Going for broke Living on the edge in the world's richest country

Book - 2023

"A collection of compelling, hard-hitting first-person essays, poems, and photos that expose what our punitive social systems do to so many Americans. Going for Broke, edited by Alissa Quart, Executive Director of the Economic Hardship Reporting Project, and David Wallis, former Managing Director of EHRP, gives voice to a range of gifted writers for whom "economic precarity" is more than just another assignment. All illustrate what the late Barbara Ehrenreich, who conceived of EHRP, once described as "the real face of journalism today: not million dollar-a-year anchorpersons, but low-wage workers and downwardly spiraling professionals." One essayist and grocery store worker describes what it is like to be an "e...ssential worker" during the pandemic; another reporter and military veteran details his experience with homelessness and what would have actually helped him at the time. These dozens of fierce and sometimes darkly funny pieces reflect the larger systems that have made writers' bodily experiences, family and home lives, and work far harder than they ought to be. Featuring introductions by luminaries including Michelle Tea, Keeanga-Yamahtta Taylor, and Astra Taylor, Going for Broke is revelatory. It shows us the costs of income inequality to our bodies and our minds--and demonstrates real ways to change our conditions."--Publisher's website.

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Subjects
Genres
Personal narratives
Published
Chicago, Illinois : Haymarket Books 2023
Language
English
Item Description
"An anthology from the Economic Hardship Reporting Project."--title page.
Physical Description
360 pages : illustrations ; 22 cm
Bibliography
Includes bibliographical references (pages 342-350) and index.
ISBN
9781642599657
  • Introduction
  • Section 1. The Body
  • Introduction
  • Love and War
  • A Stay at Kings County
  • Text and photos
  • I Did My Own Abortion Because Texas Used COVID-19 as an Excuse to Shut Down Abortion Clinics
  • Anonymous as told to and with an introduction
  • "Women Afraid of Dying While They Are Trying to Find Their Life"
  • Alissa Quart, with an introduction
  • Medicaid Has Been Good to My Body, but It Has Abandoned My Brain
  • My Disability Is My Superpower-If Only Employers Could See It That Way
  • Andrea Dobynes Wagner as told to Deborah Jian Lee
  • A Trip to the Nail Salon with Missing Fingers
  • Traumatic Pregnancies Are Awful-Dobbs Will Make Them So Much Worse
  • The Twisted Business of Donating Plasma
  • To Help the Homeless, Offer Shelter That Allows Deep Sleep
  • Inequity in Maternal Health Care Left Me with Undiagnosed Postpartum PTSD
  • Anything of Value
  • Section 2. Hone
  • Introduction: The Organized Abandonment of Shelter
  • Homeless in a Pandemic: The Housing Poetry of Jennifer Fitzgerald
  • Poems and images by Jen Fitzgerald, with an introduction
  • Meet Tomeka Langford
  • Unaddressed
  • Evictionland
  • 37,000 US Veterans Are Homeless-I Was One of Them
  • Why I Choose to Live House-Free in Alaska
  • I Was Wrongly Detained at the Border-It's Part of a Larger Problem
  • I Watched War Erupt in the Balkans-Here's What I See in America Today
  • A Fierce Desire to Stay: Looking at West Virginia through Its People's Eyes
  • Elizabeth Catte, with photographs by Matt Eich and poetry by Doug Van Gundy
  • Section 3. Family
  • Introduction
  • Don't Be This Way Forever
  • Text and images
  • When My Father Called Me about His Unemployment
  • I Took in a Homeless Couple-Would You?
  • My Marriage Was Broken-the Coronavirus Lockdown Saved It
  • P.S.42
  • Celina Su, with a photo
  • My Sister Is a Recovering Heroin Addict-I Can't Fix Her, but She Also Can't Fix Herself
  • In the Pandemic, Cooking Connected Me to My Ancestors
  • The Underground Economy of Unpaid Care
  • The Worst Part of Being Poor: Watching Your Dog Die When You Can't Afford to Help
  • Nomen Est Omen
  • Section 4. Work
  • Introduction: To Make Work Visible, Again and Again
  • How the Taxi Workers Won
  • Text and images
  • My Pandemic Year behind the Checkout Counter: On Working amid Paranoid Customers, Hungry Shoplifters, Sick Coworkers, and People Who Just Need a Bathroom
  • From Academic to Assembly-Line Worker: My Life of Precarity in Middle America
  • Once Upon a Time, Waitress Was a Union Job-Could History Repeat Itself?
  • Why I Check the "Black" Box: I Learned Racial Ambiguity Was Not Something I Could Afford
  • My Life as a Retail Worker: Nasty Brutish, and Poor
  • What It's Like Riding along with a Valet Driver at a San Francisco Strip Club
  • Text and photos
  • You Talk Real Good
  • The Secret Lives of Adjunct Professors
  • The Poetry of Labor: On Rodrigo Toscano and the Art of Work
  • Rodrigo Toscano, with an introduction by Alissa Quart and a photograph
  • Zen and the Art of Uber Driving
  • Section 5. Class
  • Introduction
  • The Difference between Being Broke and Being Poor
  • Erynn Brook, with illustrations
  • That Sinking Feeling
  • Off Our Butts: How Smoking Bans Extinguish Solidarity
  • Never-Ending Sentences
  • The Dignity of the Thrift Store
  • Class Dismissed
  • For Years, I've Tried to Work My Way Back into the Middle Class
  • What Does It Mean to Be "Bad with Money"?
  • Acknowledgments
  • Notes
  • Index
Review by Booklist Review

Balancing on the edge of each dollar is a precarious position in the world's richest economy. Stories of disadvantaged people collected by the Economic Hardship Reporting Project, edited by Quart (Bootstrapped, 2023) and Wallis (Killed Cartoons, 2007), pull back the curtain on what it's like to barely get by in America. The subjects' voices jump from the page with pain and hope. More than that, they're a provocation to the reader to consider the fine line between the lives of the "middle precariat" and their own, if there is one. Whether it's the ironies of telling working people not to smoke when the system does precious little to secure basic health care, an underpaid adjunct instructor handing her EBT card to her student clerking at the local grocery store, or a person with hearing impairments whose doctor thinks that hiding her condition as a "surprise" for a medical student is a hilarious joke, the editors position the voices of the disadvantaged as compelling, worth listening to, and valuable. The essays and mixed-media contributions will draw in book groups who dug into Evicted (2016), by Matthew Desmond (2016), Nomadland, by Jessica Bruder (2017), and Sarah Smarsh's Heartland (2018).

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Economic injustice takes center stage in this mixed bag gathered by Quart, executive director of the Economic Hardship Reporting Project (Bootstrapped), and managing director Wallis (Killed). The essays, poems, and photographs are "a testament to American life during the lingering pandemic," Quart writes in her introduction, "with its consequent exacerbated inequality." "I Did My Own Abortion Because Texas Used COVID-19 as an Excuse to Shut Down Abortion Clinics" is a striking anonymous account of the precarity of reproductive rights, while "I Grew Up Without a Fixed Address" by Bobbi Dempsey is a moving look at what it's like to apply for a grant having lived in "an estimated seventy places before I graduated high school" due to poverty. Some of the pieces feel a bit out of place: Elizabeth Gollen's "In the Pandemic, Cooking Connected Me to My Ancestors," which lacks the gravity of other essays, bemoans postpandemic changes at the Park Slope Food Coop in Brooklyn, while Joe Ford's "Why I Choose to Live House-Free in Alaska" seems to poke fun at the same homelessness the rest of the collection takes seriously. ("I don't want a flock of freakin' hobos descending on the area like an invasive species," he writes, explaining why he won't reveal the exact location of his campsite.) Though the quality varies, there's plenty of powerful vulnerability in these personal accounts. (Oct.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

An anthology presented by the Economic Hardship Reporting Project that explores social inequality and economic injustice in the U.S. The EHRP is "a nonprofit organization that keeps journalists, essayists, and photographers in the national conversation on economic injustice." Edited by executive director Quart and managing director Wallis, this collection of essays, poems, and photographs, originally published in leading magazines and journals, highlights the valuable insights gained by these journalists in confronting their own hardships. By publishing these works, the EHRP seeks to mobilize people "to fight for economic justice." The book is divided into five sections: The Body, Home, Family, Work, and Class. These emotionally charged and heart-wrenching narratives are both wide-ranging and powerfully rendered. Journalists from a variety of backgrounds share their experiences, including a woman who was forced to perform her own abortion following the shutdown of clinics in Texas and a 40-something man who donated plasma in order to pay the rent. One woman was homeless for two years, and she demonstrates the anxiety of feeling constantly on alert as well as the cyclical effects sleep deprivation has on homeless individuals. Another journalist shares how her assumptions about people without houses changed following her experience taking in a couple in Los Angeles. Other topics include inequalities in maternal health care for the uninsured and underinsured; the dangers low-wage workers are often expected to endure, which were particularly evident during the Covid-19 pandemic; struggles with racial identity; and the power of shared community. In addition to the editors, other contributors include Camonghne Felix, Kim Kelly, Elizabeth Rubin, Michelle Tea, Mitchell S. Jackson, and Astra Taylor. "The writers represented here," writes Quart, "may have lost their jobs, their homes, or even the narrative thread of their lives, but in confronting those hardships they have gained valuable insights into problems facing millions in this country." A penetrating collection that is certain to challenge the readers' views of those living in poverty. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.