The poets & writers complete guide to being a writer Everything you need to know about craft, inspiration, agents, editors, publishing and the business of building a sustainable writing career

Kevin Larimer

Book - 2020

"For half a century, writers at every stage of their careers have turned to the literary nonprofit organization Poets & Writers and its award-winning magazine for resources to foster their professional development, from writing prompts and tips on technique to informative interviews with published authors, literary agents, and editors. But never before has Poets & Writers marshaled its fifty years' worth of knowledge to create an authoritative guide for writers that answers every imaginable question about craft and career--until now."--Page 2 of cover

Saved in:
1 being processed
Coming Soon
Subjects
Genres
Handbooks and manuals
Published
New York ; London ; Toronto ; Sydney ; New Delhi : Avid Reader Press 2020.
Language
English
Corporate Author
Poets & Writers, Inc
Main Author
Kevin Larimer (author)
Corporate Author
Poets & Writers, Inc (-)
Other Authors
Mary Gannon (author)
Edition
First Avid Reader Press hardcover edition
Item Description
"The definitive source of information, insight, and advice for creative writers, from the nation's largest and most trusted organization for writers, Poets & Writers."--Page 2 of cover
Physical Description
xiv, 480 pages ; 25 cm
Bibliography
Includes bibliographical references (pages 451-462) index.
ISBN
9781982123079
  • I.
  • Introduction: The Freedom and the Power
  • Being a writer is not a hobby
  • We all have a different story to tell
  • Living an engaged life
  • From inspiration to publication and beyond
  • The evolving ecosystem of writing and publishing
  • A successful author is an informed author.
  • 1. Getting Started
  • Establishing goals and making informed decisions
  • Educational goals
  • Terrance Hayes recommends five healthy reading habits for living a life in poetry
  • Writing goals
  • Publishing goals
  • Financial goals
  • Money matters
  • Higher goals
  • Living a deliberate writing life
  • There is no road map.
  • Writer's Notebook: George Saunders on Motivation
  • 2. Inspiration
  • Demystifying inspiration
  • Being open to new ideas
  • The art of observation
  • The adjacent possible
  • The writer's commonplace book
  • The concept of flow
  • Shutting out the noise
  • Eight apps to help you focus while writing
  • On distraction.
  • READING LIST: Cheryl Strayed Recommends Five Books to Read When You Need to Be Brave on the Page
  • 3. Writing Prompts
  • A symphony of ideas
  • Walk with me
  • Shape-shifting
  • Pandora's box
  • Line of inquiry
  • Not the same old story
  • Recreating fear
  • Digging deep
  • Foregone conclusion
  • Open house
  • Reshaping the past
  • On beauty
  • Missed connections.
  • Writer's Notebook: Ocean Vuong on Becoming a Poet
  • 4. One Hundred Notes on Craft
  • A way of thinking
  • Character and event
  • Dialogue
  • Poetry as a political act
  • Truth and nonfiction
  • The narrative sentence
  • Point of view
  • Rhythm and meter in poetry
  • Image and emotion
  • Form and matter
  • Time and experience
  • Poetry and place
  • Deep structure
  • Romance in fiction
  • Rules and revision
  • The vivid and continuous dream.
  • Reading List: Yiyun Li Recommends Five Books to Remind You Why You're a Writer
  • 5. Finding Community
  • The writer's paradox
  • Connecting with others
  • Literary festivals
  • Twenty-five of the best book festivals in the United States
  • Writers conferences
  • Fourteen conferences and retreats for underrepresented voices
  • Trade shows
  • Writers retreats
  • Six ideas for DIY writers retreats
  • Twelve residencies abroad
  • Elements of a writers retreat application
  • Writing groups
  • Readings.
  • Writer's Notebook: Christina Baker Kline on Encouragement
  • 6. A Writer's Education
  • Can writing be taught?
  • MFA programs
  • Six authors on whether to pursue an MFA
  • Full-versus low-residency MFA programs
  • Twenty-one questions to ask
  • How to choose
  • Eight elements of unique MFA programs
  • What you need to apply to MFA programs
  • Who is reading your application?
  • Advice from MFA graduates
  • MA and PhD programs
  • Nonacademic writing programs
  • Online programs
  • Parting thoughts.
  • Reading List: Natalie Diaz Recommends Five Books to Read When Constellating Indigeneity and Our Individual and Collective Relationships to Bodies of Land, Language, Water, and Flesh
  • II.
  • 7. Writing and Time
  • Stealing time to write
  • The struggle with time as a positive force
  • Learning to say no
  • How long it takes to write a book
  • How long it takes to publish a book
  • The age-old question
  • It's never too late.
  • 8. Writing and Money
  • A little financial planning
  • Debt and the MFA student
  • Federal student aid
  • Expenses and cost of Living
  • Taxes and insurance
  • Health insurance
  • Getting paid
  • Eyes on the prize
  • Worksheet: valuing your time
  • Worksheet: business deductions (unreimbursed).
  • 9. Writing and Happiness
  • Expressive writing
  • Narrative medicine
  • Flow and productivity
  • Permission to be proud
  • The tortured artist myth
  • Imposter syndrome
  • Rejection
  • The pressure to produce
  • Writer's block
  • Envy
  • Our team is winning.
  • 10. Writing and Family
  • Respect and expectations
  • Supportive partners and friends
  • All expectations are not equal
  • Impediment and inspiration
  • Writing with children
  • Communication
  • Resources for writers who are parents.
  • 11. Writing and Respect
  • Writing about others
  • Let your fear drive you
  • Sensitivity readers
  • Quality as a sign of respect
  • Opinions: everyone has them
  • Book critics on the value of negative reviews.
  • 12. Writing and the Law
  • Copyright
  • Electronic rights
  • Exclusive rights
  • First serial rights
  • Reprint rights
  • Subsidiary rights
  • World rights
  • World English rights
  • Film options
  • Libel
  • Fair use
  • Public domain
  • Basic parts of a book contract.
  • III.
  • 13. Literary Magazines
  • A brief history
  • First steps in publishing
  • Getting started
  • Free online databases
  • Reputation
  • Reach
  • The company you keep
  • Magazines that pay
  • How to submit your work
  • A note on reading fees
  • What to expect after submitting
  • If your work is accepted
  • What to do with rejection.
  • Writer's Notebook: Charles Yu on the Inner Writer
  • 14. Writing Contests
  • Sorting the options
  • Pros and cons
  • A cost-benefit analysis
  • Entry fees
  • How contests are run
  • The smart approach to contest submissions
  • On winning
  • On Losing
  • Letting go of the results
  • Worksheet: submission tracker.
  • Reading List: Dani Shapiro Recommends Five Books to Read When You're Feeling Lonely, Solitary, and Out of Step with the World
  • 15. Self-Publishing
  • A fork in the road
  • A brief history
  • First, some questions
  • The advantages and drawbacks of self-publishing
  • Not a sure stepping-stone
  • The logistics of self-publishing
  • How much it costs
  • Publicity efforts for self-published books
  • Looking ahead
  • Hybrid publishers
  • Parting thoughts.
  • Writer's Notebook: Jane Hirshfield on the Poem as a Field of Possibility
  • 16. Literary Agents
  • The small world of publishing
  • Going it alone: contests and small presses
  • Finding an agent: preparing the ground
  • Eighty-four agents active on Twitter
  • Approaching an agent: the query letter
  • Five basic elements of a successful query letter
  • Case study: Nana Kwame Adjei-Brenyah's Friday Black
  • Five key query questions
  • Case study: Nathan Hill's The Nix
  • Selling nonfiction: book proposals
  • Case study: Polly Rosenwaike's Look How Happy I'm Making You
  • Getting to the submission: working with an agent
  • The agency agreement.
  • Reading List: Anthony Doerr Recommends Five Books That Might Save You When Your Writing Starts to Feel Dry and Dull and You Consider Becoming a Full-Time Dog-Walker
  • 17. The Book Deal
  • How publishers make decisions
  • Profit and loss: how editors think about your work
  • The bids: individual, preemptive and auction
  • Advances: how the money works
  • Ancillary rights: what's in the fine print?
  • Nonfiction; selling the truth
  • Beyond the book contract
  • Inking the deal.
  • Writer's Notebook: Adam Haslett on Faith and Wonder
  • 18. Independent Publishers
  • The indie publisher alternative
  • Eyes on a prize greater than dollar signs
  • Before you sign a small-press contract
  • A launching pad for emerging writers.
  • Reading List: Benjamin Percy Recommends Five Books That Will Change the Way You Think About Writing
  • 19. Working with Your Editor
  • Communication, trust, patience
  • Types of editing
  • The author-editor relationship
  • Expectations
  • What happens if your editor leaves?
  • The editing process
  • What was the most unexpected thing about the publication process?
  • How Long do you need to wait before your book is published?
  • Pacing the follow-ups.
  • Writer's Notebook: Luis Alberto Urrea on Trust and Power
  • 20. Publication Checklist
  • Cover art
  • Promotional copy
  • Blurbs
  • Author photos
  • Publication credits
  • Permissions
  • Parts of a manuscript
  • Title page
  • Copyright page
  • Dedication
  • Acknowledgments
  • Quotation page or epigraph
  • Preface
  • Foreword
  • Table of contents
  • List of illustrations
  • Dramatis personae
  • Prologue
  • Appendix
  • Glossary
  • Endnotes
  • Bibliography
  • Index.
  • Reading List: Nicole Dennis-Benn Recommends Five Books to Read if You're Unaccustomed, Queer, and Alien in a World Too Stuck on Labels to Read Between Lines and Across Borders
  • 21. Publicity and Promotion
  • Publicity and promotion in context
  • Working with your publicist
  • The changing media landscape
  • Small-press publicists
  • Communication and collaboration
  • Media outreach
  • A few thoughts on engaging readings
  • A sample press release sent to media outlets
  • Considering a freelance publicist
  • Social media
  • Ten of the best writers on Twitter
  • Good things can happen on Goodreads
  • Author websites.
  • Writer's Notebook: Jennifer Acker on Promoting a Book as an Author with a Disability
  • IV.
  • 22. Surviving Success and Failure
  • Empires built on shifting sands
  • F is for failure
  • The "loser" list
  • Failure is forever
  • The implicit shrug
  • S is for success
  • What is your definition of success?
  • Playing the game
  • R is for reading the reviews.
  • Reading List: Naomi Shihab Nye Recommends Five Books of Poetry to Turn to When the Going Gets Rough
  • 23. Careers
  • Supporting-cast work
  • Academia
  • The publishing industry
  • Freelance editing
  • Freelance writing
  • Pitch writing 101
  • Other writing gigs to consider
  • Speaking engagements
  • Literary nonprofits
  • Parting thoughts.
  • Writer's Notebook: Ada Limón on Sadness and Succulents
  • 24. The End of the book
  • What writers don't talk about
  • Don't be embarrassed
  • Be proud of yourself
  • Find your team
  • A mixture of feelings
  • Fear and doubt
  • Feel all of it.
  • Reading List: Nafissa Thompson-Spires Recommends Five Bucks to Remind You Why You Started Writing When the World Is Too Much and Not Enough and Expatriation or Giving Up Isn't an Option
  • 25. The End is Just the Beginning
  • The path up ahead
  • Something bigger than ourselves
  • The forest for the trees
  • The freedom and the power
  • Time to get started.
  • About Poets & Writers, Inc.
  • Free Resources at pw.org
  • 15 National Organizations Serving Writers and Writing
  • 140 Books for Every Serious Writer's Bookshelf
  • 20 Top Podcasts for Writers
  • 5 Video Playlists for Writers
  • Acknowledgments
  • Sources
  • Index
Review by Kirkus Book Review

A welcome vade mecum on the business and art of writing for publication. "Writing is easy. You just open a vein and bleed." So growled the prolific sports journalist Red Smith, who had to bleed daily. As Poets & Writers veteran editors Larimer and Gannon note, the business of publishing has changed considerably since Smith's heyday, but the verities are eternal. "Writing is a lifelong endeavor," they write, "and one that doesn't end when you finish a poem, story, essay, or longer writing project." That is just so, and against that truth and others, they propose sets of "action items," such as making a list of your personal goals as a writer, at first short-term (daily word count achieved, for instance) and then longer-term career objectives. These items are highly specific: If you want to sign up for an MFA, they write, then research which ones fit your needs best, interview administrators and students, and otherwise do your homework. This specificity is the most helpful part of a book that is altogether instructive, if sometimes a touch discouraging: As Larimer and Gannon are quick to point out, in 2017, the median income for full-time writers was $20,300, a shade south of the poverty line for a family of three. For those willing to brave the long odds, the authors offer a few bits of cheerleading, including the thought that it's OK to "give yourself permission to brag a bit"--which is to say, if someone asks what you do, call yourself a writer and own it without apology. Among the many highlights of this book for beginning writers is a list of writers' conferences that appeal to underrepresented constituencies in a publishing world that, because it's so economically marginal, tends to favor those advantaged enough not to have to worry about income. A book of benefit to well-practiced as well as novice writers, full of useful advice, pointers, and prompts. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.