Pushing cool Big tobacco, racial marketing, and the untold story of the menthol cigarette

Keith Wailoo

Book - 2021

"In the 1930s, menthols were 3% of the smoking market but by the 1970s, they accounted for a quarter and climbing. What explains this rise? Moreover, how did it happen that early into the new millennium an estimated 75% of Black smokers, compared to 30% of white smokers, chose menthol brands? Pushing Cool covers the contentious history of the menthol cigarette. It is a story steeped in racial and gendered marketing and revealing of the 'endless inventiveness of capitalism.' This is the first book to tell the menthol story, and in doing so illuminates broader stories of race, gender, consumerism, and the (scientific?) shaping of preferences and tastes by business in modern America. Pushing Cool dives deep into the ways in whic...h systemic disparities across race are fostered by targeted consumer marketing, among other things. Ten years ago, when Congress banned flavored cigarettes as illegitimate enticements to encourage youth smoking, menthol cigarettes were also slated to be banned. Although menthol smoking first emerged in the twentieth century having little to do with race, today Black smokers overwhelmingly smoke menthol brands such as Kool, Salem, and Newport, and calls to prohibit their circulation hinge on a history of the industry's targeted racial marketing. But menthols escaped the ban and remain legal largely because of the effort of several powerful Black Congressmen. To ban menthols, they insisted, was discriminatory against Black preferences. In five chapters spanning a century, Pushing Cool reveals how this story of Black affinity with menthol was crafted--how tobacco companies, social researchers, and marketers, as well as Black lawmakers and civic groups like the NAACP, helped the industry create a powerful narrative that has withstood efforts to ban menthol smoking to this day"--

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Subjects
Genres
History
Published
Chicago : University of Chicago Press 2021.
Language
English
Main Author
Keith Wailoo (author)
Physical Description
xiv, 396 pages : illustrations ; 24 cm
Bibliography
Includes bibliographical references (pages 357-376) and index.
ISBN
9780226794136
  • Prologue: Pushers in the city of my youth
  • Introduction : The crooked man: influence, exploitation, and menthol's expanding web
  • 1. Selling the menthol sensation
  • 2. For people susceptible to cancer anxiety
  • 3. Building a Black franchise
  • 4. Urban hustles and suburban dreams
  • 5. Uptown's aftertaste
  • Conclusion : Deception by design: the long road to "I can't breathe."
Review by Choice Review

A long-term relationship with Yale University provided Brown & Williamson, the tobacco manufacturer of Kool cigarettes, "evidence" that mentholated cigarettes could be beneficial, offsetting smoking's negative aspects. Without any real therapeutic evidence--menthol masks but does not relieve throat irritation--disingenuous advertising began in the 1920s, followed quickly by deceptive psychological and then social science advertising, all designed to reassure primarily Black smokers. Using racial targeting and Black exploitation, Kool's market share rose. As mounting evidence tied cancer and heart disease to cigarette smoking, government restrictions on television and print advertising resulted in increased billboard use in Black inner-city neighborhoods, carefully separating the Black cityscape from white suburbia. As sales fell, new campaigns emerged tying Kool to jazz festivals. In addition to exploitative and deceptive advertising, Big Tobacco used financial support to buy the silence of civil rights activists, Black newspapers, and the Black Congressional Caucus. In his conclusion, Wailoo (Princeton Univ.) brings together COVID-19, police choke-holds, and a corner store--"the best place in town to find menthol cigarettes" (pp. 285--286)--as the trifecta that ended George Floyd's life, tragically symbolized by his famous last words: "I can't breathe." Summing Up: Highly recommended. General readers through faculty; professionals. --Duncan R. Jamieson, Ashland University

Copyright American Library Association, used with permission.