to leave, his latest girlfriend to be installed in her place. Unless . . . Her misty eyes told him the rest. Never! Where Uhl had just been, this swine would not go! He stroked her shoulder, damp from recent exertions, and said, "Now, now, my dearest, calm yourself." She would just have to find another apartment. Well, in fact she'd already done that, found one even nicer than the one she had now, and very private, owned by a man in Cracow, so nobody would be watching her if, for example, her sweet Edvard wanted to come for a visit. But the rent was two hundred zloty more than she paid now. And she didn't have it. A hundred reichsmark, he thought. "Perhaps I can help," he said. And he could, but not for long. Two months, maybe three-beyond that, there really weren't any corners he could cut. He tried to save a little, but almost all of his salary went to support his family. Still, he couldn't get the "hulking beast" out of his mind. Chk-chk. The blow fell a month later, the man in Cracow had to raise the rent. What would she do? What was she to do? She would have to stay with relatives or be out in the street. Now Uhl had no answers. But the countess did. She had a cousin who was seeing a Frenchman, an army officer who worked at the French embassy, a cheerful, generous fellow who, she said, sometimes hired "industrial experts." Was her sweet Edvard not an engineer? Perhaps he ought to meet this man and see what he had to offer. Otherwise, the only hope for the poor countess was to go and stay with her aunt. And where was the aunt? Chicago. Now Uhl wasn't stupid. Or, as he put it to himself, not that stupid. He had a strong suspicion about what was going on. But-and here he surprised himself-he didn't care. The fish saw the worm and wondered if maybe there might just be a hook in there, but, what a delicious worm! Look at it, the most succulent and tasty worm he'd ever seen; never would there be such a worm again, not in this ocean. So . . . He first telephoned-to, apparently, a private apartment, because a maid answered in Polish, then switched to German. And, twenty minutes later, Uhl called again and a meeting was arranged. In an hour. At a bar in the Praga district, the workers' quarter across the Vistula from the elegant part of Warsaw. And the Frenchman was, as promised, as cheerful as could be. Likely Alsatian, from the way he spoke German, he was short and tubby, with a soft face that glowed with self-esteem and a certain tilt to the chin and tension in the upper lip that suggested an imminent sneer, while a dapper little mustache did nothing to soften the effect. He was, of course, not in uniform, but wore an expensive sweater and a blue blazer with brass buttons down the front. "Henri," he called himself and, yes, he did sometimes employ "industrial experts." His job called for him to stay abreast of developments in particular areas of German industry, and he would pay well for drawings or schematics, any specifications relating to, say, armament or armour. How well? Oh, perhaps five hundred reichsmark a month, for the right papers. Or, if Uhl preferred, a thousand zloty, or two hundred American dollars-some of his experts liked having dollars. The money to be paid in cash or deposited in any bank account, in any name, that Uhl might suggest. The word spy was never used, and Henri was very casual about the whole business. Very common, such transactions, his German counterparts did the same thing; everybody wanted to know what was what, on the other side of the border. And, he should add, nobody got caught, as long as they were discreet. What was done privately stayed private. These days, he said, in such chaotic times, smart people understood that their first loyalty was to themselves and their families. The world of governments and shifty diplomats could go to hell, if it wished, but Uhl was obviously a man who was shrewd enough to take care of his own future. And, if he ever found the arrangement uncomfortable, well, that was that. So, think it over, there's no hurry, get back in touch, or just forget you ever met me. And the countess? Was she, perhaps, also an, umm, "expert"? From Henri, a sophisticated laugh. "My dear fellow! Please! That sort of thing, well, maybe in the movies." So, at least the worm wasn't in on it. Back at the Europejski-a visit to the new apartment lay still in the future-the countess exceeded herself. Led him to a delight or two that Uhl knew about but had never experienced; her turn to kneel on the carpet. Rapture. Another glass of champagne and further novelty. In time he fell back on the pillow and gazed up at the ceiling, elated and sore. And brave as a lion. He was a shrewd fellow-a single exchange with Henri, and that thousand zloty would see the countess through her difficulties for the next few months. But life never went quite as planned, did it, because Henri, not nearly so cheerful as the first time they'd met, insisted, really did insist, that the arrangement continue. And then, in August, instead of Henri, a tall Frenchman called André, quiet and reserved, and much less pleased with himself, and the work he did, than Henri. Wounded, Uhl guessed, in the Great War, he leaned on a fine ebony stick, with a silver wolf's head for a grip. Excerpted from The Spies of Warsaw by Alan Furst All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.