A gallery of rogues

Beth Lincoln

Book - 2024

Now that the family reunion is over and the murderer has been caught, Shenanigan Swift can return to important projects, like searching for the long-lost family treasure. But trouble always finds Shenanigan, and when a valuable painting is stolen from Swift House by a group of eccentric art thieves known as Ouvolpo, she is determined to get it back--even if it means chasing them all the way to Paris. A new adventure is about to begin, and Shenanigan's sleuthing skills will soon be tested like never before.

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Children's Room New Shelf jFICTION/Lincoln Beth (NEW SHELF) Due Dec 11, 2024
Subjects
Genres
Humorous fiction
Detective and mystery fiction
Published
New York : Dutton Children's Books 2024.
Language
English
Main Author
Beth Lincoln (author)
Other Authors
Claire Powell (illustrator)
Physical Description
370 pages : illustrations ; 22 cm
Audience
Ages 8-12.
Middle Grade.
ISBN
9780593533260
Contents unavailable.
Review by Booklist Review

Visits to relatives don't usually lead to brawls, burglaries, and murder--but most families aren't like the Swifts and their French kin, the Martinets. News that vacationing Felicity Swift has incautiously gone for a stay with the Parisian branch leads to an immediate rescue mission that plunges her younger sisters Shenanigan and Phenomena, nonbinary cousin Erf, and other Swifts into a whirl of intrigues and investigations. The story is atmospherically set in a seedy Parisian hotel with a mysteriously bricked-up floor and is centered around a priceless work of art with a shady past. Lincoln fills out her interestingly named main cast with a gang of international art thieves dedicated to outrageously clever heists, corpses both fresh and skeletal, and a whole troop of traditionally costumed Pierrots storming in to add physical comedy to the climactic brouhaha. Also tucked in are perceptive observations on topics ranging from the ins and outs of extended families and absent parents to the way great art can elicit profound personal responses. Another smart, silly whodunit.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Horn Book Review

Young detective Shenanigan Swift is at it again. In this sequel to The Swifts: A Dictionary of Scoundrels (rev. 1/23), a robbery of a painting at the family home leads our fearless and hilarious hero and her bevy of eccentric relatives to a new mystery and a new location: Paris. It turns out that the Swifts are linked to a French family, the Martinets. The two clans have been at loggerheads, off and on, since the Norman Conquest. The search for the Swifts' stolen painting leads them to become involved in a radical art-heist group whose mission is to steal art and return it to the original owners, a sort of Robin Hood enterprise. The plot is acrobatic in its complications. While the first book goofed around with the conventions of the English country house mystery, this one revels in the tropes of the stylish French "gentleman thief" tradition (think Arsene Lupin) while presenting the opportunity for outrageous wordplay in two languages and surprises aplenty. It keeps readers on their toes as it sparkles with energy, wit, and good humor. (Final art unseen.) Sarah EllisSeptember/October 2024 p.80 (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

The over-the-top Swift family might be able to reconcile with their cousins--if art theft doesn't interfere. In this second series entry, as delightfully hilarious and witty as the first, Shenanigan Swift learns she has family in Paris--the Martinet cousins--with whom the English Swifts have long been feuding. The Swifts' new Matriarch, Fauna, decrees that they must make peace with the Martinets, especially after the theatrical theft of a painting from the Swift family home. Ouvolpo is a flamboyant crime collective that lifts looted and stolen art and returns it to the rightful owners, leaving behind fantastical crime scene tableaux. Does their theft of A Clown Laments His Lot in Life by the famous surrealist Pierrot mean Ouvolpo believe the painting rightfully belongs to the Martinets? Piratical Uncle Maelstrom takes Shenanigan and her sister Phenomena to Paris, where Shenanigan is overwhelmed by the city, charmed by artist cousin Pomme, and enraged by the thieves. "No one breaks into my House, leaves behind an inflatable bird, and gets away with it," she declares. But some of the Martinets are untrustworthy, even by family standards. Even Maelstrom's loyalty is questionable, since he keeps flirting with The Law (in the person of his nemesis, Haitian Interpol inspector Hugo Rousseau), leaving Shenanigan, Phenomena, and Erf, their nonbinary cousin, to save both families. The family is multiracial, and queerness is comfortably normalized. Abundant wordplay and humor will keep the pages turning. An amorally charming hero stars in this comically flamboyant heist mystery. (Mystery. 10-13) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

"Thank you all for coming," said Fauna, pouring tea with one hand and replacing a peg with the other. She had a faint frown on her face; it made her look like her sister. "How are we today?" She surveyed the circle of relatives. There was Aunt Schadenfreude, lounging comfortably with a battered paperback and some­thing green smeared all over her face; Cook, sleeves rolled to the elbows and her cropped hair streaked with motor oil; Phenomena, making notes in her journal; Maelstrom, squashed into his too-small chair with one of Fauna's tiny Japanese teacups cradled in his hand; and finally, Shenanigan, coaxing some feeling back into her toes. The eldest of the Swift children was not present. Felicity was abroad, stay­ing in Paris for a few weeks with Flora and Daisy. She phoned, when she remembered, and peppered her conversation with little French phrases to show she was sophisticated now. The only other resident of Swift House was John the Cat, and he was not present either, as he wasn't very good at riddles. "This had better be quick," snapped Aunt Schadenfreude. "I was just getting to a good part of this very silly book." The book in question had an image of a woman on the cover, swooning in the arms of a muscular werewolf. Schadenfreude had re­ally dedicated herself to retirement. Cook had even bought her a pair of fluffy slippers, which Aunt Schadenfreude had insulted viciously and worn every day since. "Noted," said Fauna. "Cook? Maelstrom? You're well? Good. Girls?" "We're fine," Phenomena and Shenanigan chorused. "Not missing Felicity?" "Nah," said Shenanigan. "I forgot she was even gone," said Phenomena. "Who's Felicity?" added Shenanigan. "It's all right to miss her, you know," said Fauna. "You've been together your whole lives. It's a big change." "I know it's all right." Shenanigan sighed. "But I really don't." "She's probably having the time of her life," added Phenomena. "Conjugating verbs at people and buying silk scarves." Fauna's smile was sad. "You can be glad she's living her life with­out you, and happy you're living yours, and still miss her," she in­sisted. She blinked hard. "Since she's in Paris, and very far away, and your best friend." "She's not my best friend," Shenanigan muttered as Cook handed Fauna a handkerchief. "She's not even my best sister." This made Cook tut, but Shenanigan and Felicity had ended their long grudge a few months ago. They still insulted each other, but now Felicity smiled when she called Shenanigan a pest, and She­nanigan removed spiders from Felicity's room rather than putting them there. "Anyway"--Fauna blew her nose--"Felicity is actually the rea­son I called you all here." She plucked a letter from the line above her head and smoothed it over her knee. "Your sister has sent us a letter, and--well, before I read it, let me just say that I don't think we need to be concerned." "Always reassuring to hear," muttered Aunt Schadenfreude. "It's just that I know you're going to react badly," said Fauna, "and I really think there's no need. Um. I'll just read it." Felicity had learned to write from romance novels set in the 1800s, the kind where people fall into a near-fatal fever at any minor inconvenience. To Shenanigan, her letters all sounded as if they were about to announce either her imminent marriage or imminent death. This one read: To my beloved family, from whom I am separated so cruelly (and also Shenanigan), I write to you from a café on the Champs-Élysées, with a pot of coffee to my left and an Opéra cake to my right, and a perfect view of Paris's most fashionable citizens between them. Daisy was kind enough to purchase this "petite gâterie" (that's "little treat") for me, and I think it cost as much as my last pair of shoes. She and Flora are currently in a "parfumerie" (that's "perfume shop") across the street, and if I squint, I can see them in the window, spritzing. An event occurred yesterday that will be of great interest to you. Whilst I was visiting La Garde-robe (a fashion museum) I was approached by one of our cousins! Her name is Pomme, and I found her charming and most agreeable, and she has invited me to stay with our French relations, the Martinets, at their hotel. I was quite surprised, as I didn't even know we had French relations, let alone ones with a special surname and a hotel of their very own! I have decided to take Pomme up on her offer, and shall be parting company with Flora and Daisy forthwith. Of course, I know it is common for young women of my age to Go Into Town with their aunts, but I do believe my chaperones could do with some unchaperoned time themselves (please imagine I am giving you a meaningful look, Fauna). I will be heading to the Hôtel Martinet tonight, and have enclosed the new return address for your letters. "À bientôt" (that's "see you soon," basically), Felicity It seemed like a perfectly normal letter to Shenanigan, but Aunt Schadenfreude nodded grimly. "Well, that's it, then," she said in a brisk tone. "Felicity's as good as dead." Excerpted from The Swifts: a Gallery of Rogues by Beth Lincoln All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.