Review by Booklist Review
Country music icon Willie Nelson lets his songs "happen." He doesn't try "to push them or prod them." The words come first, and then the melody. Here Nelson offers short descriptions, accompanied by lyrics and plenty of photos, of what he was thinking when he was writing his songs. Significantly, he makes no effort to try to explain them. "I want to keep the mystery." The songs, including "To Make a Long Story Short," date back to the early 1960s, but they're not presented chronologically ("Because I'm not an orderly man") but, rather, thematically, and many of his most-famous compositions are here, such as "Funny How Time Slips Away" and "On the Road Again." There are songs about cheating, poker, loneliness, love, life on the road, and songs made famous by other singers, including Patsy Cline's "Crazy." Throughout this lovely act of looking back and moving forward, Nelson wears his well-worn heart on his sleeve. Yes, he notes, a songwriter is also a salesman, but the message Nelson's selling has to connect with his audience, and that he's been doing spectacularly for decades.HIGH-DEMAND BACKSTORY: Willie Nelson's many admirers cross myriad lines, and they will eagerly pursue this chance to get close to their idol.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Nelson (Willie Nelson's Letters to America) shares in this irresistible outing the origins of songs from across his more than 60-year music career. Writing that the "energy driving my words remains a mystery to me," Nelson is coy about his songwriting skills--when a producer told him he'd composed a weird hymn filled with metaphors (1970's "Laying My Burdens Down"), he protested that he didn't even know how to spell metaphor, let alone understand the concept. But his intelligence and wisdom shine through, not just in his familiarity with the ideas of Shakespeare, Oscar Wilde, and Kahlil Gibran, but in his easy ownership of his faults (reflecting on the "black widow-type... woman who does a man dirty" in 1961's "Funny How Time Slips Away," he muses that "if anything, it's been the other way around" in his life) and comfort with his spiritual side ("Creativity flows from a higher source filled with love," he writes of 1962's "Kneel at the Feet of Jesus"). The weakest points are where Nelson seems most certain, including generalizations about the sexes that feel like throwbacks to a different era ("Men have a tough time getting over their cowboy fantasies"). Still, fans will relish these insights into the singer-songwriter's many avatars: the kid growing up poor with close ties to his church and family; the political activist who wrote "Vote 'Em Out" for Beto O'Rourke's 2018 senatorial campaign; and the enigmatic, sui generis artist. This is a treasure. Photos. (Oct.)
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Review by Kirkus Book Review
In a wry narrative shot through with a loopy, stoner spiritualism, the great songwriter and outlaw country artist takes a ramble through his back pages. "I'm dumb enough to think everything I write is going to be a hit." So Nelson remarked to Faron Young, who turned the musician's "Hello Walls" into an early chartbuster. It didn't always work out that way, however. For years, the record companies wrestled with Nelson's sometimes impenetrable lyrics--as he reveals, he sometimes speaks to various parts of houses and makes songs of what they tell him--while trying to turn him into a conventional star. "After struggling in Nashville," he writes, "I returned to Texas in 1970, not as a conquering hero but as just another singer with a band looking to survive." As one of his songs puts it, "Nobody said it was going to be easy," but Nelson found himself with just the right people, from his celebrated drummer and best friend Paul English to the hard-living Waylon Jennings, whose album Wanted! The Outlaws, containing a co-written Nelson tune, was "the first country album to sell over a million copies." That helped the coffers, but, as the lyrics assembled here, richly illustrated with photographs, suggest, Nelson's prime motivation is less money than the good life. Much of his commentary on his lyrics concerns spiritual lessons. "Because I'm into my ninetieth year," he writes, "a lot of people want to know my strategy for survival." Faith in something that may or may not be God is one element; smoking righteous quantities of marijuana has a part, and as does kneeling in gratitude. Essential are humility and service, as with this memorable comment paired with the song "Heartland," co-written with Bob Dylan in 1990: "To give voice to the voiceless is a priceless privilege that comes with being a writer." A lively accompaniment to Nelson's sprawling, genre-crossing, delightful catalog of recordings. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
