The phantom patrol

James R. Benn

Book - 2024

"Months after the Liberation of France, ex-Boston cop Billy Boyle has landed in its war-torn capital city, still carrying with him the weight of his last mission. He witnesses a Paris ailing from the carnage it has endured--blocked roadways, buildings marked by bullet holes--but with the nascent hope that the war might be coming to its end. When Billy and his long-time comrade Kaz survive a tense shoot-out in the Père Lachaise Cemetery, they discover a rare piece of artwork left behind in an unmarked grave. Could the artwork be connected to the Syndicat du Renard, a shadowy network of Nazi sympathizers known to be smuggling stolen artwork out of France? Billy's investigation takes him through a shadowy underworld of art thieves a...nd the heroic squad of cultural protectors, like the real-life Monuments Men, trying to stop them. Trailing the Syndicat and its unknown leader, the Fox, Billy discovers that someone with a high level of security and communications clearance--someone in the Phantom regiment of the British Army--may be using his position to aid the thefts. Determined to stop the gang of looters, Billy heads up to the frontlines of the war, to a tense, frostbitten Calvary, where the Phantom unit's headquarters is based. There, the Battle of the Bulge--one of the bloodiest campaigns in the history of World War II--unfurls in the Ardennes Forest, on the border of Belgium and Luxembourg. Can Billy and his team survive the bracing onslaught, and return a throng of stolen artwork to its rightful owners?"--

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MYSTERY/Benn James
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1st Floor New Shelf MYSTERY/Benn James (NEW SHELF) Due Oct 25, 2024
Subjects
Genres
Detective and mystery fiction
War fiction
Historical fiction
Novels
Published
New York, NY : Soho Crime [2024]
Language
English
Main Author
James R. Benn (author)
Physical Description
330 pages ; 24 cm
ISBN
9781641295437
Contents unavailable.
Review by Booklist Review

The ninteenth book in the Billy Boyle WWII Mystery series finds Captain Boyle, formerly a Boston cop and now a newly minted detective, in the thick of trying to solve a string of murders and return looted artworks, all while surviving the Battle of the Bulge. The time frame is concentrated in December 1944, several months after the Liberation of Paris. Captain Boyle, working with a team of Counter Intelligence Corps officers, investigates the murders and plundering committed by a gang known as the Syndicat du Renard, a loose union of French criminals, corrupt cops, and Nazi sympathizers working to sell recovered artworks stolen by the Nazis on the black market. Author Benn has a gift for rendering complex military history understandable and exciting. Here, he includes fascinating details about life after the Paris liberation and intriguing cameos of real people of the time: Hemingway is covering the war for Collier's; Rose Valland (of Monuments Men fame) advises Boyle and his crew on stolen artworks; and British actor and Major David Niven, of the "Phantom" special reconnaissance regiment, takes Boyle on a wild, witty ride in his M3A1 scout car, outfitted with a mounted machine gun and brandy. An absorbing and entertaining military-history mystery.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Looted Nazi artwork and the buildup to the Battle of the Bulge provide the backbone for Benn's richly detailed latest action thriller featuring U.S. Army investigator Billy Boyle (after Proud Sorrows). On special assignment in Paris in the winter of 1944, Boyle stumbles across a Gustav Klimt drawing that's been making its way through the underground art market. He quickly ties it to the Syndicat du Renard, a group of Nazi sympathizers seeking to capitalize on the spoils of war. At the direction of his uncle, Dwight Eisenhower, Billy ventures to Belgium in search of clues about the syndicate. There, he runs into Nazi troops on the verge of launching an offensive. The action moves briskly as the determined Boyle, aided by fellow Army investigators (and series regulars) Kaz and Big Mike, gradually uncovers a Nazi plot with the potential to determine the outcome of the war. As always, Benn peppers the action with real history, ranging from the harrowing (the Malmedy Massacre) to the quirky (soldiers J.D. Salinger and David Niven make cameos). At times, the search for the art thieves falls by the wayside as Boyle dodges more immediate perils, but loyal readers are likely accustomed to Benn's meandering narratives. This will satisfy series fans. Agent: Paula Munier, Talcott Notch Literary. (Sept.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

World War II is finally ending. Or is it? Paris. December 1944. U.S. Army captain Billy Boyle and his stalwart sidekick, Kaz--Lieutenant Piotr Augustus Kazimierz--are patrolling the Père Lachaise cemetery along with a group of Counter Intelligence Corps agents. Ever since France was liberated following the D-Day invasion that summer, there's been a rash of vandalism and looting and, most seriously, the theft of priceless art. Explosions disrupt this evening's vigil and turn the cemetery into a crime scene. The search for the art thieves sets Benn's plot in motion: Are these random miscreants or members of a nefarious Nazi Syndicat? The complex investigation provides a solid pretext for visits to notable French locations like Versailles and a spirited recounting of deeply researched aspects of the war effort, a compelling hallmark of this long-running series. A brutal multiple murder adds heat and urgency to the search. Billy Boyle fans will appreciate cameos by series regulars Big Mike Miecznikowski, who like Billy was a cop before the war, and Diana Seaton, Billy's love interest, as well as actor David Niven, who served in the unit on whose exploits the novel is partially based. Although Boyle's 19th adventure eventually takes the reader to the bloody Battle of the Bulge, with scenes of gritty action, weaponry, and satisfying historical detail, it's often a sobering reflection on the devastating consequences of war. Benn's absorbing series continues at a high level. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One Paris, December 13, 1944 The night was cold, cloaked in a deep darkness brought on by a bank of clouds sailing in on the winds and vanquishing the moonlight. Dead leaves, crisp and brittle, swirled in man-sized cyclones on the cobblestones, one so dense that I mistook it for someone sauntering through the graveyard. But no one was strolling through the Père Lachaise at this hour. I knew that for a fact, having been here lying in wait for the last five hours. Standing in wait, as a matter of fact, with only Marcel Proust for company. He didn't have much to say, being six feet under. I had a small cemetery chapel to lean against. But that didn't stop my legs from cramping up, and not for the first time, I sat on Marcel's cold tombstone, offering up my apologies for the disrespect. I heard a scrunching sound, maybe leaves being crushed underfoot. Or the wind, sending leaves skittering against a wall. Scritttch. The sound drew nearer. I squinted, trying to locate where the noise came from. Somewhere along the path, close to where Kaz was hiding. I couldn't see him, but we'd been through enough that I trusted he was right where he needed to be. I spotted it. A large leaf, its curled lobes arched downward, its stem pointed upward like the tail of some gruesome insect dancing down the cobblestones. I almost laughed. Spooked by a dead leaf. I checked the luminous dial on my watch. A little past four in the morning. We'd expected them at one o'clock, or oh-one-hundred, the way the army liked to say it. I began to think about giving the whole thing up. Blame it on bad intelligence, but it seemed to me that the Syndicat du Renard was not coming out tonight. I thought about slinking back through the tombstones and monuments to where Kaz was hidden near the grave of Oscar Wilde. The Père Lachaise Cemetery, all eighty acres of it, was a ritzy final resting place for the rich and famous, as well as regular Parisians who were lucky enough to get in. We were here with a team of Counter Intelligence Corps agents, waiting for a gang that aimed to do a little grave robbing. Or so we'd been told. I stretched, trying not to stiffen up. I moved around the tiny chapel, watching for any sign of movement before I headed in Kaz's direction. Then I heard the footsteps. The fall of a bootheel on gravel. Silence. A sliver of light, quickly extinguished. I froze, listening for another sound. It was impossible to see any distance through the crowded grave markers, crypts, and mausoleums, but from what I could make out, the light and sound had come from behind me, deep within the cemetery. Had they already gotten in? We had the entrances covered. Two CIC agents were at the rue des Rondeaux gate, thirty yards in the other direction. Our source had said they'd use that entrance, but I guess his dope didn't extend to their arrival time. I took off a glove and unholstered my Colt, stepping over graves and catching the slightest of sounds, probably much like the noise I was making. I stopped beside a tree, about halfway to Kaz's location. I edged around the trunk and saw a mausoleum, not six feet in front of me. The thick wooden door was open. They'd been inside the cemetery all night. Before we got here. Patient bastards. I heard the clink of metal on wood. The sound of tools being carried. I followed the sound, which was headed for Kaz's position. There was no way our guys outside or even the two agents at the gate had heard, and I could only hope Kaz had picked up on the clatter. The wind kicked up, swirling leaves again and making enough noise for me to barrel around a couple of tombs and make my way to the path. That's when I saw them, four guys gathered around a flat gravestone. They were blurs, the darkness too complete to make an identification. Which was why we had CIC special agent Jerome Salinger with us. He'd interrogated a few men who were suspected of black market activities but had been let go for lack of evidence. Later they were found to have links to a syndicate run by an unknown character known only as the Fox. We were hoping the Fox would turn out to be one of the men Salinger had interrogated, or that one of his men could be convinced to turn against him. We wanted an identification badly. The Fox had been responsible for the assassination of a CIC agent who'd gotten too close. Which is why we'd laid this trap. The syndicate might think they'd outwaited us, but we still had the place surrounded. I heard the brush of fabric against stone. A hand gripped my shoulder. "Billy," came the whisper. It was Kaz, light on his feet and his Webley revolver at the ready. "They've been inside all along," I said softly, leaning close. "Yes. They failed to extinguish their light when they opened the mausoleum. I saw it out of the corner of my eye. What shall we do?" I knew Kaz would be up for a fight. The only question was, how to make sure we won it. "Let's take them," I said. The scrape of stone on stone told us they'd gotten to work with a pry bar. "We could wait for them to remove whatever they are after," Kaz said. "Or grab them while they're busy with the stone," I said. "Good," he whispered. "Let us announce ourselves with a gunshot. That will bring the others running." I nodded and squeezed his arm. We stepped onto the path, each of us automatically keeping to one side, maximizing the space between us. The figures ahead and to the right hadn't noticed us yet, which told me they'd expected us to be gone. Or, that waiting for hours was their regular routine. A routine of extraordinary patience and caution. I didn't like it. But it was too late for second thoughts. Kaz raised his pistol as I leveled my automatic at the men clustered together over the grave. "Halt!" I shouted. Kaz fired, the discharge shattering the still night. Two shots came at us, and we each dove for the cover of the nearest stonework. It looked like only one man had fired, probably a lookout who was at the ready. But the burst from a Sten gun announced they'd come loaded for bear. Or for us. I fired at the afterimage of the muzzle flash, then ducked as another burst slammed into the mausoleum. Kaz let off two more shots and I backed up, taking cover behind a tree as a gunman fired into the position I'd just vacated. I didn't have a clear shot at him, but as I scrambled between the graves, I realized these guys must be soldiers. Deserters, probably, but they knew to outflank an opponent after keeping him pinned down. I got behind them and heard frantic shouts in French coming from farther down the path. More of them? Maybe. But I didn't have time to count. I rose from behind a tomb and fired once, twice, aiming for the moving bodies coming my way. One guy grunted and went down. I instinctively ducked, expecting return fire. There was one shot, then nothing. "They're running," Kaz shouted. "Get clear!" Now I really had a bad feeling. I went back the way I'd come and saw two figures moving down the path. Our CIC agents. "Take cover!" I shouted. I heard Kaz yelling at the reinforcements coming from the other direction, sending them after the retreating gunmen. Then the explosion. It came from just over the wall, a blast followed by the whomp of exploding fuel. A truckload of it, by the size of the fireball. The next explosion was different. A sharp crack and a small, bright flash came out of the open grave. Not enough to do a lot of damage, unless you were standing over it. Which is what I would have been doing if Kaz hadn't given the warning. I walked up to the smoldering tomb as flashlight beams and the tread of boots drew closer. "Did they get away?" Special Agent Salinger asked, skidding to a halt and playing his flashlight over the grave. It was empty, except for drifting smoke, shreds of burnt canvas, and scorch marks. "One of them didn't," I said, pointing to where I knew one man went down. Salinger went to inspect the corpse as Kaz returned, shaking his head. "They're gone," he said. "Up and over the wall, I suspect. The burning truck drew everyone's attention." "Obviously part of the plan," I said. "Hey, Captain Boyle," Salinger said. "I wish you hadn't plugged that guy. We could have interrogated him." "There was a lot of shooting," I said. "I thought asking nicely wouldn't be very effective." "What do you mean?" Kaz asked Salinger as he eyed the corpse. "He'd taken a slug in the side," Salinger said. "A bad wound, but not fatal. So why the bullet to the head?" "I did fire twice," I said. "But I think I only hit him once. I heard him grunt when he went down." "It was up close, right between the eyes," Salinger said. "There's a tattoo of unburned powder. Looks like a small caliber weapon. That wasn't you?" "Nope. I wasn't that close, and my .45 doesn't qualify as small caliber. But I did hear another shot. I thought it was aimed at me," I said. "Excellent planning and a ruthless approach," Kaz said. "Who are we dealing with here?" "And what the hell was in that grave?" I asked. Excerpted from The Phantom Patrol by James R. Benn All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.