Subculture vulture A memoir in six scenes

Moshe Kasher

Book - 2024

"After bottoming out, being institutionalized, and getting sober all by the tender age of fifteen, Moshe Kasher found himself asking: OK, so what else is out there? Over the ensuing decades, he found his way to the answer: a lot. From his current vantage point as a successful stand-up comic, Kasher looks back on his years careening from subculture to subculture, and he immerses readers in the hilariously strange nuances of each of the scenes he's found himself in. Immediately after getting sober, Kasher began serving as the self-appointed sheriff of his Young People's AA group. He then went on to start his own club-promoting business from scratch in the heart of the 90s California rave scene, and later became a security guard... at Burning Man. Once, he caught a man who worked as a coyote at the US border sneaking punk kids into the festival as a side hustle. A child of deaf adults, he's also served as a sign language interpreter, and once helped an angry client cuss out a police officer. Later in life, Kasher went on to reconnect with his Jewish heritage after the death of his father, and now has a booming career as a stand-up comic"--

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Subjects
Genres
autobiographies (literary works)
Biographies
Autobiographies
Anecdotes
Published
New York : Random House [2024]
Language
English
Main Author
Moshe Kasher (author)
Edition
First edition
Physical Description
xii, 301 pages : illustrations ; 25 cm
ISBN
9780593231371
  • Introduction
  • 1. AA, or 10,000 Days at a Time
  • 2. Raves, or Notes from the Underground
  • 3. Deafness, or For Whom the Bell Tolls Unheard
  • 4. Burning Man, or Staring at the Bright Lights
  • 5. The Jews, or a Drop in the River
  • 6. Comedy, or Funny over Everything
  • Epilogue
  • Sources
  • Acknowledgments
Review by Booklist Review

Imagine going through Alcoholics Anonymous at 15. That's the backstory for Kasher (Kasher in the Rye, 2012). He is a comedian, and even the acknowledgments are funny. He thanks his wife, "who suffered bravely through late-night poetry slam-style readings of the latest paragraph I was proud of. She just wanted to go to bed, and I'm grateful she didn't." (She converted to Judaism for him and cohosts their podcast, The Endless Honeymoon). Occasionally, Kasher misses. When he is talking about how he would do anything for his five-year-old daughter, for example, he writes, "I would suck Jay Leno's dick to protect her." Sometimes he seems surprisingly serious. As when he wants his only child (conceived with his wife's last remaining frozen egg) to someday know that "no matter how badly things go, redemption is always possible and that from pain often comes growth." At 43, he seems wise enough to be musing about life with insightful humor, including the importance of "subculture," that is, "finding your people." This is a powerful, laugh- and smile-inducing performance.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this winning blend of humor and pathos, comedian Kasher (Kasher in the Rye) details the years he spent immersing himself in various subcultures, from Judaism to Burning Man, after his teenage stint in rehab. Kasher begins by describing his early life as a nerdy child of divorced, Deaf parents who split his time between Oakland and New York City, before briefly recounting his decision to get sober at 15 (which he covered in depth in Kasher in the Rye). From there, he writes--in the "six scenes" of the title--about finding refuge in communities as wide-ranging as Alcoholics Anonymous, 1990s San Francisco Bay Area raves, and stand-up comedy. Though the tone skews wry and self-deprecating, there's plenty of room for raw emotion, as when Kasher reflects that, in dying, his Jewish father "had given me a connection to the faith. But he never saw it." Throughout, Kasher is an erudite and charismatic tour guide, providing well-researched introductions to each of his chosen subcultures before diving into his own experiences with them. This will resonate with readers who've felt alone in an overwhelming world. Agent: Richard Abate, 3 Arts Entertainment. (Jan.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A stand-up comic offers a deep dive into the off-the-beaten-track communities that have shaped his life. Continuing in the vein of Kasher in the Rye, Kasher expands on his life story with a New Journalism approach--immersive first-person reporting (and comedic riffing) on interesting American subcultures. "I have at times been a professional raver/DJ/ecstasy dealer; a boy-king of Alcoholics Anonymous surrounded by throngs of other confused young people getting sober; a Burning Man attendee and then employee stuffing the psychedelic sausage; a conflicted but proud Jew attempting to make sense of the ultra-Hasidic world I'd been raised in; an American Sign Language interpreter who was at once both insider and outsider in the deaf community; and what I am today, a stand-up comedian." What's not in that employment history--but makes the book intriguing--is his role as a skilled researcher with a knack for making long, detailed chronological accounts of possibly dull topics exciting and funny. As the son of deaf parents, his presentation of deaf education is told in a spirit of outrage, largely directed at Alexander Graham Bell, but also including amusing details--for one, "All I know for sure is that my mother farts in public." For readers who've been nursing a dream of attending the Burning Man festival, Kasher's granular account may temper their enthusiasm. Similarly, his account of how he clawed his way up the slippery ladder of stand-up comedy should be required reading for any would-be comedians seeking the spotlight. At the end of the story, the author writes about his marriage (to fellow comic Natasha Leggero) and fatherhood, but here, he avoids the jokes: Hopefully, Kasher is saving the wonderworld of absurd subcultures that is parenting for his next book. The author's history of Judaism alone is worth the price of admission. Vivid and great fun. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Introduction Part of growing up is realizing that you haven't been walking a straight road to where you are now, that it's been a labyrinth the whole time. It's only in hindsight that you see how twisted the path has been. I wrote my first memoir in 2009. A chronicle of addiction and ridiculousness that ended when I was fifteen and left rehab for the last time. I was a kid. That was almost thirty years ago and now I'm a grown-up, I guess, despite the fact that my generation was the first to stop growing up altogether. Since that book came out, I've thought a lot about what happened next. How did I escape the chaos that was my life? How did I go from there to here? This is my attempt to turn that chaos into a story. But it's not one story. It's six. I've lived a lot of lives and yes, I do wonder if it's possible to write "I've lived a lot of lives" without you rolling your eyes and dismissing me as a pretentious f***. I sure hope so, because . . . I've lived a lot of lives. I have spent my life being seduced by the charms of groups, of subcultures, of tiny communities. I have at times been a professional raver/DJ/ecstasy dealer; a boyking of Alcoholics Anonymous surrounded by throngs of other confused young people getting sober; a Burning Man attendee and then employee stuffing the psychedelic sausage; a conflicted but proud Jew attempting to make sense of the ultra-Hasidic world I'd been raised in; an American Sign Language interpreter who was at once both insider and outsider in the deaf community; and what I am today, a stand-up comedian, which is the thing that eventually became my living and the reason I have enough cultural cachet to be writing a book at all. Each segment contains a ramshackle history of the worlds I have inhabited, starting at the beginning and examining how they came to be. I actually did a lot of research to tell these histories, but I am not a historian so don't expect any groundbreaking discoveries about the author of the Bible or the guy who invented trance music. At a certain point in each of these histories, I intersect with the world I'm describing and tell the story of how these communities became a part of my DNA. Laid on top of one another, these six stories become one: They become my story. The history of me. Laid on top of one another, they become, once again, a labyrinth. So let's start in the center of the maze, where the way out seemed the most opaque. Where the path forward seemed the most twisted. Where I despaired of ever finding my way again. Let's start where my last book ended. The day I got sober. Freshly broken, fully lost, and sure my life was over. It had just begun. Excerpted from Subculture Vulture: A Memoir in Six Scenes by Moshe Kasher All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.