Harlem rhapsody

Murray (coauthor of The First Ladies) delivers a winning portrait of Harlem Renaissance figure Jessie Redmon Faust (1882--1961). Jessie moves to Harlem from Washington, D.C., in 1919 to serve as literary editor of NAACP magazine The Crisis, helmed by W.E.B. Du Bois. Faust is thrilled at the opportunity to provide a venue for Black writers and helps to make stars out of Langston Hughes and Countee Cullen, but she risks her career and the magazine's reputation by having a secret affair with Du Bois, who is married. Murray illuminates Faust's steadfast and selfless work, showing how she labored behind the scenes to bring others to prominence while putting her own dream of writing a novel on hold, a sacrifice made bitter when she watches Du Bois receive the acclaim. Murray doesn't shy away from her characters' flaws, examining for instance Du Bois's disdain for uneducated Black people and Faust's mother's well-meaning if unhelpful chastening ("You are neither white nor a man, and so you'll be judged harshly and unfairly, even as you perform well"). Historical fiction fans will want to snatch this up. Agent: Liza Dawson, Lisa Dawson Assoc. (Feb.)

Murray ("7 Deadly Sins" series) presents an engaging account of an underappreciated yet pivotal figure in literary history. In 1919, high school teacher Jessie Redmon Fauset's passion for writing captures the attention of W.E.B. Du Bois and secures her a trailblazing job as the first Black woman literary editor at The Crisis, the NAACP magazine founded by Du Bois. An excited Jessie moves from Washington, DC, to New York City to start the job, but she's hiding a secret: Du Bois, Jessie's new boss, has also been her long-distance lover for years. Now that they're both in Harlem, it will be harder for Jessie and the married Du Bois to keep their affections hidden from everyone. As years pass, Jessie becomes a more and more integral part of The Crisis, especially in cultivating new young writing talents such as a 17-year-old Langston Hughes and a 16-year-old Countee Cullen. But when she finds herself clashing, both professionally and personally, with Du Bois, Jessie is faced with an agonizing choice between her loves. VERDICT While the historical facts could be more smoothly woven into the flow of the story, this bibliophilic novel will please fans of the bestselling historical novels that Murray coauthored with Marie Benedict (The Personal Librarian and The First Ladies).--Joy Gunn