Vertigo The rise and fall of weimar germany

Harald Jähner, 1953-

Book - 2024

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1 copy ordered
Published
[S.l.] : Basic Books 2024.
Language
English
Main Author
Harald Jähner, 1953- (author)
ISBN
9781541606203
  • Preface: The New Life
  • 1. When the War Came Home
  • The first few days
  • Unholy alliance
  • Undefeated in the field, but vanquished by women
  • 'You can't dance the shame from your body'
  • 'Day labourers of death'
  • Frontline experience, domestic misery
  • Servants of state in the crosshairs
  • Ebert, a man despised
  • 2. When Money Dies
  • Loser pays all
  • Live for the moment
  • Inflation, new freedom and moral collapse - Otto Dix & Co. see the Republic as one big brothel
  • The turning point: 20 pfennigs = 120 billion marks
  • Hurtling again, but upwards this time
  • 3. Extreme Living
  • In the Bauhaus house
  • 'We actually live like pigs, terribly thoughtlessly'
  • Door to door - new building for the urban masses
  • Built euphoria
  • The flat roof as a matter of conscience - Heimatschutz architecture
  • 4. 'Destinies Behind Typewriters' - The Supporting Class of the New Age
  • At eight o'clock in the morning strange beings populate the streets
  • Quick even when sitting down: the quiet dramas of the office
  • 'I want to stay pretty for as long as I can'
  • Intellectuals in the office - cameos from the upper class
  • 5. Precarious Balance: The Death of Ebert, the Arrival of Hindenburg
  • The president sits a posthumous test - and so does the Republic
  • The hero of Tannenberg in blackredmustard
  • Flag dispute on a Baltic beach
  • 6. Traffic as the Art of Citizenship
  • 'Never too near or too far': the city and the sense of touch
  • A city without people
  • Flaneurs and car drivers
  • 'Thinking ore' and singing cars
  • Up and away - women at the wheel
  • 7. The Charleston Years
  • 'They pay, and you must dance'
  • 'Shimmy shake!'
  • Out of Africa
  • Shisha pipes in Haus Vaterland, an office in Moka Efti
  • 8. Self-optimisation: Perfecting Leisure and the Body
  • Lunapark
  • In the cinema: visible voices
  • 'Poets should box'
  • The Blue Light - Leni Riefenstahl emancipates herself as well
  • 'I'm only really cheerful in my association'
  • Struggle, against whomever
  • 9. Between Woman and Man - Gender Doubts
  • 'The fashionable, skinny half-boy'
  • Politics with hair-scissors: the bob
  • Rittmasters with bosoms - the cultural appropriation of the monocle
  • Strong women, insecure men
  • Bull necks, archangels, character studies and pea-brains - on the physiognomy of the Weimar Republic
  • 10. The Work Runs Out
  • New York miscalculates, and the stone starts rolling
  • Black zero: budgetary consolidation at any price
  • A yarn manufacturer from Delmenhorst is the final straw - the plunge is unstoppable
  • Unemployed, and not on benefits
  • Work and home: the land of timeless industry
  • The jobless don't dream of revolution
  • 'Productive and parasitic capital' - wounded honour among workers and anti-Semitism
  • 11. The Mood Plummets, Taste Adapts - Cultural Conflicts in a Time of Depression
  • 'It Only Happens Once, It'll Never Come Again': peak performances in spite of the crisis
  • Rule of the inferior: nothing but trash?
  • Campaigns of optimism for the climate of consumption
  • The uprising of the provinces: agrarian romanticism and ecology
  • The end of the Charleston
  • 12. Evening Over Potsdam - the End of a Community of Communication
  • Banquet with easel
  • On the left Die Weltbühne, on the right Die Tat
  • Please be as ruthless as possible: arrogance and submission
  • 13. Lonely Elites - Cabinet Politics vs Populism
  • The prelude: coup in Prussia - von Papen drives the regional government out of office
  • Final offer: networker Kurt von Schleicher and the cross-party front
  • 14. The End: Chancellor Hitler
  • Celebration and terror
  • From chancellor to Fuhrer out of 'heart-breaking disunity'
  • Democracy abolishes itself
  • Epilogue
  • Bibliography
  • Endnotes
  • Acknowledgements
  • Picture credits
  • Text credits
  • Index
Review by Kirkus Book Review

A vivid history of Germany after its defeat in World War I. German journalist Jähner, author ofAftermath: Life in the Fallout of the Third Reich, reminds readers that the 1918 surrender came as a terrible shock to a people largely untouched by the war whose distant army was retreating but still in good order. Most soldiers were happy to go home, but a minority enjoyed being "proud warriors" and despised the disorderly democracy that had replaced the Kaiser only slightly less than German communists, who were anxious to join the Bolshevik revolution in progress across the border. There followed several years of murderous instability, economic upheaval, and failed coups before Germany achieved a measure of stability. Communists and extreme-right parties joined the government. Both exerted a malign influence, hated democracy, and proclaimed that a government cabal had betrayed the nation in 1918. Despite this dismal landscape, the 1920s featured a golden age of art and a revolution in lifestyles. Readers seeking an overall history of this era should consult Eric D. Weitz'sWeimar Germany: Promise and Tragedy. Jähner does not ignore politics, but mostly this is an outstanding cultural history. "The gender debates about LGBT+ are by no means an original development of the early twenty-first century; they had a massive prelude a hundred years ago," writes the author, who also offers useful insights on literature, dancing, architecture and design, automobiles and city traffic, cinema, fashion, and even hairstyles. One dismal legacy of the Weimar era is hatred of the government, which, perhaps as a consequence, did not attract outstanding leaders. Jähner's final chapters on the depression years reveal a democracy quietly dying. By 1933, the Nazis were Germany's largest political party, and its takeover was peaceful and entirely legal. A gripping account of a nation's experiment in democracy. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.