Immortal pleasures

V. Castro

Book - 2024

"An ancient Aztec vampire roams the modern world in search of vengeance and love in this seductive dark fantasy"--

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FICTION/Castro V
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Subjects
Genres
Fantasy fiction
Romance fiction
Gothic fiction
Novels
Published
New York : Del Rey 2024.
Language
English
Main Author
V. Castro (author)
Physical Description
pages ; cm
ISBN
9780593499726
Contents unavailable.
Review by Booklist Review

Malinalli is a Nahua vampire from the sixteenth century currently working as a buyer and seller of antiquities, repatriating valuables to the cultures from which they were stolen. No stranger to seeking pleasure, she's recently found herself craving companionship. She goes to Europe planning to buy rare, Aztec artifacts from a dealer in London but takes a detour to Ireland to sightsee. When she meets Colin, a human horror novelist, they have an instant and powerful connection, though she's also irresistibly drawn to Alexander, a vampire with a familiar backstory. At the same time, she's in danger, pursued by a menacing vampire who kills other vampires for profit, using their bodies in antiaging skin care for humans. Though readers will have to overlook occasionally stilted prose, this steamy tale of angsty romance, the enduring trauma of colonialism, and the pursuit of righteous vengeance may appeal to those looking for new twists on vampire lore. Recommend to fans of Certain Dark Things, by Silvia Moreno-Garcia (2016), Nightshade, by Keri Lake (2021), or Vampires of El Norte, by Isabel Cañas (2023).

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

A great premise falls flat in the execution in this meandering vampire confessional from Castro (The Haunting of Alejandra). For centuries, Malinalli, a Nahua vampire from the 16th century, has been desperately seeking two skulls that once belonged to Chantico, who was "like a mother to when first became a vampire." Malinalli travels to England in pursuit of the skulls, but what she's really seeking is a soulmate. Horror writer Colin catches her eye, but their graphic and often cringeworthy sexual connection ("My ass is like a monstrous squid pulling its prey deeper into its mouth") gets interrupted when Hernán Cortés, a vampire, tracks down Malinalli, who was his former slave and translator, aiming to use her body to create a magical line of beauty products. Malinalli must team up with Judas Iscariot, also a vampire, if she wants to repatriate the skulls, kill Cortés, and save Collin. The narrative suffers from a serious case of "tell don't show" and reads almost like a summary of plot points and backstory. Overlong and over-frequent flashbacks throw off the pacing and defuse the tension even further. Though readers may be drawn in by the Anne Rice-ian quality to Malinalli's claustrophobically close first-person narration, they'll have a hard time seeing this one through to the end. Agent: Beth Marshea, Ladderbird. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

History comes to undead life in this bloody tale of vampiric vengeance. When she was mortal, Malinalli spent her days bending to the whims of others in order to survive. A Nahua girl traded away after the birth of her stepfather's heir, she translated the conquistadors' demands to the Indigenous communities they destroyed. She bore their leader an heir: Martin, the first mestizo, a child born of rape and colonial conquest. For what she did in the name of survival, history dubbed her "the traitorous La Malinche." In the 20th century, Malinalli, now an immortal vampire, travels the world on her own terms. Though she still bristles at how easily the modern-day world bandies about the names "Tabasco" and "Cholula"--one the place she first met the Spaniards, the other the site of a bloody massacre carried out by Spanish forces--Castro's heroine takes some comfort in the knowledge that she persisted where others faded away. "Sometimes the real fight is surviving to tell the tale," she reminds us, "so others can hear it." Her story may be relegated to the margins of history, but she is the only person left alive who saw Mesoamerica forced to bend the knee to its oppressors...or so she thinks. Just as Malinalli starts to believe she might have found a place to put down roots, her past comes into a screeching collision with the present. A bloodthirsty conqueror she knew all those centuries ago survived as well, and he wants revenge. In the hands of a lesser writer, the tale of Malinalli--who was a real-life figure--could have come off as a flat recitation of what little historians know about her. Horror veteran Castro has done a remarkable job here, not only of resurrecting La Malinche, but of turning her into a fully realized, three-dimensional character. Readers meet a woman who scraped by on raw ambition and steely cunning, yet bears the scars of a lifetime of repeated victimization and trauma. Although the author brings a host of other historical actors into play, Castro never wavers in her dedication to, and focus on, Malinalli and her story. An engrossing tale of monstrous life--human and otherwise. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 It's my last night in Dublin before I head to the south coast. Ireland was the first stop on my way to London because of its landscape, particularly its grass--that dreamy electric green, surrounded by dark cold waters and even colder winds. That landscape had called to me while I was flipping through an airline magazine during one of my business class flights across South America. The advertisement showed a green pasture that ended with a cliff dropping to leaping waves in the shape of giant conch shells. I had to see that grass with my own eyes, feel it beneath my feet. You see, my name is Malinalli, which means grass in my native Nahuatl language. The glossy photo ignited my soul with wonder, and I knew I had to overcome my irrational fear of exploring this part of the world, Europe. It was a European who changed my given name Malinalli to La Malinche and Dona Marina. Neither did I choose, nor could I refuse as a human. At least as a vampire I could take back my name. Small steps. But you may wonder why a Nahua vampire from the sixteenth century like me would harbor a fear of anything after being an apex predator for so very long. After all, my blood is powerful and intoxicating--it comes from a vampire made by one of the very first vampires. However, like the demolished temple Tenochtitlán, my heart still bears the scars of history. Before this trip was even an idea, my concentration on work had been waning. I kept finding myself slipping into daydreams of distant places. My heart would sink to depths of emotion I could not allow myself to wade in. In train stations and airports, I used to walk with a smug swagger past couples if I saw an obviously out-of-sync partnership, and past families if I saw screaming children throwing themselves at the feet of exhausted parents. Ain't no one holding me down or holding me back, I'd think. But recently I'd also think soon after: Ain't no one waiting for me either. Walk enough crowded terminals alone, your hand swinging aimlessly by your side, and it starts to feel dead. And mine had hung empty for centuries. I couldn't care less about the offspring. As a vampire, my bearing a child was not an option. But lately I'd wanted to feel an arm around my waist. A companionship that lasted longer than a night would be nice. Two days after the idea of traveling to Ireland first struck me, I received an out-of-the-blue opportunity to purchase rare Mexican artifacts from a dealer in London. I am a collector, buyer, and seller of antiquities from all over the world; however, my specialty is Mexico and South and Central America. As a blood huntress it was a natural fit. Since 1972, I had made my living tracking rare objects, although I began my search for these objects long before I'd ever earned a cent. My career had begun not as a career, but as a sort of spiteful secret mission to reclaim our culture's lost treasures one object at a time from the colonizers. The more I learned about my new vampire life and all its strengths, the more I thought about my purpose in life. My work has given me purpose beyond servitude or mere survival. I could create some good for myself and others. The artifacts are two skulls I first encountered when I was still human. When I read the email and saw the photos of the skulls, the excitement in my work that I'd lost came back, and I nearly jumped out of my skin. My instinct told me these were the very same treasures I had been hunting for since I began my journey in acquiring antiquities. One skull is carved from pure clear quartz. The other is an embellished mosaic of turquoise and obsidian set in a human skull with most of the teeth still intact. Judging from the photo, the gold that once plated the human skull had been scraped from the bone. The skulls had once belonged to someone I loved dearly. Her name was Chantico. She was like a mother to me when I first became a vampire. She helped me find the will to live for myself. I had been searching for centuries for these skulls with no luck, and I'd been on the brink of giving up on ever finding them. It wasn't until the birth of the internet that my journey began to gain a little momentum, though every path had led to a dead end until now. However, life can be as unpredictable as the height of waves crashing on a shore; now, at long last, the skulls were within my reach. The universe presented me the perfect opportunity to act on my desire to reclaim these treasures. So I simply had to fly across the Atlantic to purchase those skulls and keep them safe. The catch was the skulls were now in London with a private collector. But this purchase was too important to leave to chance, to buy on the evidence of digital photographs alone, even if the photos I'd been emailed appeared legitimate. My usual London-based antiquities broker, Horatio Hutchings, a trustworthy man in the business, assured me it was not a scam. However, he did not possess the same skill that I did in detecting forged objects--and I had seen my fair share in my many centuries of existence. To reclaim the skulls--and with them, a part of my soul--I had to take the trip. And that trip would be first class all the way, including the best hotels. Everything paid for by the business I had built from scratch and the antiquities I'd acquired over time. I deserved to have everything I wanted in this life. Divine timing can be a stubborn bitch, but when she comes through, she delivers divine rewards. And so, eager to finally possess the skulls, and with a nagging desire to travel, I created a four-week itinerary to explore Ireland and England at the same time. Spain would be the next place I'd visit--where perhaps I could finally lay my anger at its colonizers to rest--and finally Vienna, Austria, to see the Penacho, a rare surviving Aztec headdress, bright green and feathered, that didn't belong halfway around the world from its country of origin, in a museum for people who could not fully appreciate its true importance. Indeed, part of my mission has been to reach out to museums around the world and broker deals to give back stolen items to their original cultures. The treasures can then go on tour or on loan to museums in other lands; however, sole ownership belongs to the people who created them. That particular headdress had long been on my radar. I figured my kind emails to the museum were not doing enough, and that my power of persuasion in the flesh could serve me better. After years of practice, vampires can use their energy to influence the emotions of humans. We can't force them to do something, just steer them toward what we want from them. I was not opposed to using my vampire magnetism to get what I wanted, and I wanted this headdress back in Mexico City. In my human life, as a translator, I'd watched villages and temples be sacked by the conquistadors. The terror and sorrow at one's powerlessness to stop the destruction of one's home is something no one should experience or witness. And with the treasures of our past stolen, our children would grow up without anything to remind them of their history or story. The children of Europe had no tie to this object and could, at best, see it only as a unique piece of history of a people they could not fully understand, but more than likely, as just a nice artifact with pretty feathers from a bird they had never seen before. But the headdress had the potential to instill pride and awe in my people if returned to its rightful place in Mexico. And that is exactly what I was going to do. The Hapsburg Archduke Ferdinand II was long dead--what would he care if an item he acquired out of imperialist greed was taken back? And as soon as I landed on the distant cool shores of Ireland, I knew I had made the right choice. Even the sight of the drizzle on the small window as we landed excited me. An undercurrent of expectation made my body alert to every sensation and sight. The climate in Ireland differs greatly from my home. Although it is summer in Ireland, there is always a damp chill in the evening air. What a change from the heat I'm accustomed to! This is exactly why I'd made the decision to cross the pond to explore the Old World. My trip would be a gust of change to rid myself of my inner demons--and perhaps introduce me to a few new ones along the way, just for laughs. All of this to reclaim the freedom once stolen from me back when I was a mortal. Imagine going from "Will this be the day I die as a slave?" to becoming the very embodiment of death. And now I wanted to appease the restlessness that had settled over me the last few years. I am worth millions, but as life has shown me, cash only goes so far in creating a fulfilling life. And so on this trip I felt open to the unexpected. Perhaps destiny had even brought me across the pond for a reason beyond the skulls. Part of me wanted to believe Chantico watched me from wherever her spirit hovered and sent me a blessing of joy. Excerpted from Immortal Pleasures by V. Castro All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.