Patterns of the heart and other stories

Myŏng-ik Ch'oe, 1903-

Book - 2024

"Korean writer Ch'oe Myongik (1902/03-1972?) lived his whole life in Pyongyang, experiencing the Japanese colonial era; the second Sino-Japanese, Asia-Pacific, and Korean wars; the U.S. bombing and Soviet occupation; and the early years of the DRPK from that vantage. His cinematic, modernist prose pays close attention to the gritty realities of the city, and he remained throughout his career a meticulous and creative detailer of the lives of the marginalized and the disaffected. Patterns of the Heart and Other Stories presents a selection of Ch'oe's short fiction, including later works from hard-to-find North Korean publications. In the title story, a listless drifter confronts a former revolutionary leader dying of hero...in addiction in the Manchurian city of Harbin, while "Ordinary People" narrates the shocking scene of a sex worker being trafficked across the border under the largely indifferent gaze of her fellow train passengers. In "Voices of the Fatherland," U.S. fighter jets open fire on a column of refugees fleeing the city of Pyongyang, perhaps based upon Ch'oe's own experience of having to flee his city as the front line advanced. These stories reveal new perspectives of the Korean peninsula in the twentieth century, across political divides still in place today"--

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Subjects
Genres
Short stories
Published
New York : Columbia University Press [2024]
Language
English
Korean
Main Author
Myŏng-ik Ch'oe, 1903- (author)
Other Authors
Janet Poole (translator)
Physical Description
xxiii, 275 pages ; 23 cm
Bibliography
Includes bibliographical references.
ISBN
9780231202701
9780231202718
  • Walking in the rain
  • A man of no character
  • Spring on the New Road
  • Patterns of the heart
  • Ordinary people
  • The barley hump
  • The engineer
  • Young Kwŏn Tongsu
  • Voices of the ancestral land.
Review by Kirkus Book Review

A collection of poignant portraits of Korean lives during a tumultuous century. "When would the day arrive when he didn't feel like howling in sadness?" That's the bleak situation facing Sangjin, a writer who's fled to the Korean countryside to wait out the end of World War II in Ch'oe's luminous collection of stories. In the war's final months, Japan's defeat is expected, but what will happen after Japan's 35-year-long occupation of Korea is over? Sangjin ponders the future and "could no longer see through the darkness to the next moment even," Ch'oe writes in "The Barley Hump." Translated by Poole, this collection's publication is a major event--Ch'oe's first appearance in English. It's stunning to think Anglophone readers have waited some 50 years since his death to read stories of Korean society struggling under the twin traumas of Japan's occupation and the disastrous Korean War. A longtime resident of Pyongyang, Ch'oe was an incisive chronicler of the overlooked and the marginalized, of characters whose private struggles mirrored the conflicts taking place in their world. In "Walking in the Rain," which first brought him acclaim in 1936, the friendship between a frustrated office boy with artistic aspirations and a status-obsessed photographer reflects the clash in values between those seeking money and those with more aesthetic pursuits. Elsewhere, generational and political conflicts erupt in the difficult relationship between a dying man and his intellectual son in "A Man of No Character," and "Patterns of the Heart" presents a harrowing portrait of a revolutionary who has given up fighting colonial oppression and succumbed to opium addiction. While any historian interested in a glimpse of Korean life would benefit from reading these stories, treating them as mere documentation undervalues Ch'oe's literary talents. His spare, lean style and ability to capture deep pathos are as evocative as Hemingway and feel strikingly contemporary. Though little is known about him, Poole says Ch'oe enjoyed some favor in the country's north and south but his life was upended (like everyone's) with the war's outbreak in 1950. What we know about his final years is vague and sad. Poole says establishing authoritative versions of the stories was complicated by Cold War censorship, but readers will be grateful for her effort. A debut by a modernist prose master more than 50 years in the making--and well worth the wait. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.