Top 10. Book 1 Book 1 /

Alan Moore, 1953-

Book - 2000

Saved in:

2nd Floor Comics Show me where

COMIC/Top
1 / 1 copies available
Location Call Number   Status
2nd Floor Comics COMIC/Top Checked In
Subjects
Published
La Jolla, CA : America's Best Comics c2000.
Language
English
Main Author
Alan Moore, 1953- (-)
Other Authors
Gene Ha (-), Zander Cannon
Edition
Collected ed
Item Description
"Originally published in single magazine form as Top 10, #1-7."
Physical Description
unpaged : col. ill. ; 27 cm
ISBN
9781563896682
Contents unavailable.
Review by Booklist Review

The comic-book series Top 10 has been described as "Hill Street Blues with superheroes." It is set in futuristic Neopolis, where every resident, from the mayor to the garbage man, has super powers. The challenge of maintaining order in such an environment falls to a constabulary that includes desk sergeant Kemlo Caesar, a talking dog in a humanoid exoskeleton; Jack Phantom, who passes through solid objects; the moody, invulnerable giant Officer Smax; and Girl One, with her impervious, bio-engineered skin. Like their normal TV counterparts, these officers deal with everything--traffic accidents to municipal corruption--that occurs within a continuing, soap-operatic storyline. Moore makes them as human as prime-time cop-show characters, only much more imaginative and exciting, and detailed, finely rendered art helps ground the fantastic goings-on. Lightweight compared to Moore's Jack the Ripper reinterpretation, From Hell (2000), or his reinvention of the superhero in Watchmen series, Top 10 finds Moore simply refreshing the superhero concept and proving--witness Sergeant Caesar--that you can teach an old dog new tricks. --Gordon Flagg

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Continuing his exploration of superhero comics, Moore speculates on what would happen if an expansion in the number of people who are able to develop their desires into super powers led to the creation of Neopolis. His world is populated by superbeings: people (and animals, space aliens, robots, etc.) who have extraordinary abilities and secret identities. Basic human nature leads to an urban society resembling today's, including the need to maintain law and order among the sometimes barely controllable superbeings. Based on that premise, overlapping, intertwined stories create a kind of skewed Hill Street Blues for the cops of Top 10, the police station in Neopolis. Sometimes their cases work out farcically, but sometimes very seriously. After all, Moore asks, if you could do almost anything, what limits would you accept? What kind of responsibility would you take for others? Most comics series are intended to be endless, so nothing changes much from issue to issue. That's not so in this case; Book One is necessary reading before picking up Book Two. The art helps this purpose. Much of today's manga-influenced comics art is designed to convey excitement, using motion at the expense of detail. The artwork here reverts to an older tradition of elaborate pen and ink text illustration (like Joseph Clement Coll's work), slowing readers down just enough to make them alert to the elegant details of the world Moore has created. Anyone interested in comics should be paying attention to Moore and this outstanding example of his recent thinking. (July) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

"Top 10" is the precinct house that polices Neopolis, the city where everyone has superpowers. The aging captain used to be the high-flying Jetlad; Sergeant Caesar is a talking dog with a humanoid exoskeleton; and newcomer Toybox gets partnered with the blue-skinned, invulnerable, and surly Smax. They and their colleagues deal with an alcoholic giant monster, illegal power-bestowing drugs, and an elusive killer going after ten-foot-tall madam Large Marge's girls. Moore, chagrined at his role in inaugurating the grim-and-gritty school of comics with Watchmen, made comics fun again with this genre-bending 1999-2001 homage to cop shows and superheroes, foregrounding some hilarious parodies and stuffing the backgrounds with comedy-gold fan Easter eggs. But Moore elevates and deepens the story with loss and sorrow, wisdom and humanity. Naughty jokes ("Quadruple Lass in `Fourplay'") make this like a dirty-minded version of Kurt Busiek and Brent Anderson's Astro City, a connection strengthened by Ha and Cannon's very Anderson-like art. VERDICT Brilliant in both its grand designs and its fannish details. Any adult collection that doesn't have this Eisner Award-winning series (previously collected in two separate volumes) needs it.-S.R. © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.