The last fire season A personal and pyronatural history

Manjula Martin

Book - 2024

"H Is for Hawk meets Joan Didion in the Pyrocene in this arresting combination of memoir, natural history, and literary inquiry that chronicles one woman's experience of life in Northern California during the worst fire season on record. Told in luminous, perceptive prose, The Last Fire Season is a deeply incisive inquiry into what it really means-now-to live in relationship to the elements of the natural world. When Manjula Martin moved from the city to the woods of Northern California, she wanted to be closer to the wilderness that she had loved as a child. She was also seeking refuge from a health crisis that left her with chronic pain, and found a sense of healing through tending her garden beneath the redwoods of Sonoma Count...y. But the landscape that Martin treasured was an ecosystem already in crisis. Wildfires fueled by climate change were growing bigger and more frequent: each autumn, her garden filled with smoke and ash, and the local firehouse siren wailed deep into the night. In 2020, when a dry lightning storm ignited hundreds of simultaneous wildfires across the West and kicked off the worst fire season on record, Martin, along with thousands of other Californians, evacuated her home in the midst of a pandemic. Both a love letter to the forests of the West and an interrogation of the colonialist practices that led to their current dilemma, The Last Fire Season, follows her from the oaky hills of Sonoma County to the redwood forests of coastal Santa Cruz, to the pines and peaks of the Sierra Nevada, as she seeks shelter, bears witness to the devastation, and tries to better understand fire's role in the ecology of the West. As Martin seeks a way to navigate the daily experience of living in a damaged body on a damaged planet, she comes to question her own assumptions about nature and the complicated connections between people and the land on which we live"--

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Subjects
Genres
Autobiographies
Published
New York : Pantheon Books [2024]
Language
English
Main Author
Manjula Martin (author)
Edition
First edition
Physical Description
x, 327 pages : maps ; 25 cm
Bibliography
Includes bibliographical references.
ISBN
9780593317150
  • August
  • 1. Storm
  • Go bag
  • Bay leaves
  • A brief pyronatural history of California
  • Turtle Island
  • On pruning
  • 2. Sea
  • Over the hill
  • The land
  • Aftershocks
  • The sea
  • Dawn patrol
  • 3. Glacier
  • Love letters
  • A garden
  • What the tule knows
  • Pit stop
  • Where water comes from
  • 4. Steam
  • The recreators
  • Hangtown
  • Fuel
  • September
  • 5. Hawk
  • A season
  • Beauty and sweetness
  • The river
  • 6. Sky
  • What smoke is
  • The day without a sky
  • Visions
  • 7. Smoke
  • Outside things
  • Inside things
  • Bread
  • Days of Awe
  • October
  • 8. Devils
  • Wine Country
  • The people who stay
  • Devils
  • Flare-ups
  • Fire flowers
  • 9. Gods
  • Foxes
  • Red flag
  • Surf lessons
  • What the forest knows
  • 10. Veils
  • After wind
  • Veils
  • Helicopter
  • Portal
  • The recumbent
  • November
  • 11. Owl
  • Watchers
  • Hashtag strong
  • Dozer lines
  • 12. Oak
  • Good fire
  • A brief pyronatural history of women
  • Rain
  • 13. Dirt
  • Stewardship
  • Black gold
  • Acknowledgments
  • Source Notes
Review by Booklist Review

Beginning with a dry lightning storm that threatened the author's home, The Last Fire Season moves between the agonizing decision-making process prior to evacuation (when to go, where to go, what to bring) and California's broader history and legacy of land management. Drawn to heavily wooded Sonoma County following an illness and pursuing a heartfelt desire to heal by cultivating a garden there, Martin comes to love the community she and her partner find. Reflecting on the chaos brought by the fire, which she notes is all too common for Californians, she began to question how the state negotiates its annual disasters and contends that in the unfolding climate crisis there can no longer be a "fire season." The fires are all-consuming and ever-present and thus demand a radical paradigm shift in our approach. Martin's search for answers takes her far from the events of the specific fire that precipitated them and demands a degree of patience from readers, but her emotional response is palpable and will resonate with many.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

Writer and editor Martin (coauthor of Fruit Trees for Every Garden) offers an insightful memoir describing her experiences living in Northern California during 2020's devastating wildfire season. Partly motivated by Martin's health crisis, she and her partner moved from the city to a house on a hill in the Sonoma woods in 2017, a few years before the fire season intensified. Martin chronicles the devastation wrought by the fires, capturing the fear and uncertainty of living during this time while working through her own healing and recovery. Martin interweaves a history of the land, reflections on climate change, and discussions of Indigenous fire control practices into her memoir, arguing that people must now live with fire throughout the year, not just during fire season. Narrating her own account, Martin's tone is pleasant and well-paced. Listeners will sense her urgency and concern as she recounts details of her life during the fires. VERDICT Martin's memoir about living through and emerging from devastation, together with her reflections on history and climate change make for a rich and timely listen.--Carol Sternenberg

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A memoir about living with wildfires in Northern California. Growing up in that region of the country, Martin was familiar with fire season, which usually occurred in autumn. Over the years, however, she noticed that fire season had both lengthened and intensified. In 2017, following a personal health crisis, Martin and her partner, Max, purchased a home and moved from the city to the woods of Sonoma County. Through tending her garden, Martin found a sense of healing, but a couple of years later, her place of solace became endangered. In 2020, California experienced one of the most intense fire seasons in recent history. Martin chronicles how she dealt with the devastation, and her language ably captures her fear and uncertainty. "Above the redwoods fathomless clouds lingered like silence," she writes. "From inside them the furious sky hurled its energy at millions of acres of dry, deep wood. I had never seen so many lightning strikes. The blades of electricity bisected the air, the earth, everything." Upon returning home, Martin found her garden "sepia toned and slightly out of focus: weeks of heat and smoke had turned the flowers and trees into memories." The author also discusses Indigenous land-management practices, and she contends that individuals have been willfully ignoring the many obvious effects of climate change "to assuage…feelings of guilt" or "as a way to cope, to keep going." As Martin notes, "fire was always a naturally occurring part of the landscape in the American West." However, due to human-caused problems, wildfires have become more unpredictable. Martin argues that a fundamental shift in the dominant culture's attitude toward fire and nature is necessary. We can no longer think in terms of a "fire season." We must now learn to adapt to living with fire throughout the year. Insightful and alarming, hopeful and consistently engaging. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1. Storm The night of a dry lightning storm in Northern California I woke up terrified, and from my bedroom window I watched relentless spears of lightning shatter the sky, Zeus or Jupiter very upset, fire from darkness splintering the land, and I knew immediately we couldn't all survive this. People. Critters. Houses. Trees. Max rolled over in bed next to me. There's going to be a fire, I said. We got up. It was four-thirty a.m. I lived on the north slope of a thickly forested hill with Max, my partner, in a small white house under large red trees. Our road was a single-lane dead-end. Down the hill there was a ramshackle neighbor­hood of cabins. Upslope, past the leaning fence of our yard, there grew three hundred acres of mixed evergreen forest, which was privately owned and chronically neglected. From here the woods spread west into thousands more acres of Northern California landscape: more trees, more hills, small groupings of homes perched between. Farther west, where the coastal range stopped, shrubby slopes descended to the Pacific Ocean. My extended backyard. Wind had woken me before the lightning; it rattled the single-pane windows in our bedroom. Above the redwoods fathomless clouds lin­gered like silence. From inside them the furious sky hurled its energy at millions of acres of dry, deep wood. I had never seen so many light­ning strikes. The blades of electricity bisected the air, the earth, every­thing. My insides were set abuzz. My lungs contracted like they'd just hit cold water; my jaw compacted into itself; my eyes searched for purchase in the uneasy dark. Every muscle in my pelvis, from psoas to sphincter, felt as though it had been turned to wood. Somewhere inside my brain every synapse fired, and I was thrust into a whorl of anxiety: go, go, go. The storm continued. Max and I ping-ponged between each win­dow in our house, trying to track the lightning and gauge its proximity to the roof; the large, open yard; the 150-foot-tall redwood trees sur­rounding it; the thousands more trees in the hills. We opened the door and stood on the back porch beneath the eaves and looked up. The canopy blocked our view of the dive-bombing sky. Redwoods were the tallest plants on the planet, older than almost everything. Since childhood I had felt safe beneath the shelter of these grand trees. I often thought of them as my protectors, and myself as their comrade. The redwoods where I lived--coast redwoods, Sequoia sempervirens --were second-and third-growth, as most in the area were, due to past logging. They were probably over a hundred years old; just babies, in redwood years. The trees lived together with us in mutual silence, and when it was windy they swayed gracefully above the roses I'd planted in the clearings between them, as though they were keeping watch. Despite my feelings of comradeship, past storms and human history showed that the trees and I were in fact liabilities to each other, not guardians; anyway, we couldn't protect each other from this. Lightning was inescapable, an elemental force unleashed. It struck and struck, splintered and shone. My skin bristled as the atmo­spheric pressure plummeted, but bizarrely this lightning had arrived without rain. The storm was near to us, very near, and every time the thunder clapped I counted one, two, three inside my head to clock its proximity. But the expected crescendo of every thunderstorm, the deluge, never came. Instead, electric spears kept plunging toward the earth and fear kept rising inside my body, and the two connected in my brain and, perhaps, never came untied. We went back inside. Max looked online for reports of new fires, and I put on a sports bra, in case I had to run from something. I then walked to the closet where we kept our camping gear and started to take stuff out. Although we'd evacuated from a wildfire the prior year, we didn't have an emergency kit--a go bag, in disaster-preparedness parlance, which was fast becoming everyday lingo all over the world. Here, fires didn't usually happen until autumn. In recent years I had noticed less predictability to the seasons, but by August the land was reliably dry, the hills a mélange of browns and yellows. August nights, however, were moist; in the mornings the fog crept out of the valleys and back toward the ocean like it was hungover. By September the marine layer would relax its grip as the Diablo winds, named in part for their capacity to do bad things, began to roll over the mountains from the east, and the oak leaves and fescue would then shimmer like hot gold. Historically, in summer in coastal Northern California, it did not rain. It did not thunder. Lightning was for other seasons. But there was so much fire in that sky. It had to land somewhere. I did laps around the house, carrying things from closet to bed. Tote bag, sleeping bag, head lamp. Car registration, my asthma inhaler, passports. In the closet we had an old, cheap backpack with a broken strap that had been my feeble earthquake kit when I had lived alone in San Francisco. I found it, cursed its uselessness, and tossed it on the floor near the front door anyway. I had read that in the extreme heat of a wildfire scenario, synthetic clothing could fuse to your skin, whereas natural fibers burned clean. I positioned my leather clogs by the door and fingered the fabric of my pajamas. Cotton. I added to the pile a wool sweater, in case it ever got cold again, although we'd been in a severe heat wave all week. The lightning kept crashing and the electricity flickered, but held. Max reported back from the internet: no fires yet. Wild lightning pics, though. I kept packing. I thought I could smell sulfur. Somewhere in my body, a habitual response had already taken control. The world was flexing its power over me, and I knew from experience that when this happened it was important to be quick, be ready, then be gone. At some point our local firehouse siren moaned its air-raid lament. I checked my phone. I checked again. No notifications. But the siren meant that someone nearby had called 911, which meant that some­where near my home, trees were being cracked open; power lines were falling; small fires were certainly starting. We could only hope that the volunteer fire department was finding them all. Our next-door neigh­bor was on the VFD; I usually relied on him for intel about storms or fires. I looked out my kitchen window and across the half-acre slope of the yard toward his driveway, but his pickup truck was already gone. Max joined me in packing. We didn't talk much. My thunder counts grew shorter in number, then began again to extend. The light­ning stopped, eventually. The sirens quieted. Then the light dawned and it was gray, then, bizarrely, there was a very small amount of rain, more thunder, and for a refreshing moment the atmosphere felt like August in Pennsylvania that summer when I was fifteen years old and away from California for the first time and the thunder rolled across the green landscape every afternoon and two different boys wanted to kiss me. But this moisture was anomalous, limited, I knew. It couldn't make magic happen. Excerpted from The Last Fire Season: A Personal and Pyronatural History by Manjula Martin All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.