Anna

Mia Oberländer, 1995-

Book - 2024

"In the sleepy German countryside live the Annas, cursed to be too tall for their small town. Laughably long-limbed and gangly, their bodies refuse to conform with societal norms of delicate femininity, and the trauma of being different ripples across generations. And yet, there may be a blessing to their burden; like the mighty mountains surrounding their town, they find that there is resilience and strength to be gained from their heightened perspective. Drawn with delightful exaggeration and formal inventiveness, Anna is a tongue-in-cheek, modern-day fairy tale about being 'too big' for a narrow-minded world"--

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GRAPHIC NOVEL/Oberlander
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Location Call Number   Status
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Subjects
Genres
Graphic novels
Published
Seattle, WA : Fantagraphics Books, Inc 2024.
Language
English
German
Main Author
Mia Oberländer, 1995- (author)
Other Authors
Nika Knight (translator)
Edition
First Fantagraphics Books edition
Physical Description
212 pages : color illustrations ; 24 cm
ISBN
9781683969211
Contents unavailable.
Review by Publisher's Weekly Review

Body consciousness and generational trauma cast long shadows in this inventive, dexterous modern fable from promising newcomer Oberländer. Set in the fictional mountain village of Bad Hohenheim, Germany, the story spans three generations of Annas. Beautiful, "beloved" Anna 1 is elected the village's Christmas Tree Queen three years running, but her daughter Anna 2 stands out from birth for her exceptional height and grasshopper-like legs. "I should have left you in the woods," Anna 1 proclaims, besieging her daughter with absurd proposals for disguising her tallness (such as wearing a floor-length dress and walking on her knees). When Anna 2's own daughter, Anna 3, turns out just as tall and lanky, Anna 2 refuses to let provincial notions of the appropriate feminine physique torment yet another generation. Oberländer's winking bedtime-story text appears in careful exercise book cursive, while the snappy, geometric illustrations feature bold planes of color and rough-textured pencil shading. A versatile stylist, Oberländer shifts from minimalist wooden-toy-like village scenes to faces evoking Picasso's neoclassical portraits. Her cartooning is hilarious throughout, presenting such memorable images as Anna 2's gangly legs wound around a tricycle and Anna 3 folding herself through a doorway. Readers of all ages will want to linger over every page of this clever feminist tale. (Mar.)

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