If you knew my name

Lisa Roberts Carter

Book - 2024

His mother is a BLM activist. Mason Tyndall is an aspiring rap artist whose mother is a BLM activist. She saw fatal officer-involved shootings as senseless tragedies. He viewed them as trending hashtags--that is, until he almost became one. Mason Zy'Aire Tyndall has big dreams. Dreams of sick beats, epic mic-drops, sold out stadiums. Mason's going to be a rap star--and you don't become a rap star by hitting up BLM protests with your mom or sitting at a desk. Mason wants to get out there and make a name for himself, but he'll have to graduate high school first. And he can't do that if he fails his senior year. Convinced his poetry class is a waste of time, Mason's teacher helps him see just how valuable a couple...t and a rhyme can be. But when an unarmed Black man is killed by the police in his city, tensions start to rise--among the cops, the community, and even Mason's peers. Caught in the middle of increasingly violent conflicts, Mason will have to find a way to use his voice for change...and fast.

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Review by Booklist Review

Mason, a Black high-school senior, has one goal in life: becoming a rapper. He works hard at his flow, competing in rap battles as he tries to establish himself. His mother is a BLM activist, but Mason has no time for that. He enters his senior year looking forward to coasting through school, prom, senior cut days, and the senior prank, but his guidance counselor brings him up short by telling him he needs one more credit to graduate. She recommends a class on Black poetry, but he's not initially interested. He finally agrees to try it. At first, he has his doubts: the teacher is White, and he questions her ability to teach the class. As the class progresses, students express themselves (mostly through poetry) about race relations, affirmative action, and police shootings. When Mason is attacked by police officers and nearly shot, his perspective changes; he wants to use his talent to improve the community, not just for himself but for everyone. The novel is beautifully written in verse, including raps with strong rhythms and tight, cohesive rhymes. An additional demonstration of Carter's expertise is that the poems written and presented by the students are in different forms, each distinctly unique to the student. This is a brilliantly accessible and widely appealing novel.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review

A teen with lofty dreams is inspired by poetry and the community that helps him find his voice. Although high school senior Mason Zy'Aire Tyndall has serious aspirations of being a rap star, determined "to fight to keep from becoming another hashtag," he must juggle this ambition and determination with making sure he graduates on time. Down to the wire and needing an elective to fulfill his requirements, Mason ends up with a teacher he's initially skeptical of: "A Caucasian teacher teaching a Black poetry class / Just don't feel right." But the space creates an additional pathway of creativity for him that becomes important to explore after a Black man is murdered by a police officer only a few miles away. This tragedy sparks community protest, and Mason, who later has his own encounter with the police, experiments with expressing the power of his voice. Despite feeling somewhat forced at times, Carter's debut teems with vulnerability and shows a deep reverence for hip-hop, a genre that's grounded in protest. The theme (and spirit) of activism is palpable, and the book includes a section of poems titled after popular hashtags that memorialize primarily Black men and boys killed by the police. At times the language and references seem dated, reflecting a missed opportunity to speak to young readers through their own colloquialisms and generation of rappers. The diverse supporting characters provide healthy tension for the story. A familiar story that glimmers with potential. (Verse fiction. 13-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.