Homeland of my body New and selected poems

Richard Blanco, 1968-

Book - 2023

"A rich, accomplished, intensely intimate collection with two full sections of new poems bookending Blanco's selections from his five previous volumes. "An engineer, poet, Cuban American...his poetry bridges cultures and languages-a mosaic of our past, our present, and our future-reflecting a nation that is hectic, colorful, and still becoming." -President Joe Biden, conferring the National Humanities Medal on Richard Blanco, 2023"--

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Subjects
Genres
poetry
Poetry
Published
Boston, Massachusetts : Beacon Press [2023]
Language
English
Main Author
Richard Blanco, 1968- (author)
Physical Description
202 pages ; 24 cm
ISBN
9780807012970
9780807012987
  • Radiant Beings: New Poems Part 1
  • The Splintering
  • -playing god-
  • Why I Needed To
  • Until This: An Ekphrastic Ars Poetica
  • Questioning Villa Vizcaya Museum and Gardens
  • Radiant Beings: Photos by Joyce Tenneson
  • -anatomy of light-
  • To the Artist of the Invisible
  • Big Wood River
  • What You Didn't Let Us Lose
  • Music in Our Hands
  • Visiting Elizabeth: A Glosa
  • What Governs Us
  • Maine Yet Miami
  • Upon a Time: Surfside, Miami
  • From City of a Hundred Fires
  • América
  • La Revolución at Antonio's Mercado
  • Mango, Number 61
  • Shaving
  • Mother Picking Produce
  • The Silver Sands
  • 324 Mendoza Avenue, #6
  • Havanasis
  • Varadero en Alba
  • El Jagua Resort
  • Found Letters from 1965: El Año de la Agricultura
  • El Cucubano
  • Décima Guajira
  • Palmita Mía
  • Palmita Mía
  • From Directions to the Beach of the Dead
  • Time as Art in the Eternal City
  • A Poet in Venice
  • We're Not Going to Malta …
  • Somewhere to Paris
  • Torsos at the Louvre
  • After Barcelona, in Barcelona
  • Directions to the Beach of the Dead
  • Winter of the Volcanoes: Guatemala
  • Bargaining with a Goddess
  • Return from El Cerrado
  • Silent Family Clips
  • Papá's Bridge
  • What's Love Got to Do?
  • Visiting Metaphors at South Point
  • Translation for Mamá
  • The Perfect City Code
  • When I Was a Little Cuban Boy
  • Looking for Blackbirds, Hartford
  • How Can You Love New York?
  • No More Than This, Provincetown
  • Crossing Boston Harbor
  • Mexican Almuerzo in New England
  • Where it begins-where it ends
  • From Looking for the Gulf Motel
  • Looking for The Gulf Motel
  • Betting on America
  • Taking My Cousin's Photo at the Statue of Liberty
  • The Island Within
  • Practice Problem
  • El Florida Room
  • Afternoons as Endora
  • Queer Theory: According to My Grandmother
  • Maybe
  • Thicker Than Country
  • Killing Mark
  • Cooking with Mamá in Maine
  • My Father in My Hands
  • Since Unfinished
  • From How to Love a Country
  • Como Tú / Like You / Like Me
  • Complaint of El Río Grande
  • Leaving in the Rain: Limerick, Ireland
  • Island Body
  • Matters of the Sea
  • Mother Country
  • My Father in English
  • El Americano in the Mirror
  • Using Country in a Sentence
  • American Wandersong
  • Imaginary Exile
  • Let's Remake America Great
  • Until We Could
  • Between [another door]
  • One Pulse-One Poem
  • Seventeen Funerals
  • America the Beautiful, Again
  • What I Know of Country
  • And So We All Fall Down
  • Declaration of Inter-Dependence
  • Cloud Anthem
  • Here I Am: New Poems Part 2
  • Uncertain-Sea Principle
  • Seashore: An Ovillejo
  • Hineni
  • Weather of My Weathering
  • Life Without Rain
  • Thank You: For Not Letting Me Die
  • Biuejay Dialogue: An Ovillejo
  • The Cutting
  • Writing Home
  • For the Homeland of My Body
  • Become Me
  • Reverse Bucket List
  • Time Capsule
  • Living Will
  • Self to Self
  • Anti-Poem
  • A Good Day to Die
  • Moonrise
  • Say This Isn't the End
  • Notes
  • Credits
  • Acknowledgments
Review by Booklist Review

Born in Spain to Cuban exiles, Blanco grew up in Miami, then traveled the globe before landing back in the U.S. and serving as Barack Obama's inaugural poet, the first gay person, the first Latino, and the first immigrant to do so. Drawn from his four books of poetry, from City of a Hundred Fires (2008) to How to Love a Country (2019), these selected poems reflect themes of gay identity, Cuban history, family migrations, and artistic intersections. The prose poem and ekphrasis have been favored forms across the poet's career (his muses are the mysterious photographer Paul Cordes and the French painter Jacques-Louis David). But it's in the evocative details that Blanco's gift for turning a phrase really shines, as in the regal "presidential stance of our pine trees" or the perfectly soothing "soft harp of snowfall." Over 30 new poems open and close this title, and they are just as tender and introspective. "I needed to hear the waves / break and break me into the lines of this poem." An exceptional mid-career snapshot of a trailblazing poet's remarkable journey.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

This beautiful retrospective brings together selections from four of Blanco's previous books--including his most recent, How to Love a Country--as well as vital new poems. Blanco contemplates identity, belonging, memory, and place as he writes about home, family, and love with a reverent and empathetic eye. In "Splintering," he unflinchingly enacts the divide between body and soul, describing the moment when a child realizes what being is, as his mother tends to his wound: "I knew nothing of dying. Then she kissed/ the last bead of blood on my finger and said:/ I love you. Meaning what she'd love forever was more than my body, which suddenly split/ from me." The new offerings powerfully bookend the collection, contextualizing Blanco's expansive and impressive work. In "Become Me," a poem written to his husband, the weight of love and death finds transcendence in a place that never dies: "Become my lungs,/ their last gap, nerves firing through/ every scene of our loving. Become the soil/ of my soul. There's nothing more blessed/ than taking you with me into the ground." Blanco's expert command of craft and lyricism is evident in these pages as he offers readers a vision of the quintessential aspects that define humanity, even in the face of despair. (Oct.)

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