The wide world of graffiti

KET

Book - 2023

"A guide to the art, artists, and culture of graffiti from the 1970s to today, as told by the taggers themselves. This major co-publication with the Museum of Graffiti chronicles the worldwide graffiti movement from its birth in the 1970s, through the street and train painting of the 1980s, to its emergence as an artistic genre admired in museums and sold at auction. With hundreds of never-before-seen photographs of graffiti art from the 1970s to today, many of which have been provided exclusively for this volume by the artists themselves, the book gives an insider's view through multiple interviews with celebrated graffiti artists, including Roger Smith of Sane Smith, Hotboy Hert, DESA, Shirt King Phade, RIME, MadC, Saber, AURA, ...and others. Told through essays, hundreds of images, and interviews with the artists -- both the underground outlaws and the writers who went mainstream -- The Wide World of Graffiti will become the standard-bearer of the art form's history and life today, a unique contribution from the first and only museum dedicated to graffiti as an art form."--

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2nd Floor New Shelf 751.73/Ket (NEW SHELF) Due Jun 3, 2024
Subjects
Genres
History
Illustrated works
Interviews
Published
New York, New York : Monacelli, a Phaidon Company [2023]
Language
English
Corporate Authors
Gemeos (Artists' group), Museum of Graffiti (Miami, Fla.)
Main Author
KET (author)
Corporate Authors
Gemeos (Artists' group) (writer of foreword), Museum of Graffiti (Miami, Fla.) (-)
Item Description
"Museum of Graffiti."
Physical Description
359 pages : illustrations (chiefly color) ; 27 cm
Bibliography
Includes bibliographical references (page 359).
ISBN
9781580936019
  • Cities vs. vandals
  • Graffiti culture
  • Graffiti today
  • Graffiti becomes fine art.
Review by Publisher's Weekly Review

Ket (Graffiti Tattoo), cofounder of the Museum of Graffiti, in Miami, delivers a knockout in this all-encompassing survey of graffiti culture. The art form has a history that stretches back thousands of years--including lewd jokes found in ancient Pompeii and names that were scrawled in the catacombs in Paris--and has been controversial almost as long, he writes, leading to "hundreds of millions of dollars spent on graffiti eradication" and antivandalism campaigns driven by politicians who framed the practice as a "sign of a crumbling society." Ket's work, though, is primarily a celebration, and he emphasizes how graffiti historically served as a vital creative outlet for people with few resources, and helped democratize notions of art by offering it to "the public and not just wealthy museum patrons." Ket also has enlightening conversations with such influential graffiti artists as SaneSmith, brothers who were sued for $3 million for tagging the Brooklyn Bridge in 1988 (though charges were eventually dropped); Zurik, a Colombian artist who paints graffiti words made of geometric shapes; and Nani Chacon, a Diné and Chicana artist known for her large-scale murals. Through detailed essays, in depth interviews, and stunning photographs, Ket's account makes palpable the vibrant, dynamic culture of an underappreciated art form. This impresses. Photos. (June)

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