Chopping wood Thoughts & stories of a legendary American folksinger

Folksinger, songwriter, activist--Pete Seeger was all of these. But he was also a gifted conversationalist and storyteller, and that is the Seeger that music producer, singer, and songwriter David Bernz wants to share with readers in this collection culled from interviews and stories he recorded over the years with Seeger. Bernz also offers occasional comments. These tales are about Seeger himself, but primarily they focus on his thoughts about everything from the early settlers of the Hudson Valley to meeting Woody Guthrie for the first time. Seeger writes about the Almanac Singers, the Weavers, playing the banjo, the origin of his songs ("Where Have All the Flowers Gone?" "Guantanamera," "If I Had a Hammer"). He also offers brief vignettes portraying people he knew (Alan Lomax, Lee Hays) and some he didn't (George Washington, John Muir). Chopping Wood includes a letter that Seeger wrote to Bruce Springsteen and Springsteen's manager Jon Landau when Springsteen was working on his Seeger Sessions album. A fun hodge-podge for Seeger fans that includes photos, lyrics, and a foreword by Arlo Guthrie.

Folk singer and producer Bernz gathers an endearing mix of "thoughts and stories" drawn from his conversations with folk singer and liberal activist Pete Seeger (1919--2014) from roughly the mid-1990s on. Seeger reveals the background behind some of his biggest hits ("Where Have All the Flowers Gone?" was inspired by a line in a Soviet novel) and recounts career misadventures, including breaking a banjo while jumping off a freight train with Woody Guthrie. The bulk of these reflections center the singer's activism, including the time he sang the antiwar anthem "Waist Deep in the Big Muddy" on The Smothers Brothers Comedy Hour during the Vietnam War in 1967, sparking a controversy that contributed to the show's cancellation. Elsewhere, Seeger recalls how his activist ethos was catalyzed when, as a young idealist with a "Henry David Thoreau way of thinking," a few other teens challenged his dream of living as a hermit in the woods: "You're going to be nice and pure yourself, and let the rest of the world go to hell?" In his own words and speech patterns--Bernz resisted "the temptation to edit everything into perfect sentences"--Seeger emerges as a humble lover of humanity who used his music to fight injustice and inspired a "new generation of political singers" and fans. It's essential reading for folk music fans. (May)