Load in nine times Poems

Frank X. Walker, 1961-

Book - 2024

"For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers--including his own ancestors--who enlisted in the Union army in exchange for emancipation. Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more "[clarify] not only the inextricable value of Black life and labor to the building of America, but the t...errible price they were forced to pay in producing that labor" (Khadijah Queen). "How do you un-orphan a people?" Walker asks. "How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?" While carefully attuned to the heartbreak and horrors of war, Walker's poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: "I am America's promise, my mother's song, / and the reason my father had every right to dream." Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry"--

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Subjects
Genres
Historical poetry
Poetry
Published
New York, N.Y. : Liveright Publishing Corporation [2024]
Language
English
Main Author
Frank X. Walker, 1961- (author)
Edition
First edition
Physical Description
xi, 123 pages : illustrations ; 22 cm
Bibliography
Includes bibliographical references.
ISBN
9781324094937
  • Truth Be Told
  • Back Side of My Old Kentucky Home
  • Ain't No Plantations in Kentucky
  • Accounting
  • Testify
  • After My Decease, a Last Will and Testament
  • Mother to Mother
  • A Pinch of Seasoning
  • Teamster
  • Silent Partner
  • Because I Am a Man
  • Grapevine
  • Telegram to Recruits from the President, August 1864
  • Telegram to Lincoln from Kentucky USCT, August 1864
  • Why I Don't Stand
  • Frederick Douglass Recruits
  • Mother May I?
  • Blue Summer
  • Palisade Picket Fence Speaks
  • Grove
  • Damned Northern Aggressors
  • The Fire Last Time
  • Unsalted
  • Harriet
  • Fightin' Words
  • Catch Me If You Can
  • Mutiny
  • How Salt Works
  • Bird Watching
  • Cost of Equality
  • Of Course
  • Load in Nine Times
  • We Will Prove Ourselves Men
  • Golden Shovel for Matilda Dunbar
  • Male Call
  • Color Bearer
  • Two Soldiers Who Can't Sleep Tell Jokes
  • Boogeyman
  • Simpsonville
  • Two Soldiers Who Can't Sleep Compare Scars
  • Every Page a Mile
  • Children's Song
  • Two Soldiers Who Can't Sleep Make Plans
  • Let My People Go
  • What About the Children?
  • To Be Took
  • Checkout Time
  • Heirloom Seeds
  • The Big Breakup
  • Reconstruction
  • Birth of a Notion
  • Don't Judge Me
  • Our Grievance
  • 1867-1868, Dark Year in the Bluegrass
  • Birth of a Notion, No. 2
  • Oath Keeper
  • Proud Boys
  • Ex-Confederate Officers Toast
  • Birth of a Notion, No. 3
  • Affidavits
  • Buffalo Soldiers
  • Penmanship
  • Black Love Day
  • A Black Father Dreams a Son
  • Timeline
  • Acknowledgments
  • Notes
  • Bibliography
  • Illustration Credits
Review by Publisher's Weekly Review

Walker's excellent 12th collection (after Love House) captures the Black experience before and after emancipation in intimate and expansive poems. It opens with an 1841 newspaper clipping from Henderson County, N.C., announcing a $30 reward for a runaway slave. Walker experiments with forms and styles, from free verse to more structured compositions, masterfully blending personal narratives with broader historical themes. In a poem in the voice of Margaret Garner, a formerly enslaved woman who killed her infant daughter rather than allowing her to be forced into slavery, the speaker declares, "Don't call me Murderer./ Step back from all this./ Stop eyeballing me and the sharp sharp blade./ Take a closer look at the white men... I spared my baby girl not from this life/ but from my life." Throughout, Walker draws on the emotional and psychological dimensions of poetry to transform slavery from historical fact to lived experience. "Grove" centers on the observations of a Black soldier enlisting in the Civil War alongside other Black men, describing the line of waiting men as "a grove wanting to be a forest,/ ready to see what kind of wood we made from." These vivid and evocative poems underscore the struggles Black people have faced while offering beautifully crafted, illuminating reflections on those experiences. (Oct.)

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