There's no murder like show murder

M. S. Greene, 1986-

Book - 2024

"Tasha Weaver is most at home in the cozy backstage world of the Eastbrook Playhouse. As the costume shop head at the charming regional theater, she's used to watching dramatic acts of love and revenge from the shadows. But when Kurt Mozer--the insufferable Broadway reject who stars in their production of Annie Get Your Gun--is shot center stage, the spotlight turns to her. Everyone knows Kurt was difficult to work with, and after he got into a fight with both director Marnie Mason and artistic leader Arthur Winston, he promptly decided to quit the show. In deep financial trouble, the Eastbrook Playhouse depended on a big name like Kurt to keep afloat. With reporters coming in from the Big Apple to Tasha's little corner of Co...nnecticut, she realizes it's up to her to save their local theater and keep her community safe. After all, the show must go on...but what do you do when the killer could very well be one of your loved ones? With the help of her friends, her long-time crush Bruno Machado, and her feline colleague Hilly, Tasha must catch a murderer before the shining lights of the playhouse go out forever." --

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MYSTERY/Greene, M. S.
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Location Call Number   Status
1st Floor New Shelf MYSTERY/Greene, M. S. (NEW SHELF) Due Mar 12, 2025
Subjects
Genres
Detective and mystery stories
Thrillers (Fiction)
Cozy mysteries
Detective and mystery fiction
Published
New York : Crooked Lane 2024.
Language
English
Main Author
M. S. Greene, 1986- (author)
Edition
First edition
Physical Description
278 pages ; 22 cm
ISBN
9781639108190
Contents unavailable.
Review by Booklist Review

Tasha loves running the costume shop in the Eastbrook Playhouse, which is known for showcasing Broadway talent. As she and the cast get ready for Annie Get Your Gun, fading actor and leading man Kurt acts up as a demanding prima donna. When he threatens to quit, Tasha knows that his name is needed to fill seats and keep the theater and neighboring restaurant in business. So she convinces Kurt to stay--but is stunned when he ends up murdered on stage later that same night. As she starts talking to everyone involved with the production and the people in the community, she realizes there might be more at stake than one successful show. She uncovers real estate developments, threatening letters, conflicting motivations, and more in this fun debut cozy from Greene. The pace and characters move through the story as if they were on stage. Readers may identify the killer, but the theater atmosphere and details are worthy of an encore.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

DEBUT Tasha Weaver is passionate about the Eastbrook Playhouse. She grew up in the regional theater and is now the head of the costume shop. Although Kurt Mozer, the leading man in the new production of Annie Get Your Gun, is disliked by the director and the other actors, Tasha knows how much the theater needs him. He may no longer be a Broadway star, but his name is selling tickets. When Kurt disappears, amid rumors that he quit, Tasha tracks him down and massages his ego, and he agrees to return. When he's killed that same night in the theater, she feels guilty. Now the theater she loves is threatened again, and one of her friends might be a murderer. Tasha realizes she must turn amateur sleuth to save her friends and the Eastbrook Playhouse. It's what Tasha does, being a fixer who loves the theater. VERDICT Playwright Greene brings his love and passion for musical theater to this new series. Theater fans will appreciate the behind-the-scenes knowledge, along with the small details so essential to the atmosphere of this cozy mystery.--Lesa Holstine

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Murder derails a struggling Connecticut theater troupe's best shot at a comeback. The folks at the Eastbrook Playhouse have more or less become Tasha Weaver's family. Under the steady hand of artistic director Arthur Winston, the players have delighted Tasha since she was barely old enough to sit through a show. After Tasha's mother died of cancer, the sad teen sought solace in the Playhouse's costume department. While her high school friends went off to college, she stitched gowns and tuxedos that helped make the magic happen. Now, as wardrobe manager, she hopes a revival of Annie Get Your Gun featuring Broadway stars Kurt Mozer and Olivia Grace can boost the Playhouse's flagging attendance before developer Garrison Miller turns the historic theater into a shopping mall. Mozer goes wobbly on the production, fussing, fuming, and threatening to go back to New York. But before he can bail, someone shoots the temperamental star, triggering a new crisis. Though it's not clear how solving Mozer's murder will save Annie, Tasha feels an unstoppable urge to investigate. Sifting through the rivalries, jealousies, and general bad behavior that led to the star's demise takes patience and perception. Who better than detail-oriented Tasha, who clothes mighty choruses one stitch at a time, to tackle the tangle of a male diva's death? Greene's deep dive behind the scenes will tempt mystery fans and theater buffs alike. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.