The lady in glass and other stories

Anne Bishop

Book - 2024

"A master of bringing fantasy worlds to life, this collection showcases Anne Bishop's impressive range, from rarities of her earliest writing to the Realms of the Blood, from darker fairytale retellings to the Landscapes of Ephemera, and from standalone stories of space exploration and fantastical creatures to the contemporary fantasy terrain of the World of the Others. Includes previously published and unpublished tales, as well as two brand-new stories, written especially for this collection."--

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Subjects
Genres
Fantasy fiction
Short stories
Published
New York : Ace 2024.
Language
English
Main Author
Anne Bishop (author)
Physical Description
461 pages ; 24 cm
ISBN
9780593639054
Contents unavailable.
Review by Booklist Review

In this collection of career-spanning stories, there's plenty of early work which offers an interesting window into Bishop's (The Queen's Price, 2023) stylistic development, along with a generous selection of tales from her current output. The early stories, as unpolished as the author's introduction implies, still bear the same thematic structures Bishop's fiction is founded on. There's also a section explicitly dedicated to fairy-tale retellings, often grim and replete with the trauma of sexual violence and revenge seeking. Some of the stories in sections dedicated to Bishop's ongoing series work are published here for the first time, including a Lakeside holiday story, "Home for the Howlidays." Finally, there's a section of miscellaneous stories--a ghost story, a little postapocalyptic tale, and a story of spacefaring terraformers. Fans looking for a grab bag of Bishop's work will certainly be satisfied, and the volume might well be an interesting place to start for new readers, thanks to its expansive range. As long as the reader is prepared for the ways Bishop's stories use sexual violence, revenge, and rigid gender expectations, they're a worthwhile diversion, with engaging characters and background worlds.

From Booklist, Copyright (c) American Library Association. Used with permission.

THE LADY IN GLASS Who was she, this one who sleeps in the glass coffin? How long has she slept? She is beautiful, so beautiful. Her hair is as black as a raven and looks as soft as the clouds. Her skin is as white as the Elderman's best porcelain and unmarked by time or life; and yet her cheeks have the blush of a perfect apple, and her lips are as red as the most perfect rose. Her eyes, closed in her eternal sleep, are they blue with innocence, gray with wisdom, or dark with the mysteries of the world? Who was she? She came to us when the earth shifted one day, an unremarkable occurrence in our times. Some men from our village were out hunting. One moment they were walking through a narrow pass between high grassy hills, and the next they were sprawled on their backs as the earth trembled and one of the hills was sliced apart as cleanly as a sharp knife cuts through cake. And there she was. They could not believe what they saw. Cautiously they climbed to where she lay, testing each foothold lest their presence on the loosened earth cause a further slide that would bury them, and her. As if in a dream, they used their guns as shovels and carefully eased her from the hill. When they returned to our village, they came not with the meat needed to fill hungry bellies but with her. Sweating and struggling, they carried her back, fearing all the time that the smallest pebble, the merest twig, would cause one of them to stumble and overbalance the load, which would surely have ended in her destruction. The Elderman ordered them to carry her into his house to protect her from the elements, particularly the harsh, hazy sun, and everyone crowded in to look at her. Even those who had never been permitted to cross his threshold before forgot propriety as elbow jostled rib and feet were trod on in the effort to get a better look. It took but a few minutes for a fight to break out, and when the bodies thudded against the long table the Elderman's family dined on-the table on which the coffin lay-the Elderman roared his disapproval and banished all but the council of elders from his house. Even after the door had been closed and barred and all the windows curtained, still the villagers had stood outside, whispering among themselves and wondering, wondering. She is not like us, and yet she is. She is what we once were, before that terrible, terrible thing happened that is only called the Great Foolishness-a stupid name for that horror in the past that gnarled and bent us so and yet, miraculously, left so much untouched. She is what we once were, tall and straight of limb; but we are all that's left of humankind. We are all that's left of Man. We have a library in our village, a rare thing for so small a place. Books are precious. It is a week's travel to a city where they can be bought, and they are dearly priced. Still, we have a collection, a sign of communal affluence. Thrice each week, the Historian or one of his clerks stands before the assembled village and reads from one of them. It is wonderful. When I was young, I wanted to be a clerk (I never dared aspire to be Historian). I had the intellectual gifts required, but my father, who had grown tired and uncaring, thought the fields sufficient employment for me, and his second lifemate (my mother died early-not an unusual occurrence among our wemen) was more interested in advancing the standing of her own child in our village than in tending to me. But he is already gone and I am here, sitting through the night hours, keeping the lady company. But I ramble. 'Tis a sign of age. The Elderman tired of having the village underfoot whenever he tried to leave his house. He tired of faces trying to peer into his windows, so he ordered a viewing hall to be built where all could come and see the lady. Day after day they came to see her. The men came and stared, hungering for her beauty. The wemen came and stared, pain and hatred in their eyes. Every man has a duty to take a lifemate. Our survival depends upon procreation, no small thing anymore, for if the Great Foolishness deformed and twisted the men, it was even crueler to those who hold the basket of our survival. They are so ugly. They are humped and bent, their limbs twisted and misshapen. Only their eyes are beautiful, deep and full of strange longings, half-remembered dreams. Men live with them to have a helpmate, to satisfy their bodies' needs, to hopefully produce a child. It is a great crime among us to desert a lifemate. It is a social disgrace not to perform the marriage duty often enough for her to conceive. It is, at best, a trial for both parties. When a weman feels the need for a man's body, and usually this is only a handful of days in the course of her blood time, she informs him of his duty. On these days he is excused early from his day's work so that he is fresher, more fit to provide the seed. At least once on each of these days he lays his body down upon hers. Then, if they are lucky, her blood time will come and go, and the life within her will quicken. And if they are very lucky, they will have a child. If not . . . Even the childra, the unchild, is allowed to suck once at its mother's breast-if it has a mouth to suck with-before being given a small vial of breeleth, or dragon's breath, a sweet, deadly poison that works quickly and without pain. So the men would come to the viewing hall from the fields and stare, drinking her in, memorizing her before hurrying to their huts and their beds to perform their duty in a darkened room. One day, one of the wemen, having discovered that her lifemate could no longer stand to do his duty for her without gazing first upon the lady, stood in the viewing hall before a large crowd and pondered aloud what the lady's lifemate must have looked like. And they could all see him: taller than she but built just as straight, limbs muscled and whole, darker skinned than she, skin that had been gently kissed by the sun, and raven hair as full and sleek as her own. It cut them to the core, for they were no more like him than the wemen were like her. The weman, gone mad, picked up the jagged rock she'd been hiding and hurled it at the coffin. Her lifemate, grieving for a man's body that could never be his own, threw himself in the way of the rock, protecting the lady. The rock took out one eye and opened his skull. He died that night. A few months later, the weman produced twin childra and died in the birthing. After that, a guard was stationed in the viewing room to protect the lady as she slept. And then, one night, the Historian ran through the streets like a man deranged and stood hopping about on the cold ground in his bare feet as he pounded the Elderman's door with his fist. The Elderman let him in, and a few minutes later, his youngest son was running to the huts of the other elders, and a council was called. The Historian had been reading a book loaned to him by a brother historian and had come across a story about a lady much like our own, so beloved by those who knew her that when she died, they placed her in a glass coffin so that they could still look upon her beauty. And then a man came by and saw her and fell in love with her. He opened the coffin and bestowed a kiss upon her lips, and the lady woke from her long sleep and went to live with him. A kiss! The elders were stunned. A kiss does not bring the living back from the dead. It was nonsense. It was blasphemy. It was . . . possible? Excerpted from The Lady in Glass and Other Stories by Anne Bishop All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.