Writing the not-self

Streaming video - 2023

A conversation between three IWP 2023 Fall Residency writers on the theme of "Writing the Not-Self," followed by Q&A. Azhar Noonari (poet, translator, journalist; Ukraine) is the author of poetry volumes Подальше от рая [Farther from Heaven] (2018) and Перша сторінка зими [The First Page of Winter] (2019), as well as of a 2021 book of interviews with Belarusian writers. His poems have been translated into more than 30 languages and awarded nationally and internationally. He translates Polish and Belarusian poetry and contributes to the PJ Library program in Ukraine as an editor and a translator of children’s books from the English. His participation is made possible by an anonymous gift to IWP. ...Li Kotomi (novelist, essayist, translator; Taiwan/Japan) is the author of Hitorimai, published in 2022 as Solo Dance, Porarisu ga furisosogu yoru [Night of the Shining North Star] (2020), and Higanbana ga saku shima [The Island Where Red Spider Lilies Bloom] (2021). She is the winner of the Akutagawa Prize and the Minister of Education’s Art Encouragement Prize for New Artists, both awarded in Japan, where she is currently based. She writes in Japanese, self-translating her work into Mandarin. Her participation was made possible by a grant from Taiwan’s Ministry of Culture. Marina Porcelli (fiction writer, essayist; Argentina) is the author of the novella Cuaderno de invierno [ A Winter Notebook] (2021), a collection of essays on gender Nausica. Viaje al otro lado de la otredad [Nausicaa. Journey to the Other Side of Otherness] (2021), the story collections La cacería [The Hunt] (2016) and De la noche rota [Of the Broken Night] (2009/2021), and others. Her work has garnered her the 2014 Edmundo Valadés Ibero-American Award and the 2021 Eduardo Mallea National Essay Award; she has attended residences in Mexico, Canada, and China. A frequent contributor to Latin American newspapers, she writes the column “Nocaut Lírico” [The Lyrical Knockout] about gender and boxing for Playboy Mexico. Her participation was made possible by the Bureau of Educational and Cultural Affairs at the U.S. Department of State more