Review by Booklist Review
The 10 freeway cuts through the most mythical of American places: California, the Southwest, and the Deep South. To understand the landscapes and cultures that unfurl on its shoulders, in 2019 Hanks embarked on a months-long road trip in a minivan full of books, camping equipment, and index cards. She wanted to re-create a trip she took in the mid-1990s with her mother, now deceased. As readers journey east toward her mother's native Florida, the story of the author's upbringing comes into clearer focus. Her mother was a complicated artist with a history of trauma that made for an unstable relationship and upbringing. A child of divorce, Hanks was raised primarily by her mother in Sacramento until her mother's health declined so much that Hanks was relocated to Los Angeles to live with her father, actor (and writer) Tom Hanks. On this journey across the South, Hanks faces questions about her mother's past and about herself. Readers will be enamored with Hanks' curiosity and vivid imagery, from Santa Monica to White Sands National Park, Marfa, New Orleans, and the Atlantic. Like the best travel writing, Hanks' work tracks how place shapes identity through history and nostalgia, while the unknown changes us via wonder and awe.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Former Vanity Fair writer Hanks--the daughter of Tom Hanks and his late first wife, Susan Dillingham--shines in this affecting debut chronicle of her turbulent relationship with her mother. Dillingham died from bone cancer in 2001, leaving behind a journal containing a cryptic reference to her father's rape and murder of a young girl. Hanks knew that her "mentally ill" mother's "relationship with reality was fluid," but in 2021 she decided to retrace a route along Interstate 10 that she and Dillingham had previously traveled, in hopes that returning to the places they'd visited, and the early sites of her mother's life, might enable her to understand the journal passage--and, by extension, her mother. Hanks provides evocative descriptions of Phoenix and Tucson, as well as wilder spaces like the White Sands National Monument, along the way. Throughout, she holds little back about the scars Susan left on her ("Like many people who grew up afraid of someone's anger, I am always ready with a joke to lighten the mood"), while carving out equal space for tenderness and admiration for her mother's sobriety and role in helping others get sober. While Hanks's quest yields few concrete answers, her journey will resonate with anyone entangled in a messy parent-child bond. It's a forthright and moving account. Agent: Isabel Atherton, Creative Authors. (Apr.)
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Review by Kirkus Book Review
Sometimes sparkling, sometimes somber narrative of a sojourn along America's southernmost interstate highway. Hanks is the daughter of actor Tom and his first wife, Susan Dillingham, who divorced when their daughter was 5, after which they split custody, he in Hollywood and she in Sacramento. There Susan descended into mental illness, but pulled herself together long enough to take her daughter to Florida along "the 10," L.A.-speak for Interstate 10, "in a Winnebago that lumbered along the asphalt with a rolling gait that felt nautical, as if we were crossing oceans instead of the vast expanses of the South." Twenty-odd years after her mother's death, Hanks borrowed a van from her father that he called the "Shit Box" to do the trip again, solo save for a brief spell with a rescued pit bull that she had to surrender in one of the most touching moments of this heartfelt, yearning narrative. Her first stop is in Phoenix, where she speaks with young locals. "Nearly every one makes some mention of how much they like that Phoenix is not cool," she says. The vastness of the desert across Arizona, New Mexico, and Texas offers a striking contrast to the make-believe Disneyland world she adores: "When you grow up with the beloved, fake version of something, seeing the real deal can be a bit of a shock." Each stop along the way from L.A. to Florida brings a history lesson (usually grim, with murder, lynching, and death among the themes, as well as a few grisly stats on the carnage wrought by semitrucks in highway accidents) and personal revelations, often grim themselves, but always with an element of self-discovery. Her galloping return trip closes on a poetic note: "Getting off the 10 feels like stepping down from a long watch through a dark, if starlit night." A lively, lovely take on an old standby, the road trip as a journey within. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
