Review by Booklist Review
The latest from the author of Keep Your Friends Close (2024) is set at a remote motel that Kerry, a struggling author, has agreed to look after while she attempts to make progress on her latest novel. Kerry is also hiding from the break-up of her marriage to Frank; her split with her best friend, Siobhan; and the cause of both of those ruptures, her struggle with alcoholism. Kerry arrives at the Twilite Motel at the beginning of February and finds much more than she bargained for when she sees the hand of a dead woman sticking out of the snow. With no cell service, Kerry seeks the help of the two closest neighbors, only to learn they're both in a land dispute with the motel's owner. Once Kerry returns to the motel, she discovers not only that the body has been moved, but that, to her horror, the dead woman is someone she knows. Though Kerry's reliability, particularly concerning the victim's identity, stretches credulity at times, this is a fast-paced and engrossing read.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review
It was supposed to be Kerry Walsh all by herself for a month as the Twilite Motel's temporary caretaker. With no internet and no distractions, Kerry planned to use the time to complete the very overdue novel manuscript that garnered her an incredible advance and a film deal and was going to launch her literary career. However, when Kerry enters her temporary new home (the motel's last room on the left), she discovers another woman's belongings strewn about. There is no sign of the former occupant's whereabouts until the next morning, when Kerry discovers a woman's hand poking out of a snowdrift outside. Konen (Keep Your Friends Close) deftly shifts the mesmerizing narrative between characters as well as back and forth in time, with nerve-shredding results, before delivering a pulse-pounding conclusion with a final, delightfully devious, Hitchcockian twist. Not since Paula Hawkins's The Girl on the Train or A.J. Finn's The Woman in the Window has an unreliable protagonist been used to such great effect. VERDICT Tipping her literary cap to Stephen King's The Shining, Konen serves up a superbly crafted novel of suspense that will thrill and delight fans of Lucy Foley, Alice Feeney, and Sarah Pearse.--John Charles
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Review by Kirkus Book Review
When a woman takes a caretaking job at a remote motel, she begins to wonder if she's losing her mind. Sound familiar? This take onThe Shining--which is referenced on Page 3--opens as Kerry arrives at the empty, snow-covered Twilite Motel, in a sparsely populated area of upstate New York. She's chosen to spend a month in this isolated location so she can write more and drink less. When she arrives, however, she doesn't find the property in the state she expected. One room shows evidence of a recent party and someone--the prior caretaker or a forgotten guest?--possibly still in residence. As she tries to find the potential squatter, she's horrified to discover a dead body buried in the snow. Due to the recent storm, power is out, and Kerry's on her own with her dreadful discovery. As she trudges through the snow looking for help, she meets the owners of neighboring properties, each of whom seems more suspicious than the last. She also learns that the previous month's caretaker was none other than her estranged best friend, Siobhan. Meanwhile, evidence keeps disappearing from the motel, making new acquaintances--and Kerry herself--doubt her sanity. As she tries to figure out what nefarious events occurred before she arrived, she grows increasingly concerned that she might be her own worst enemy. The book is told from Kerry's perspective, with chapters narrated by Siobhan woven throughout. Full of creepiness and tenable red herrings, the story is solidly engaging, with the author offering just enough breadcrumbs to hint at the truth without giving anything away too soon. Both narrators are presented as potentially unreliable, and their voices can be hard to tell apart; also, drunkenness is overused as a device. Still, the setting of the secluded motel is evocative and entirely eerie, and the story is sufficiently dire to keep readers engaged. As the characters try to make sense of their situation while also tackling weighty issues like addiction and self-doubt, things eventually become clear. A fast-paced thriller that plays up the disorientating nature of isolated locations. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
