Love letters to a serial killer

Tasha Coryell

Book - 2024

"Recently ghosted and sick of watching her friends fade into the suburbs with their husbands and children, thirty-something Hannah finds new community in an internet true crime forum that's on a mission to solve the murders of four women who were dumped in a ravine outside Atlanta. When a handsome lawyer named William is arrested for the killings, with evidence of his guilt piling up as quickly as the bodies, Hannah begins writing him letters as another outlet for both her frustration at her failure to launch and her feminist rage. The exercise empowers her, and even feels healthy at first - until William writes back. Their correspondence tips Hannah's interest in the case from curiosity to obsession, leaving space for nothin...g else as her life implodes around her. When she loses her job, she heads to Georgia to attend the trial, finding herself quickly embedded in a colorful group of fellow true crime junkies and trial chasers. But, a fifth woman is soon found in the same ravine while William is on trial, and the jury has no choice but to find him 'not guilty.' Hannah is the first person he calls upon his release, and they quickly fall into a routine of domestic bliss. Well, as blissful as one can feel while secretly investigating their partner for serial murder..."--

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Subjects
Genres
Fiction
Novels
Thrillers (Fiction)
Detective and mystery fiction
Psychological fiction
Published
New York : Berkley [2024]
Language
English
Main Author
Tasha Coryell (author)
Physical Description
342 pages ; 24 cm
ISBN
9780593640272
Contents unavailable.
Review by Booklist Review

Facing an unfulfilling life and being ghosted by the other in her recent situationship, thirtysomething Hannah decides that she is going to join a true-crime forum and solve the recent murders of four women in Atlanta. Hannah lets the obsession go too far--to the detriment of her career and friendships--when she falls in love with William, the man accused of the murders, through a series of letters. How can loving him be wrong when he makes her feel so special? In her debut thriller, Coryell takes us through a series of events that make readers constantly question Hannah's sanity and reasoning all the way through to the predictable twist and abrupt ending. Hannah is a delusional yet somewhat relatable character, one who justifies being with William, who might kill her, by continuing to look for evidence of his guilt or innocence. This novel is a quick, lighthearted, and possibly satirical murder mystery where you must like the unlikeable characters and suspend disbelief to get through it and enjoy it to its end.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Poet Coryell's impressive mystery debut chronicles a young woman's budding obsession with an accused killer. After Hannah's quest for a promotion at her Minneapolis nonprofit job stalls and her boyfriend ghosts her, she finds solace and kinship in an online true crime forum focused on identifying the culprit who murdered four women near Atlanta. When handsome young lawyer William Thompson is arrested and charged with the crimes, Hannah begins writing angry letters to him while he awaits trial behind bars. When William unexpectedly responds, their communication turns flirtatious. Before long, Hannah agrees to be his girlfriend, and becomes so consumed by their exchanges that she's fired from her job. She decides to go to Atlanta to watch William's trial, bonding with fellow "serial killer groupies" in the process. When another body is found during the trial in the same ravine where the other women were discovered, William is swiftly acquitted, and Hannah moves in with him, gradually growing accustomed to his moneyed lifestyle. All the while, however, she's nagged by doubts about her new beau's acquittal, and begins looking for incriminating clues. Coryell expertly renders her protagonist's uneasy perch between love and suspicion, keeping readers as in the dark as Hannah is about William's true nature until the very end. This is un-put-downable. Agent: Katie Greenstreet, Paper Literary. (June)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

DEBUT As for many millennial women, being comfortably middle class and in a happy, committed relationship seems painfully out of reach to Hannah. After a breakup, she finds herself drawn to true crime. She becomes obsessed with the murders of four women in Atlanta, and when a suspect is put on trial for the crimes, she becomes obsessed with him as well. While he is in jail, she writes him letters. What starts out as venting her disdain for him becomes an exchange of personal reflections that turn amorous. When William is unexpectedly acquitted, their romance escalates. But Hannah is not sure that William is innocent--and she's also not sure if she cares. Coryell's engrossing bent comedy isn't afraid to delve into scathing and frank analyses of modern dating culture, American classism, and serial killer fixation, while still being a thrilling read with twists throughout. Hannah is a forthcoming narrator with very real flaws, and the often-relatable motives behind her questionable choices are part of what will keep readers glued to the novel. VERDICT Witty, shocking, and wild, this is a must-have mystery.--Joanna Harris

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

1 Undisclosed Location I didn't plan to fall in love with an accused serial killer. Nevertheless, my wrists and ankles are bound to a chair, and I can blame only myself. I'm in a nondescript white room with fluorescent lights and gray carpeting lined with geometric shapes. Across from me there's a window that reveals that it's still daylight and that I'm somewhere above ground level but gives no clues of my overall location. The ropes chafe where I strain, rubbing my skin raw. My bladder is regrettably full. If I'd known that I was going to find myself in a kidnapping situation, I would've used the bathroom. "Hello?" I cry out. I suspect that no one can hear me, because my mouth remains uncovered and I was not put here by a stupid man. My suspicions are verified when no one arrives. "Please, I have to use the bathroom," I say. The silence is more disturbing to me than anything else. I'm not as frightened as I should be, though I am frightened, which is a relief. I always appreciate when I feel the emotions I'm expected to feel in any given situation, like when I bake a cake and it looks like the picture from the recipe when I pull it out of the oven. Beneath the fear is undeniable excitement. If I wanted to be kind to myself, I would identify it as adrenaline that I need to help me survive, but I'm not sure that I deserve kindness. Even as I'm afraid, there's something thrilling about being tied to a chair, like a scene from a movie. There is no question about who the protagonist of this story is. I'm worried that when my body is discovered, I will be found undeserving of mourning. That's the catch of martyrdom on social media. First, they lament your death, and then they count all the reasons why you deserved to die. I want to believe that I'm a good person. I vote in every election and care about the environment. I have a Black Lives Matter sticker on the back of my laptop and send money to various groups whenever there is a national tragedy. All of these things will be outweighed by the great wrong that I've committed in falling in love with an accused serial killer. "Don't tell me you didn't want this," Meghan would say if she could see me. "No one does what you've done if they don't find being tied up and about to die at least a little hot." Meghan isn't wrong. I find no pleasure in the prospect of death but enjoy picturing the mourning of the masses. I want my name remembered, unlike the hordes of other women who have been brutally murdered and then forgotten. At the very least, I want a podcast in my memory. I hear a noise outside the door. "Please! Help me!" I call out. Despite the urgency of the situation, I can't fully believe that my death is inevitable. What is the world if I'm not in it? Too late, I realize that the sounds are not those of a would-be rescuer and instead are the familiar footsteps of the man who brought me here. I strain at the ropes again, a futile act. I take a deep breath and prepare to die. 2 Before falling in love with a serial killer, I worked in communications for a nonprofit. It was a job that I got following a monthslong search after graduating with my bachelor's degree. I graduated into the recession and suddenly all of that "promise" that I'd always been told I had dissipated into thin air. "You can do anything" turned into comments from my parents suggesting that I apply to work at Target or Starbucks, which I did. They turned me down because I had no retail experience. No one cared about my English and political science double majors with a German minor. They just wanted men who could write code. The job offer from the nonprofit in Minneapolis was a godsend. It allowed me to move out of my parents' house in the suburbs and live as the pseudo-adult I'd always dreamed of being. I figured that I could stay in the position for a couple of years and eventually move up the ranks until I had the type of job that I actually wanted. As it turned out, there was no moving up. The people already employed in the upper ranks of nonprofits took turns switching positions like a game of musical chairs. I scrolled hopelessly through real estate listings, fantasizing over houses with yards big enough for a dog, aware that I had somewhere between seventeen and a hundred dollars in my savings account at any given time and would never be able to afford a down payment. I bought shirts that cost five dollars and went out for brunches that cost twenty-five because brunch was the main and only joy in my life. Needless to say, I was unmotivated in the office. I spent my days scrolling social media when I was supposed to be working. I followed celebrity gossip sites to find out who was sleeping with whom. I read articles about politics (bad), about how the U.S. treated immigrants (bad), how it treated women (bad), and how it treated members of the LGBTQ community (bad). I kept a document open on my computer called "Work in Progress" in which I intended to write the next great American novel and which was perpetually blank. At night, I drank too much and went on dates with men who would never love me. I don't want to say that not loving me was an equivalent crime to killing women. In a legal sense, there wasn't any wrong committed at all. No contracts had been signed, no living spaces shared, no kids wounded in custody agreements that weren't fair to anyone. It was only my heart, that stupid clichéd thing, that had been stabbed, bruised, and strangled until I was willing to embarrass myself for even the tiniest drops of affection. Before I opened myself up to William, before I knew the names Anna Leigh, Kimberly, Jill, and Emma, and had memorized the ways in which he was accused of hurting them, I dated Max Yulipsky. There was no real future with Max; I knew that from the start, a knowledge that never stopped me from willingly bending over and spreading my legs. Max ghosted me on a Thursday, though I didn't know that yet. Max was always like that, ethereal and hard to reach. It was one of the things that drew me to him. Max was in a punk band called the Screaming Seals that rarely practiced and wasn't very good. That was another thing that I liked about him. It was endearing the way that he got onstage and played his little heart out in songs that were less than two minutes long and could've been written by a high schooler. I had one of their exclusive band T-shirts that was printed in the basement of the house that Max shared with his two roommates and featured an image of a seal wearing a bandana. I wore the shirt only on the nights that Max didn't stay over, because I didn't want him to know how much I cherished it. For his day job, Max worked at a shop that sold specialty cheeses and sandwiches that I couldn't afford. Sometimes he brought me small pieces of cheese in plastic wrap and I allowed myself to cut tiny slices off in the evening as a way to taste him when he wasn't around. I still had cheese left when Max disappeared. If I had known it was the last cheese, I would've made it last longer. I would've kept it in the fridge until it grew moldy and then I would've eaten it anyway. To risk food poisoning for a person was a true sign of love. But Max and I didn't use words like "love" or even "relationship." "I'm not looking for anything serious," he murmured into my ear the first time we made out. "Me neither," I said as I unzipped his pants. It was a lie that I'd uttered so many times that it no longer felt like a lie. Talking with men was more like reading a script than confessing from the heart. Because I lacked sincerity, I assumed he did too. Surely, we would grow closer and closer until we were inexorably linked, and he would be forced to admit during the throes of passion that he couldn't stop thinking about me and wanted to be together forever. Instead, when we finished lovemaking, or fucking, or whatever term didn't make him uncomfortable about the carnal acts we'd just committed, he said things like "Do you think McDonald's is still open?" or "Can you make eggs the way that I like in the morning?" The last date we ever went on was to a semi-vegan restaurant pop-up in a rapidly gentrifying area of town. It was October and the trees were grasping at their last bursts of color before turning skeletal for the winter. "How can a restaurant be semi-vegan?" I asked Max. "Isn't the whole point of veganism that you're all in or, I guess, more accurately, all out?" He smiled at me. He was wearing a homemade Fugazi T-shirt with a hole in the armpit. I wanted nothing more than for him to love me forever. "That's what I love about you, Hannah. You're always thinking," he replied. I glowed at the use of the word "love." Afterward, I asked Max if he wanted to go back to my place and he brushed me off. "I have a lot to do tomorrow," he said. I didn't remind him that he worked at a cheese shop. "Come on," I replied in my most alluring voice, pushing my body against him. I wanted my flesh to be irresistible. It wasn't. "Sorry," he said, pushing me away. He smiled when he said it, but it was crooked. The rejection might've bothered me less if I thought we were each other's equals. Max still drove the car that his parents passed down to him when he was sixteen, even though the whole structure creaked every time he put on the brakes. He didn't have health insurance and when I asked, he said he couldn't remember the last time he'd gone to the doctor for a checkup. I assumed the same was true about the dentist, especially considering that he'd turned down my offer of keeping a toothbrush at my place. "That's a little too serious for me," he said. Max once explained to me that he couldn't get a real job because to get a real job was to sell out and he was dedicated to his punk band. What, I wanted to ask, is the pinnacle for a punk band? Once you've achieved everything you've dreamed of, what are you holding? Rather than say any of that, I murmured something about talent. "I'm not like you, Hannah," he said at the end of the conversation. "I can't just get any old job." The comment stung. It was true that I'd abandoned the creative pursuits I'd had as a child-theater, art, and writing-in favor of a forty-hour workweek. But if nothing else, I wanted to believe that I was doing good through my job at the nonprofit. "Making change from the inside!" I'd said enthusiastically when I got the position, before I realized how the inside slowly devours a person until they're doing nothing at all. I consoled myself with my health insurance that had a deductible that was too high, insurance I used to briefly attend therapy with a woman that I could describe only as being akin to a scolding teacher. I knew too that there were steady drips of money going to my retirement account, though I'd never learned to comprehend what those numbers meant. And on the days when those things weren't enough, I took solace in the occasional taco bar that appeared in the break room, stuffing chips in my mouth until my stomach hurt. Max didn't have any sympathy for me. To him, it was the life that I chose, like there had been any kind of choice involved in the matter. It took me a week and a half to realize that Max ghosted me. In the meantime, I wore my band T-shirt, nibbled on cheese, and refreshed his social media feeds looking for clues as to his whereabouts. When he posted a graphic for an upcoming Screaming Seals show, I stupidly decided to attend, thinking that the mere sight of me would be enough to trigger arousal. I put on my favorite little black dress, plucked from a closet full of little black dresses. I straightened my hair into submission and drew cat eyes with my eyeliner, thinking that it made me look a little punk. I invited my best friend, Meghan, to attend the show with me and she arrived at my studio apartment with her boyfriend. "He's going to be the designated driver," she said apologetically, an admission that she knew his presence was crossing a line. It was just supposed to be the two of us that night, but the notion of the two of us was already starting to erode. I was drunk by the time we arrived at the venue. The Screaming Seals were only one band in a set of many and I spent the minutes leading up to their performance grappling with my age, so clearly on the wrong side of thirty in the midst of the cool punk girls around me. My hair, I realized, was stupid, my dress ill-fitting. By the time Max's band came on, I was falling-down drunk in attempts to regain my self-esteem. I spent their short set trying to make eye contact with him that I never caught. He appeared in the crowd after his set and I walked toward him, waiting for him to exclaim "You're here!" and embrace me, touched by my devotion. It was a shock when he wrapped his arms around another girl. When they extricated themselves from the hug, I realized that I had met her before at a house party Max had thrown. Her name was Rebecca or Rachel and she had been friends with Max in college before he dropped out during his junior year because, as he said, "college was an inauthentic experience." "They're just friends," I told Meghan, not realizing that Meghan had absconded to a dark corner to make out with her boyfriend. "Hey!" I said as I approached Max. It took his eyes a minute to focus, like he couldn't quite remember who I was. "Oh, hey, Hannah," he said finally. I tried to wrap my arms around him the way that Rebecca or Rachel had, but his body felt limp. Excerpted from Love Letters to a Serial Killer by Tasha Coryell All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.