New and selected poems

Marie Howe, 1950-

Book - 2024

Characterized by "a radical simplicity and seriousness of purpose, along with a fearless interest in autobiography and its tragedies and redemptions" (Matthew Zapruder, New York Times Magazine), Marie Howe's poetry transforms penetrating observations of everyday life into sacred, humane miracles. This essential volume draws from each of Howe's four previous collections-including What the Living Do (1997), a haunting archive of personal loss, and the National Book Award-longlisted Magdalene (2017), a spiritual and sensual exploration of contemporary womanhood-and contains twenty new poems. Whether speaking in the voice of the goddess Persephone or thinking about aging while walking the dog, Howe is "a light-bearer, a...n extraordinary poet of our human sorrow and ordinary joy" (Dorianne Laux).

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811.54/Howe
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Location Call Number   Status
2nd Floor New Shelf 811.54/Howe (NEW SHELF) Due Dec 30, 2024
Subjects
Genres
Poetry
Published
New York : W.W. Norton & Company [2024]
Language
English
Main Author
Marie Howe, 1950- (author)
Item Description
Includes index.
Physical Description
178 pages ; 24 cm
ISBN
9781324075035
  • New Poems (2023)
  • Prologue
  • Postscript
  • Practicing
  • The Saw, The Drill
  • Reincarnation
  • Another Theory of Time
  • Persephone
  • Persepohne, in the meadow
  • Persephone and Demeter
  • Advent
  • What the Earth Seemed to Say, 2020
  • The Letter, 1968
  • The Forest
  • The Maples
  • Jack and the Moon
  • Before
  • Seventy
  • The Willows
  • Hymn
  • The Singularity
  • From What the Living Do (1987)
  • Part of Eve's Discussion
  • Death, the Last Visit
  • What the Angels Left
  • The Meadow
  • The Split
  • What Belongs to Us
  • Gretel, from a sudden clearing
  • Keeping Still
  • Without Devotion
  • Sorrow
  • Mary's Argument
  • Encounter
  • From What the Living Do (1997)
  • The Boy
  • Sixth Grade
  • Buying the Baby
  • Practicing
  • The Attic
  • The Copper Beech
  • The Game
  • The Girl
  • The Dream
  • For Three Days
  • Just Now
  • A Certain Light
  • How Some of It Happened
  • The Last Time
  • The Promise
  • The Cold Outside
  • The Grave
  • The Gate
  • One of the Last Days
  • Late Morning
  • Watching Television
  • Separation
  • Prayer
  • Reunion
  • The Kiss
  • My Dead Friends
  • What the Living Do
  • Buddy
  • From The Kingdom of Ordinary Time (2008)
  • The Star Market
  • Reading Ovid
  • After the Movie
  • Limbo
  • Easter
  • Marriage
  • Prayer
  • Courage
  • Why the Novel Is Necessary but sometimes Hard to Read
  • Government
  • Poems from The Life of Mary
  • Sometimes the moon
  • Once or twice or three times
  • How you can't move moonlight
  • You think this happened only once?
  • Annunciation
  • My Mother's Body
  • Before the Fire
  • Fifty
  • Hurry
  • The Spell
  • The Snow Storm
  • Mary (Reprise)
  • From Magdalene (2017)
  • Before the Beginning
  • Magdalene-The Seven Devils
  • On Men, Their Bodies
  • How the Story Started
  • Thorns
  • The Affliction
  • Magdalene: The Addict
  • The Landing
  • The Teacher
  • The Disciples
  • Magdalene on Gethsemane
  • Calvary
  • Low Tide, Late August
  • The Adoption: When the Girl Arrived
  • Conversation: Dualism
  • The News
  • Walking Home
  • The Map
  • Waiting at the River
  • Christmas Eve
  • Two Animals
  • The Teacher
  • Fourteen
  • Adaptation
  • October
  • Delivery
  • Magdalene at the Theopoetics Conference
  • One Day
  • Magdalene Afterwards
  • Acknowledgments
  • Index of Titles and First Lines
Review by Publisher's Weekly Review

Howe's bountiful fifth collection (after Magdalene) offers a crown of new poems to open selections from her quietly astonishing body of work. These new pieces showcase the poet's characteristic gifts: unearthing the sacred in the everyday and conferring upon the ordinary its rightful aureole: "how small it is sometimes, this Now." Powerful, career-long continuities surface ("it's good to have a dog with you when you are practicing/ not being there: You don't feel so all alone"). In addition to the singular, lyrical voice that distinguishes her earlier work ("the I that caused me so much trouble"), the poet opens into a planetary, even anthropogenic dimension: "We took of the earth and took and took, and the earth/ seemed not to mind." The poems original to the collection subtly chart the writer's coming into her full power: "Now you know what it is to be afraid," she declares in the face of extinction, as prophet, witness, confessor, and guide: "You were once a citizen of the country called I Don't Know./ Remember the boat that brought you here. It was your body: Climb in." The unmistakable objects of Howe's attention remain steadfastly present ("thing and spirit both: the real/ world: evident, invisible"), suffused by a tender doom. This is a necessary compilation for times of crisis. (Apr.)

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