Solutions for the problem of bodies in space Poems

Catherine Barnett, 1960-

Book - 2024

"The loneliness that collects in mirrors and faces--at bedside vigils and in city streets--quickens Catherine Barnett's metaphysical poems, which are like speculative prescriptions for this common human experience. Here loneliness is filled with belonging, which is in turn filled with loneliness, each state suffused and emptied by the other. Barnett's fourth collection is part manifesto, part how-to manual, part apologia: a guide to the homeopathic dangers and healing powers of an emotion so charged with eros, humor, and elusive beauty it becomes a companion both desired and eschewed, necessary and illuminating"--

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Subjects
Genres
poetry
Poetry
Published
Minneapolis, Minnesota : Graywolf Press [2024]
Language
English
Main Author
Catherine Barnett, 1960- (author)
Physical Description
88 pages ; 23 cm
Bibliography
Includes bibliographical references (pages 83-86).
ISBN
9781644452875
  • Studies in Loneliness, i
  • Envoy
  • Nicholson Baker & I
  • Studies in Loneliness, ii
  • Itinerary
  • "Have You Ever Written a Poem about Death?" My Mother Asks
  • Night Watch
  • Hyacinth
  • Studies in Loneliness, iii
  • The Search
  • Untitled
  • Morning of Departure
  • Fugit inreparabile tempus
  • Studies in Loneliness, iv
  • Art History
  • Still Life
  • Village of Dolls, i
  • Studies in Loneliness, v
  • Actuarial
  • The Specious Present
  • Ars Poetica
  • Studies in Loneliness, vi
  • Critique of Pure Reason
  • Village of Dolls, ii
  • Awe
  • Studies in Loneliness, vii
  • Unoccupied Time
  • In Utero and After
  • Ars Poetica
  • Studies in Loneliness, viii
  • Where but to think is to be full of sorrow
  • How to Prepare
  • Triumph of Dionysos and the Seasons
  • Studies in Loneliness, ix
  • Thought Experiment
  • Restricted Fragile Materials
  • Studies in Loneliness, x
  • Notes
  • Acknowledgments
Review by Publisher's Weekly Review

The stunning latest from Barnett (Human Hours) blends the witty and the philosophical to offer a study in "restricted fragile materials," or the bewildering condition of being alive. A sequence on loneliness runs through the collection, capturing the often ignored or unrendered sensations from life's earliest moments ("The doctors snip the cord. I don't know if that's when it starts") to its last in elegiac notes struck in poems for a father, and others for a friend. This is as much a taxonomy of "the science of love" as it is a thoughtful, literate, and discursive gathering of evidence as to how one might live deliberately, carefully, and honestly ("Flawed solutions are sometimes answered prayers," the speaker remarks.) The voice is self-aware and open to the world, at times almost self-defeatingly so, like the moth "choosing transcendence/ over other basic needs." Like their speaker, these poems "wander/ the Museum of Useful Life" making "mortal noise"--an unpacking, with comic timing, of the fact that "The human condition is made of moisture and heat." Urbane, perceptive, and starkly humane, these are poems of quiet alarm, at once companionable and singular. (May)

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