Monkey grip A novel

Helen Garner, 1942-

Book - 2024

"Set in Australia in the late 1970s, Monkey Grip follows single mother and writer Nora as she navigates the tumultuous cityscape of Melbourne's bohemian underground, often with her young daughter Gracie in tow. When Nora falls in love with the flighty Javo, she becomes snared in the web of his addiction. And as their tenuous relationship disintegrates, Nora struggles to ween herself off a love that feels impossible to live without."--

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FICTION/Garner Helen
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1st Floor New Shelf FICTION/Garner Helen (NEW SHELF) Due Apr 29, 2024
Subjects
Genres
Novels
Domestic fiction
Published
New York : Pantheon Books 2024.
Language
English
Main Author
Helen Garner, 1942- (author)
Other Authors
Lauren Groff (writer of foreword)
Edition
First American edition
Item Description
"Originally published in hardcover in Australia by McPhee Gribble Publishers, Melbourne, in 1977, and subsequently by The Text Publishing Company, Melbourne, 2018" -- title page verso.
Physical Description
xii, 333 pages ; 25 cm
ISBN
9780553387452
Contents unavailable.
Review by Booklist Review

Finding and keeping love is hard. There is so much competition from other potential partners as well as from responsibilities to work, family, and friends. But when the rivalry is between narcotics and the object of one's affections, holding on is nigh impossible. Acclaimed Australian writer Garner's achingly poignant portrait of a young woman and the drug addict she loves rings with an authenticity that is, by turns, frustrating and sweet. In the ever-fluid coupling and throupling of Melbourne in the 1970s era of sex, drugs, and rock 'n' roll, Nora's love for Javo is constantly threatened by Javo's need to get high and take risks. For Nora, desiring Javo is an addiction unto itself, and Nora schemes to supplant heroin as Javo's drug of choice. In this U.S. release of her revered debut novel, Garner presents the twisted tango performed by addicts, no matter the nature of the monkey on their back. In buoyant and vivid prose, Garner evokes the lies, deceptions, delusions, and hope that come with a life always lived on the edge of despair or delight.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review

A dreamy sojourn in the druggy, sexy counterculture of mid-1970s Melbourne, Australia. "There was plenty of good dope around. Gracie was at school. The sun shone every day. I rode my bike everywhere. I went to the library. I was reading two novels a day. When Gracie came home from school we would doze off on my bed in the hot afternoon. For days at a time there was no sign of Javo." When this novel was first published in Australia in 1977, it was both a huge bestseller and the focus of critical outrage. Garner's fiction debut was so closely modeled on her own life that she was accused of having published her diary. Her response was, essentially, so what? As for the novel's title, its meaning is elucidated by protagonist Nora, cursing her obsession with Javo: "Smack habit, love habit--what's the difference?" Javo himself is straight outta Denis Johnson's Jesus' Son, the ultimate charming fuckup/hopeless addict. As a druggy single mom navigating a complicated web of open relationships, Nora has frequent recourse to the wisdom of the I Ching: "You gather friends around you / As a hair clasp gathers the hair." However spotty the attention of the grown-ups, 5-year-old Gracie seems more than able to cope, at one point playing "downstairs by herself, singing and drawing and reading aloud great tracts of Baby and Child Care by Doctor Spock." In an introduction to this edition, Lauren Groff speaks of feeling "gripped inexorably by Helen Garner's marvelous prose" and finding the book to be "suffused with this sort of sideways happiness even in the deepest throes of Nora's misery." Hmmm, yes, though for some the grip may wear off somewhere in the middle of the 352 pages. Just as interesting as reading the book is reading about the book; with Garner now the literary queen of Australia, much thinking and rethinking about this seminal novel has gone on. High times with the mother of autofiction. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

ACQUA PROFONDA In the old brown house on the corner, a mile from the middle of the city, we ate bacon for breakfast every morning of our lives. There were never enough chairs for us all to sit up at the meal table; one or two of us always sat on the floor or on the kitchen step, plate on knee. It never occurred to us to teach the children to eat with a knife and fork. It was hunger and all sheer function: the noise, and clashing of plates, and people chewing with their mouths open, and talking, and laughing. Oh, I was happy then. At night our back yard smelt like the country. It was early summer. And everything, as it always does, began to heave and change. It wasn't as if I didn't already have somebody to love. There was Martin, teetering as many were that summer on the dizzy edge of smack, but who was as much a part of our household as any outsider could be. He slept very still in my bed, jumped up with the kids in the early morning, bore with my crankiness and fits of wandering heart. But he went up north for a fortnight and idly, at the turning of the year, I fell in love with our friend Javo, the bludger, just back from getting off dope in Hobart: I looked at his burnt skin and scarred nose and violently blue eyes. We sat together in the theatre, Gracie on my knee. He put his hand to the back of my head. We looked at each other, and would have gone home together without a word being spoken; but on our way out of the theatre we met Martin rushing in, back from Disaster Bay. Decorously, Javo got on his bike and rode home. Not a matter of decorum, though, with Martin, who said to me shyly, knowing perhaps in his bones that nothing would be the same again, 'I wish I could--you know-- turn you on .' And he did, and somehow we loved each other: I held his sharp, curly little head very tightly in my arms. We slept peacefully, knowing each other well enough not to need to touch. I woke in the morning and heard at the same moment a rooster crow in a back yard and a clock strike in a house in Woodhead Street. I walked through our house. In the rooms people slept singly in double beds, nothing over them but a sheet, brown faces on still pillows. Gracie and Eve's boy the Roaster sprawled in their bunks. A glass fish tinked at their window. I put the kettle on to make the coffee, stared out the louvres of the kitchen window at the rough grass and the sky already hot blue. At the Fitzroy baths, Martin and Javo lolled on the burning concrete. I clowned in the water at the deep end where the sign read ACQUA PROFONDA. 'The others are waiting for me up at Disaster Bay,' said Martin. 'I'm going back today. Why don't youse two come with me?' 'OK,' said Javo, who had nothing else to do, his life being a messy holiday of living off his friends. 'Nora?' I rolled and rolled in the water, deafening my ears while I thought of, and discarded, all the reasons why I shouldn't go. I popped up, hanging on to the rail, hair streaming on my neck. 'OK. I'll come.' Javo was looking at me. So, afterwards, it is possible to see the beginning of things, the point at which you had already plunged in, while at the time you thought you were only testing the water with your toe. We picked Gracie up from her kinder and left Melbourne that afternoon. By the time we had crossed the border into New South Wales it was well into night. The camp where the others were waiting for the supplies Martin had brought was a mile from the end of the track, round a rocky beach. It was dark and the tide was right in against the rocks. I picked up Gracie, who was too scared to speak, and waded blindly after Martin's voice. I was soon wet to the thighs. Whenever a wave withdrew, invisible crabs clattered round my feet on the spiky rocks. I could dimly see Javo ahead of me with his boots over his shoulder. My ears were full of confusion and the sea thumping. Martin helped me scramble up the last slope, Gracie clinging like a monkey to my back, and in the sudden quiet between waves I saw the gleam of the tent in a small hollow. We stumbled in. The others woke in a mass of rugs and sleeping bags. 'Did you bring anything to eat?' I recognised Lou's voice. 'I couldn't carry it over the rocks,' lied Martin, who had forgotten it in his haste to bring us to the place. 'We expected you yesterday, mate,' complained Lou gently. 'All we've got left is fuckin' flour. Where have you been?' People were sitting up among the blankets. We got used to the dark. 'I got held up,' said Martin, already having forgotten the problem, and pulling his jeans off ready to sleep on his full stomach. 'You are a little weasel,' Lou sighed. He turned over and went back to sleep. Excerpted from Monkey Grip: A Novel by Helen Garner All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.