Blackbird How Black musicians sang the Beatles into being - and sang back to them ever after

Katie Kapurch, 1983-

Book - 2023

"Presents a history of the influence of Black musicians on the Beatles, exploring musical and storytelling legacies full of rich but contested symbolism and the transatlantic circulation of diaspora African arts, tropes, and symbols"--

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Location Call Number   Status
2nd Floor New Shelf 781.66092/Beatles (NEW SHELF) Checked In
Subjects
Genres
Criticism, interpretation, etc
Music criticism and reviews
Published
University Park, Pennsylvania : The Pennsylvania State University Press [2023]
Language
English
Main Author
Katie Kapurch, 1983- (author)
Other Authors
Jon Marc Smith (author)
Item Description
"Foreword by Cyrus Cassells"--from cover.
Physical Description
xiv, 257 pages ; 24 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780271095615
9780271095622
  • Introduction : change the history : the blackbird in song, story, and transatlantic flight
  • Flee (free) as a bird : the legacy of the ring shout, flying Africans, and gospel in Black music and the Beatles
  • Sing a song of blackbird : pre-twentieth-century transatlantic flights in Black music, the Beatles, and Liverpool
  • I'm a little blackbird : Florence Mills, blackbirds of the Harlem Renaissance, and the Beatles' jazz age predecessors
  • Flying across the ocean : Lead Belly, "Grey goose," and the Beatles' Liverpool skiffle scene
  • You can fly away : Lord Woodbine and Lord Kitchener, "Yellow bird," and calypso in the Beatles' Liverpool club scene
  • You ain't ever gonna fly : Nina Simone's "Blackbird" and revolutionary responses to the Beatles
  • A blackbird on a white album : Aretha Franklin, Jimi Hendrix, Diana Ross, and other winged inspirations in and around 1968
  • Like a bird up in the sky : Billy Preston flies to the Beatles in London and circles back to LA with "Blackbird"
  • Y'all ready girls? : "Blackbird" soars in San Francisco with Sylvester, two tons o' fun, and the band
  • I was just seeing myself singing : Bettye LaVette on interpreting the Beatles and singing a bridge of blackbirds
  • Conclusion : twenty-first-century "Blackbird" in Paul McCartney's legend, for #BlackLivesMatter, and into transoceanic flightpaths.
Review by Library Journal Review

Paul McCartney said he wrote his 1968 song "Blackbird" because of the U.S. civil rights movement and his desire to provide a song of hope and liberation. Going far beyond an analysis of the song itself, Kapurch (English, Texas State Univ.; coeditor, The Beatles and Humour) and Smith (English, Texas State Univ.; coauthor, Make Them Cry) place "Blackbird" in a historical context that demonstrates how much of the Beatles' music and imagery--particularly of the avian variety--comes directly from Black music. The examination of birds and flight in song takes up a significant portion of the book, and the comprehensive scholarship is impressive. The authors highlight some of the most noteworthy performances of the Beatles' music from Black musicians. They also provide interviews with many who had a direct influence on the Beatles and some of their finest interpretations. Sections on Nina Simone, Aretha Franklin, Ramsey Lewis, Billy Preston, and Bettye LaVette are especially impressive; there's much to be savored. Readers will appreciate the extensive endnotes and bibliography. VERDICT An academic analysis of the Beatles as products and producers of music performed by Black musicians. This deep dive into music will entertain and influence listeners.--Bill Baars

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