Review by Horn Book Review
This spirited, intelligent mashup of Arthuriana puts Morgan Le Fay -- now Ancient Crone, cheerfully saggy-bosomed and thin-haired -- and her granddaughter, Young Hag, at the center of a fresh new story. At her ceremonial naming with her mother and grandmother, Young Hag learns from Ancient Crone that the ways between Faerie and the human world have been severed and that it is their task to return the broken sword Excalibur to Avalon to mend that rupture. As they traverse the wild countryside, Young Hag learns through Taliesin the bard and Ancient Crone just how King Arthur, Merlin, magic, and the land ended up in this predicament. When Ancient Crone disappears and Young Hag's recently met traveling companion, Tom, is magically ensnared, Young Hag is on her own, piecing together stories, "fragments, questions, faces, threads all gathering, and me at the heart" -- to bring all to a new beginning. Greenberg's drawing style is comic but has a skillfully naive, seemingly unpracticed quality that enhances the protagonist's poignant, youthful courage. Epic tragedy and grave betrayals are conveyed with a light touch, while Young Hag's arduous personal growth and development have a heartwarming gravitas. "It takes a whole life to come of age," says Ancient Crone -- robust words of wisdom for any reader. Greenberg's play with her sources -- medieval Arthuriana, Edmund Spenser's Britomart (here wonderfully queer and pink-haired), Christina Rosetti's "Goblin Market" -- has satisfying imaginative and critical depth. (c) Copyright 2025. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A community rallies to rescue a horse from a flood, led by a child. At first, the nameless protagonist is afraid to ride the horse, named Dancer ("because of how he moves his hooves"). But the two quickly bond. Every day, they joyfully "fly" through the fields--until the day Dancer warns the child and Mom that there's danger ahead. It's been raining for days, and the valley where they live is about to flood. Mom and the young narrator must leave Dancer behind as they evacuate by helicopter. The child is determined to help Dancer "fly" to safety. The protagonist imagines Dancer soaring with wings, and the next day, Mom and the child ask a policeman for help. He refers them to a woman who helps horses, who in turn finds a helicopter pilot and a veterinarian. "If we can make a horse fly, we can do anything," the young narrator reflects. Readers will be moved by how the protagonist's flights of fancy turn into concrete solutions. The story is a much-needed reminder about the importance of community; it also offers a crucial takeaway: Even in the face of natural disaster and trauma, we must never stop attempting the seemingly impossible. Lane's impressionistic illustrations ramp up the drama but never get too scary. The author notes that she was inspired by actual events in 2021, in the Pacific Northwest. Mom and the child are brown-skinned; the community is diverse. A tremendous example of collective efforts in the wake of disaster. (Picture book. 4-8) Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
