Single mothering

Anna Härmälä

Book - 2024

After her partner suddenly leaves her, Li finds herself alone, with the baby. She's a single mother, and it seems like nobody will ever see her as anything else, and her eyebags are now permanent features of her face. As her daughter gets older, she finds herself passing through the different stages of single motherhood: wondering if she'll ever meet anyone on a dating app who isn't also a sad, single parent just wanting to be friends; wondering if she can start socializing again without people asking her why she's not home with the baby; wondering if she can sit and watch TV without falling straight to sleep. Can Li get over the hurdles of being a single mother without losing herself in the process?

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Subjects
Genres
Autobiographical fiction
Comics (Graphic works)
Graphic novels
Bandes dessinées
Published
London : Nobrow 2024.
Language
English
Main Author
Anna Härmälä (author)
Edition
First edition
Physical Description
162 pages : chiefly color illustrations ; 20 cm
ISBN
9781913123222
Contents unavailable.
Review by Publisher's Weekly Review

Härmälä's wit glows as warmly as her saturated pastel colors in her semi-autobiographical debut about tackling parenthood alone. Her partner dumps her while she's pregnant, leaving her to shoulder the responsibilities of birthing and then raising their daughter, Alma. After she fantasizes about burning the house down, she imagines being visited by angels who decree, "From now on, you shall always suffer judgment more than other mothers." Through short, interconnected vignettes, Härmälä deals with insensitive couples, overly sensitive friends, friendships with other single moms (Sara, an aspirational single mother figure, "smells expensive" and is "emotionally scarred but in a gentle, approachable way"), dating as a single parent, applying for a mortgage alone, and accepting the hard truth that, no matter how exhausting and exasperating her situation is, she has to keep going for the sake of her daughter. Through it all, Härmälä is bitingly funny and visually innovative; she imagines losing her partner in a game show, depicts herself in woodcut-style art as a witch banished from the Village of Couples, and transforms into a half-woman, half-stroller cyborg. Her smooth, rounded art is delightfully expressive and self-deprecating. Parents, single and otherwise, will find plenty to laugh about, in solidarity. (Apr.)

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