Painting the game

Patricia MacLachlan

Book - 2024

"Lucy's father is a minor league baseball player, a professional pitcher hoping to get called up to the majors, and Lucy inherited his passion for the game. But she's never played pitcher. She worries her skills would be compared to her dad's and she'd never measure up. And his pitching may mean big things for his career and their family, but it's also what keeps him away from home so much of the year. Sometimes, Lucy isn't sure what would be worse: being bad at pitching or being great. Still, this summer, Lucy wants to learn to throw the perfect knuckleball. She wakes up at the crack of dawn to practice in secret, without her friends Tex and Robin-or even the goats who watch them play. Even as she trains ...relentlessly, Lucy wonders if she'll ever feel brave enough to share her progress with her mom or dad. Can she prove to them, and herself, that she has what it takes?"--

Saved in:

Children's Room Show me where

jFICTION/Maclachl Patricia
1 / 1 copies available
Location Call Number   Status
Children's Room jFICTION/Maclachl Patricia Checked In
Subjects
Genres
Sports fiction
Published
New York : Margaret K. McElderry Books [2024]
Language
English
Main Author
Patricia MacLachlan (author)
Edition
First edition
Physical Description
134 pages ; 22 cm
ISBN
9781534499942
Contents unavailable.
Review by Booklist Review

Eleven-year-old Lucy Chance adores both her parents: Mom, a painter, and Dad, a minor league baseball pitcher. Lucy spends her summer playing for her school's baseball team (the Yard Goats, named for the goats that live next to the diamond) and secretly developing her own pitching skills, particularly the very tricky knuckleball. When Dad is invited to join the Red Sox, Lucy is offered the opportunity to throw out the first pitch at his first major league game, and she wonders if she is up to the challenge. This final middle-grade novel from the late, Newbery-winning author MacLachlan offers her signature lyric language delivered in spare but satisfying prose. Lucy and the other characters (particularly Dad's catcher-partner, Edgar, and his talented dog, Ruby) are well-developed and complex, and information about the psychology behind baseball strategy is deftly woven into the narrative. Although there's not much conflict beyond the well-meant secrets that Lucy and her family keep from one another, this will appeal to baseball fans and those looking for warm family dynamics.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The late Newbery Medalist blends themes of baseball and painting with loving family and friends in this slim work--her final novel--about the daughter of a minor-league pitcher and a painter seeking courage and her own path to pursuing her dreams. Eleven-year-old Lucy's mother explains that Lucy's father is "trying to paint the game. Like me painting a picture. Trying to make the game come out the way he wants." But when Lucy stands on the pitching mound, it's "the scariest place I've ever been." Determined to find the courage to overcome her fear, she secretly practices pitching in pre-dawn hours, choosing to perfect her father's signature knuckleball. In this quiet story, everybody has a secret as well as encouraging partners: for Lucy, it's her friends Tex and Robin, who coach her in private. Affectionate, conflict-free relationships and myriad expressions of support and respect among the compassionate characters nudge the tale toward sentimentality, but Lucy's gentle, understated narration and persistence toward her goal keep it grounded in authenticity. All characters other than a Puerto Rican--born adult present as white. Ages 8--12. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

This posthumously published final novel from the Newbery-winning author follows a young girl determined to master throwing a knuckleball. A knuckleball--11-year-old Lucy Chance's father's signature pitch--can dip and weave like magic. "You let it fly," says Lucy's dad, a pitcher for the minor league Salem Red Sox. Writing in her signature spare, impressionistic prose, MacLachlan conjures up a similar magic, surrounding Lucy with a tightknit cast of loving, supportive characters. Lucy's father hopes to move up to the major leagues and encourages her passion for the sport. Her perceptive mother, a painter, draws parallels between Lucy's father's love of baseball and her own artistic talents ("Think of him trying to paint the game. Like me painting a picture"), while Edgar Vazquez, her father's best friend and a catcher for the Sox, is a steady, calming presence. Lucy's best friends and baseball teammates, cousins Robin and Tex, help her secretly practice her knuckleball. Though the novel is light on plot, it nevertheless immerses readers in Lucy's world, capturing characters' seemingly small but deeply meaningful victories: a successful game for Lucy, a beautiful sketch drawn by her mother, words of praise from a major league scout who's observed her father. Everyone wins in this gentle, low-key sports story. Physical descriptions of characters are minimal; Edgar mentions growing up in Puerto Rico. Quietly joyful and triumphant. (Fiction. 8-13) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1: The Yard Goats 1 The Yard Goats I am eleven years old-- spring is turning into summer-- baseball time! Our combined fourth and fifth and sixth grades play baseball in the field next to our country school--only four boys in my class. It's a team of boys and girls together: Lily, Bett, Ellie, Markus, the two Lizzies, Anna, Tim, Arthur, Tex, Robin, and me. We play with worn school gloves of different sizes. Long ago my father gave me a glove when we tossed a ball back and forth in the backyard. It is blue, and much too small for me now. It sits on the table next to my bed. Except when my dad's away. Then it sits on my pillow. Our school principal, Mr. Baker, comes out sometimes to coach us and call balls and strikes at practice and games. "Want to try pitching today, Lucy?" he asks me. "Never!" I say quickly. "That's not for me!" I play second base sometimes, or wherever I'm needed. But not pitching. Pitching is my dad's job. And he's really good at it. Next to our playing field is a fenced-in family of friendly goats. They watch us play, baaing loudly when we cheer a hit or home run. From time to time the goats get out and wander into our schoolyard for pats, and to nose the first grade swings. Once we played another team and the goats pushed their way out. The visiting team ran away. Their coach climbed a tree, afraid. We started laughing. The goats started bleating. After that my friend Tex's younger brother Jake named our team the Yard Goats. We shortened the name to the Goats. "Yay Goats!!" we yell as the goats bleat. I have two best friends--Tex, named Texas after the state where he was born, and the other named Robin after a bird. They are cousins. Robin is the best hitter--better than both boys and girls. Some of the goats bleat when she comes to the plate. In the outfield, however, Robin is distracted and bored. We have to shout at her when there is an outfield fly ball so she won't miss it or get hit on the head. It's a half day at school today. My mother drives Tex, Robin, and me the two-hour trip to the stadium where my father's minor league team is playing. "Minor league for now," she says. "Hoping to be major." "What's the difference?" asks Robin. "A new car," answers my mother, making Robin and Tex laugh. It is early pregame practice when we get to the stadium. My father waves and comes over. The words SALEM RED SOX are written on his uniform in small red letters. "Your poor braids," he says sadly to me. He kisses my mother. "Got a brush, Meg?" My mother takes a brush out of her backpack. He brushes and braids my hair, and it feels like past times to me. He's been away pitching for weeks and weeks at a time--sometimes a month or two. I miss his fingers in my hair. But I don't tell him I don't wear braids most times anymore--unless he's around. My mother takes a photo of Billy May, a pitcher warming up. Billy comes over to look at the photo. "I'm not following through enough," he says. "Thanks, Meg." "Billy thinks a lot," says my father. "Of course, all pitchers do." "Will you pitch today?" Tex says. My father shrugs. "Don't know. Knuckleball pitchers often sit out the games. Sometimes they are starters. Or are called to pitch suddenly depending on the batter. We know batters don't like knuckleballs. They are hard to hit. But catchers don't like them either because they're hard to catch, too." "Except for Edgar," I say. "Except for Edgar," my father repeats. "Edgar is what every pitcher needs--a steady, calming partner in an unpredictable game. And sometimes the pitch just doesn't work." "Then why do you pitch the knuckleball?" asks Robin. "I love when it works. It surprises me. And it surprises the batter!" My mother has her own answer. "Think of him trying to paint the game. Like me painting a picture. Trying to make the game come out the way he wants. In his own way," she says. The players take a break and run off the field. "Come," says my father. We follow him, climbing over the railing. He takes us to the pitcher's mound. It's the first time I've ever stood on a real mound. "Wow," says Tex, grinning. "This is great!" "It's so high," says Robin. My father looks at me, waiting. "Lucy?" I take his pitching hand. I can see that it is a bit larger, with more muscle than his other hand. "It's the scariest place I've ever been," I say. My father nods. "And it is where I try to paint the game," he tells me. "Luther Chance coming in to pitch!" the announcer says loudly. "Edgar Vazquez catching." The crowd applauds. My father pitches in the ninth inning. We lead three to two. He gets three strikeouts in a row to win the game! The crowd cheers loudly!! My mother takes a photo. And she cries. My father and Edgar come over to us. Edgar gives me the baseball. "Yours," he says. It is still warm. "Your last pitch scared me," says Edgar. "It was close to being a passed ball." "But it wasn't, thanks to you!" says my father, putting his arm around Edgar. At home that night my mother shows me the photo of all of us on the pitcher's mound. "Tex looks joyful!" I say. "And Robin looks..." I pause. "Wary," says my mother. I nod. "I look scared," I say. "Yes. And your father has all these same feelings when he pitches," says my mother. I hold the baseball Edgar put in my hand. "All?" I ask. She nods. "A pitcher has to learn courage." I look up at my mother. "Courage," she repeats. The next morning I wake before sunrise. My mother still sleeps. I carry my father's bag of baseballs outside to the field. I stand in the middle of the sixty feet, six inches where my father pitches to Edgar. Early morning mist is all around me. The screen stands behind the bag that is home plate. I take a breath. I feel wary and scared. I pitch ball after ball until I begin to hit the place where Edgar would hold his glove ready. I gather up the balls and back up closer to my father's homemade pitching mound. I pitch, missing often--gathering up the balls to pitch again-- over and over pitch after pitch. And when the mist clears and it is daylight, I carry the bag of balls back inside. I hear the sounds of my mother in the kitchen, making morning coffee. She doesn't see me pass the open door. I get into bed, half-asleep. I realize I still have a baseball in my hand. I put it on my bedside table, next to my old blue glove. I think about courage. I know I'll dream about it. And I do. Excerpted from Painting the Game by Patricia MacLachlan All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.