The Mesopotamian riddle An archaeologist, a soldier, a clergyman, and the race to decipher the world's oldest writing

Joshua Hammer, 1957-

Book - 2025

It was one of history's great vanishing acts. As early as 3500 BCE, scribes in the mud-walled city-state of Sumer used a reed stylus to press tiny wedge-shaped symbols into clay. For three thousand years, the script chronicled the military conquests, scientific discoveries, and epic literature of the grand kingdoms of Mesopotamia - Assyria, Babylon, the mighty Achaemenid Empire - along with precious minutia about everyday life so long ago. But as the palaces of these once great kingdoms sank beneath the desert sands, the meaning of these characters was lost. London, 1857. Colossal sculptures of winged bulls and alabaster bas-reliefs depicting cities under siege and vassals bearing tributes to Biblical kings lined the halls of the Briti...sh Museum. In the Victorian era's obsession with the triumph of human progress, the mysterious kingdoms of ancient Mesopotamia - the very cradle of civilization - had captured the public imagination. Yet Europe's best philologists struggled to decipher the strange characters. Cuneiform seemed to have thousands of symbols - with some scholars claiming each could be pronounced in up to eight, nine, even ten different ways. Others insisted they'd cracked the code and deciphered inscriptions that corresponded precisely to the Old Testament - proving the veracity of the Word of God. Was it all a hoax? A delusion? A rollicking adventure through the golden age of archaeology, The Writing on the Wall tracks the decades-long race to decipher the oldest script in the world. It's the story of a swashbuckling young archeologist, a suave British military officer, and a curmudgeonly Irish rector, all vying for glory - from the ruins of Persepolis to the opulence of Ottoman-era Baghdad - in a quest to unearth the relics of lost civilizations and unlock the secrets of humanity's past.--

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Subjects
Published
New York : Simon & Schuster 2025.
Language
English
Main Author
Joshua Hammer, 1957- (author)
Edition
First Simon & Schuster hardcover edition
Physical Description
xiv, 380 pages : illustrations, map ; 22 cm
Bibliography
Includes bibliographical references (pages 321-358) and index.
ISBN
9781668015445
  • Timeline
  • Preface
  • Prologue: a contest on New Burlington street
  • Rawlinson
  • Persepolis
  • Behistun
  • Kandahar
  • On the Mesopotamian Plain
  • Palace on the Tigris
  • Botta's find
  • The mound
  • Hincks
  • The Akkadian Conundrum
  • The Black Obelisk
  • The museum
  • The Battle of Lachish
  • Friendship in the desert
  • Killyleagh
  • Talbot
  • The end of an era
  • The unraveled mystery
Review by Booklist Review

For about three thousand years, a written language, cuneiform, recorded the history of Mesopotamia--the land between the Tigris and Euphrates rivers--on clay tablets. And then, several centuries before the beginning of the Christian Era, the language just sort of . . . disappeared. Papyrus supplanted clay as the favored medium for writing, and with papyrus came new languages. Flash forward to the mid-1800s, an age of exploration and pushing the boundaries of human knowledge. In 1847, three men became determined to bring this long-dead language back to life. Like The Riddle of the Labyrinth by Margalit Fox (about the decoding of the ancient Linear B text), this is an absolutely riveting story about the journey to uncover a part of human history that had been dead and buried for centuries. Hammer makes this true story as exciting as any work of fiction; this is no dry recitation of events, but a lively, suspense-filled story of adventurers and their quest to be the first to unlock the hidden rooms of history. Quite simply a wonderful book.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Journalist Hammer follows up The Bad-Ass Librarians of Timbuktu with another dazzling archival adventure. By the 1850s, several scholars claimed to have decoded cuneiform, an ancient Mesopotamian script that had first been discovered several decades earlier. But, as Hammer explains, the public was skeptical, considering all claims of cuneiform "decipherment" to be "hoaxes." William Henry Fox Talbot, a wealthy inventor (known as "the father of photography" alongside Louis Daguerre), had produced his own decipherment and, eager to prove to judgmental friends that his new pursuit wasn't "quackery," proposed an experiment: four different scholars who claimed to have decoded cuneiform would turn in their translations of the same text to the Royal Asiatic Society; if the translations matched, it would prove decipherment was possible. Hammer delves into the backstories of the scholars who participated alongside Talbot, detailing how each came to their all-consuming passion for decoding cuneiform: Austen Henry Layard, the son of a civil servant, who abandoned the strictures of Victorian society for the Ottoman empire, where he cavorted with rebels, spied for the British, and eventually got into archaeology; Henry Creswicke Rawlinson, the less accomplished son of a famous intellectual family who joined the East India Company to get away from home and found himself stationed in Persia by happenstance; and Edward Hincks, an Irish country parson who suffered from severe anxiety and rarely left his desk. Novelistic and immersive, this historical saga astounds. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Three self-taught Victorians accomplish one of the most spectacular feats of 19th-century scholarship. Readers who enjoyed the fictional adventures of Indiana Jones might imagine that real-life archeologists aren't so exciting, but journalist Hammer, author ofThe Bad-Ass Librarians of Timbuktu, may change their minds. Over centuries, he writes, European travelers, soldiers, and diplomats puttered about ruins, dotting the deserts and mountains of the Middle East, puzzling at masses of wedge-shaped "cuneiform" script carved into bricks, clay tablets, relics, palace walls, cliffs, and mountainsides. Electrified by the 1820s' deciphering of Egyptian hieroglyphs, the public clamored to learn what this even older writing revealed. Hammer's heroes worked their magic from the 1830s to the 1850s. All (unlike Indiana) were amateurs: Austen Henry Layard, a bored law clerk who sought adventure and transformed himself into the world's most celebrated archeologist; Henry Creswicke Rawlinson, a military officer in the East India Company with a flair for languages; and Edward Hincks, an overworked Irish country parson who never traveled east but became brilliant at translating ancient texts. With a generous cast of supporting characters, Hammer alternates between the crumbling Ottoman Empire's lawless deserts and mountains, where Layard and Rawlinson unearthed monuments, palaces, and thousands of inscribed artifacts, and Europe, where scholars and enthusiasts (including Hammer's three subjects) toiled, quarreled, theorized, and cheated to decipher not one but at least a dozen ancient scripts. As a bonus, Hammer delivers a modest but comprehensible primer on cuneiform linguistics. By 1860, to the cheers of an attentive media, the problems were largely solved; Layard and Rawlinson lived long and honored lives; Hincks merely lived long, although he seems to be undergoing long-delayed recognition. An archeological triumph receives the history it deserves. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.