The nasty

John Lees

Book - 2024

"Scotland, 1994. Eighteen-year-old Graeme "Thumper" Connell still has an imaginary friend: the masked killer from his favorite slasher film. Thumper is obsessed with horror and always has been. He fills his time with scary VHS rentals and hanging out with his friends and fellow fans, The Murder Club. But everything changes when his local video shop acquires one of the notorious films known as "video nasties" -- films so scary they're the target of the British Moral Decency League's crusade to ban and burn. But it's only a movie, right? It's all just imaginary, isn't it?"--Back cover.

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2nd Floor Comics New Show me where

COMIC/Nasty
0 / 1 copies available
Location Call Number   Status
2nd Floor Comics New COMIC/Nasty (NEW SHELF) Due Jan 7, 2025
Subjects
Genres
Comics (Graphic works)
Graphic novels
Published
[Missoula, MT] : Vault Comics 2024.
Language
English
Main Author
John Lees (author)
Other Authors
Adam Cahoon (artist)
Item Description
Originally published in single magazine form "The Nasty" #1-6.
Physical Description
200 unnumbered pages : chiefly color illustrations ; 26 cm
Audience
[OT, Older Teen].
ISBN
9781638492092
Contents unavailable.
Review by Publisher's Weekly Review

This rollicking dark comedy from Lees (the Mountainhead series) and Cahoon brings Britain's 1980s "video nasty" moral panic into the spotlight in a delightfully updated way. Shy Scottish teen Graeme "Thumper" Connell loves B-movie horror films so much that he seemingly conjures his favorite star, a masked slasher called Red Ennis, to be his imaginary friend. As Red follows Graeme through his young adult life, the narrative also tracks the rise of conservative activist Cynthia Crudgill, who sets out to destroy the media she believes is corrupting England's youth. Graeme, along with his best-friend-in-scares Meera and a cast of fellow teenage "murder club" enthusiasts, sets out to save his favorite video store from closure by making their own "video nasty" to bring in crowds. But after a rare, cursed tape breaks in the video player, Red starts to become gradually more real--and Graeme must reckon with greater threats than losing his favorite hobby. With wry art that alternate betweens goofy and gory, the narrative dips slyly into the politics of censorship, and celebrates the passionate community that comes from rebelling against it. The result is a perfect blend of history, heart, and kitsch. (May)

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