None of this is true A novel

Lisa Jewell

Large print - 2023

"Celebrating her birthday at her local pub, podcaster Alix Summers crosses paths with a woman called Josie Fair. A few days later, Alix and Josie bump into each other outside Alix's children's school. Josie has been listening to Alix's podcasts and thinks she might be an interesting subject for her series. Slowly Alix starts to realize that Josie has been hiding some dark secrets, and before she knows it, Josie has inveigled her way into Alix's life. But, as quickly as she arrived, Josie disappears. Only then does Alix discover that she has become the subject of her own true crime podcast, with her life under mortal threat. Who is Josie Fair? And what has she done?"--

Saved in:

1st Floor Show me where

LARGE PRINT/FICTION/Jewell, Lisa
0 / 1 copies available
Location Call Number   Status
1st Floor LARGE PRINT/FICTION/Jewell, Lisa Due Nov 30, 2024
Subjects
Genres
Thrillers (Fiction)
Psychological fiction
Detective and mystery fiction
Large print books
Published
Waterville, ME : Thorndike Press, a part of Gale, a Cengage company 2023.
Language
English
Main Author
Lisa Jewell (author)
Edition
Large print edition
Physical Description
489 pages (large print) ; 23 cm
ISBN
9798885790789
Contents unavailable.
Review by Booklist Review

On the heels of first-rate thrillers, The Night She Disappeared (2021) and The Family Remains (2022), Jewell's newest could be her best yet. Alix Summer is a podcaster looking for a new subject. One evening she meets a woman named Josie in her local pub. Improbably, they are both celebrating their forty-fifth birthdays. Several days later they meet again at the school where Alix's children are students, and Josie suggests herself as an ideal subject for Alix's podcast: a woman who shares her birthday and whose life, Josie says, is full of fascinating material. Alix agrees, though once she begins to see what sort of person Josie really is, she develops minor misgivings that turn into serious doubts and then terrifying suspicions. Jewell is great at creating characters with ambiguous motivations whose position on the line between good and evil continues to shift as the story progresses, and both features are on prime display here. A terrific novel from a consistently satisfying writer.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this edgy thriller from bestseller Jewell (The Family Remains), meek housewife Josie Fair and true crime podcaster Alix Summers meet by chance in a pub where both are celebrating their 45th birthdays. Immediately obsessed with her more successful counterpart, Josie engineers several "chance" meetings with Alix--including one outside her children's school--in order to forge a friendship. Instead of feeling threatened, Alix decides to feature Josie on a podcast about the lives of ordinary women. Before long, though, Josie divulges that beneath her modest middle-class home life lie instances of pedophilia, child abuse, and even murder. But are any of Josie's stories true? As Alix digs deeper, she begins to question her new friend's motives for meeting her in the first place, and through a series of reversals, comes to fear she's been set up in a twisted game of cat and mouse. Jewell devotees who love the author's signature twisted characters and acidic cultural commentary--here focused on the travails of internet celebrity--will be satisfied by this pitch-black outing and its shocking climax, but readers with a lower tolerance for nastiness should turn elsewhere. Gillian Flynn and Paula Hawkins fans, this one's for you. Agent: Deborah Schneider, Gelfman Schneider. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery. On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. "I can see that maybe I was being used, that maybe I was even being groomed?" she confesses to Alix. "But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I'd like, more than anything, is to get it back." From this premise Alix creates a Netflix series, Hi! I'm Your Birthday Twin! which investigates Josie's life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: "He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel." Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix's husband, Nathan, has a drinking problem, and Alix knows what it's like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix's seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix's life is turned upside down, the evidence points to Josie--and turns the TV series into a murder mystery. Transcripts from Alix's interviews alternate with the narrative, offering increasingly varied perspectives on Josie's story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth. It's hard to read but hard to look away from. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1. Saturday, 8 June, 2019 SATURDAY, 8 JUNE, 2019 Josie can feel her husband's discomfort as they enter the golden glow of the gastropub. She's walked past this place a hundred times. Thought: Not for us. Everyone too young. Food on the chalkboard outside she's never heard of. What is bottarga? But this year her birthday has fallen on a Saturday and this year she did not say, Oh, a takeaway and a bottle of wine will be fine, when Walter had asked what she wanted to do. This year she thought of the honeyed glow of the Lansdowne, the buzz of chatter, the champagne in ice buckets on outdoor tables on warm summer days, and she thought of the little bit of money her grandmother had left her last month in her will, and she'd looked at herself in the mirror and tried to see herself as the sort of person who celebrated her birthday in a gastropub in Queen's Park and she'd said, "We should go out for dinner." "OK then," Walter had said. "Anywhere in mind?" And she'd said, "The Lansdowne. You know. On Salusbury Road." He'd simply raised an eyebrow at her and said, "Your birthday. Your choice." He holds the door open for her now and she passes through. They stand marooned for a moment by a sign that says "Please wait here to be seated" and Josie gazes around at the early-evening diners and drinkers, her handbag pinioned against her stomach by her arms. "Fair," she says to the young man who appears holding a clipboard. "Josie. Table booked for seven thirty." He smiles from her to Walter and back again and says, "For two, yes?" They are led to a nice table in a corner. Walter on a banquette, Josie on a velvet chair. Their menus are handed to them clipped to boards. She'd looked up the menu online earlier, so she'd be able to google stuff if she didn't know what it was, so she already knows what she's having. And they're ordering champagne. She doesn't care what Walter thinks. Her attention is caught by a noisy entrance at the pub door. A woman walks in clutching a balloon with the words "Birthday Queen" printed on it. Her hair is winter blond, cut into a shape that makes it move like liquid. She wears wide-legged trousers and a top made of two pieces of black cloth held together with laces at the sides. Her skin is burnished. Her smile is wide. A group soon follows behind her, other similarly aged people; someone is holding a bouquet of flowers; another carries a selection of posh gift bags. "Alix Summer!" says the woman in a voice that carries. "Table for fourteen." "Look," says Walter, nudging her gently. "Another birthday girl." Josie nods distractedly. "Yes," she says. "Looks like it." The group follows the waiter to a table just across from Josie's. Josie sees three ice buckets already on the table, each holding two bottles of chilled champagne. They take their seats noisily, shouting about who should sit where and not wanting to sit next to their husbands, for God's sake, and the woman called Alix Summer directs them all with that big smile while a tall man with red hair who is probably her husband takes the balloon from her hand and ties it to a chair back. Soon they are all seated, and the first bottles of champagne are popped and poured into fourteen glasses held out by fourteen people with tanned arms and gold bracelets and crisp white shirtsleeves and they all bring their glasses together, those at the furthest ends of the table getting to their feet to reach across the table, and they all say, "To Alix! Happy birthday!" Josie fixes the woman in her gaze. "How old do you reckon she is?" she asks Walter. "Christ. I dunno. It's hard to tell these days. Early forties? Maybe?" Josie nods. Today is her forty-fifth birthday. She finds it hard to believe. Once she'd been young and she'd thought forty-five would come slow and impossible. She'd thought forty-five would be another world. But it came fast and it's not what she thought it would be. She glances at Walter, at the fading glory of him, and she wonders how different things would be if she hadn't met him. She'd been thirteen when they met. He was quite a bit older than her; well, a lot older than her, in fact. Everyone was shocked at the time, except her. Married at nineteen. A baby at twenty-two. Another one at twenty-four. A life lived in fast-forward and now, apparently, she should peak and crest and then come slowly, contentedly down the other side, but it doesn't feel as if there ever was a peak, rather an abyss formed of trauma that she keeps circling and circling with a knot of dread in the pit of her stomach. Walter is retired now, his hair has gone and so has a lot of his hearing and his eyesight, and his midlife peak is somewhere so far back in time and so mired in the white-hot intensity of rearing small children that it's almost impossible to remember what he was like at her age. She orders feta-and-sundried-tomato flatbread, followed by tuna tagliata ("The word TAGLIATA derives from the verb TAGLIARE, to cut") with mashed cannellini beans, and a bottle of Veuve Clicquot ("Veuve Clicquot's Yellow Label is loved for its rich and toasty flavors") and she grabs Walter's hand and runs her thumb over the age-spotted skin and asks, "Are you OK?" "Yes, of course. I'm fine." "What do you think of this place, then?" "It's... yeah. It's fine. I like it." Josie beams. "Good," she says. "I'm glad." She lifts her champagne glass and holds it out toward Walter's. He touches his glass against hers and says, "Happy birthday." The smile fixes on Josie's face as she watches Alix Summer and her big group of friends, her red-haired husband with his arm draped loosely across the back of her chair, large platters of meats and breads being brought to their table and placed in front of them as if conjured out of thin air, the sound of them, the noise of them, the way they fill every inch of the space with their voices and their arms and their hands and their words. The energy they give off is effervescent, a swirling, intoxicating aurora borealis of grating, glorious entitlement. And there in the middle of it all is Alix Summer with her big smile and her big teeth, her hair that catches the light, her simple gold chain with something hanging from it that skims her gleaming collarbones whenever she moves. "I wonder if today is her actual birthday too?" she muses. "Maybe," says Walter. "But it's a Saturday, so who knows." Josie's hand finds the chain she's worn around her neck since she was thirty; her birthday gift that year from Walter. She thinks maybe she should add a pendant. Something shiny. At this moment, Walter passes a small gift across the table toward her. "It's nothing much. I know you said you didn't want anything, but I didn't believe you." He grins at her and she smiles back. She unpeels the small gift and takes out a bottle of Ted Baker perfume. "That's lovely," she says. "Thank you so much." She leans across and kisses Walter softly on the cheek. At the table opposite, Alix Summer is opening gift bags and birthday cards and calling out her thanks to her friends and family. She rests a card on the table and Josie sees that it has the number 45 printed on it. She nudges Walter. "Look," she says. "Forty-five. We're birthday twins." As the words leave her mouth, Josie feels the gnawing sense of grief that she has experienced for most of her life rush through her. She's never found anything to pin the feeling to before; she never knew what it meant. But now she knows what it means. It means she's wrong, that everything, literally everything, about her is wrong and that she's running out of time to make herself right. She sees Alix getting to her feet and heading toward the toilet, jumps to her own feet, and says, "I'm going to the ladies." Walter looks up in surprise from his Parma ham and melon but doesn't say anything. A moment later Josie's and Alix's reflections are side by side in the mirror above the sinks. "Hi!" says Josie, her voice coming out higher than she'd imagined. "I'm your birthday twin!" "Oh!" says Alix, her expression immediately warm and open. "Is it your birthday today too?" "Yes. Forty-five today!" "Oh, wow!" says Alix. "Me too. Happy birthday!" "And to you!" "What time were you born?" "God," says Josie. "No idea." "Me neither." "Were you born near here?" "Yes. St. Mary's. You?" Josie's heart leaps. "St. Mary's too!" "Wow!" Alix says again. "This is spooky." Alix's fingertips go to the pendant around her neck and Josie sees that it is a golden bumblebee. She is about to say something else about the coincidence of their births when the toilet door opens and one of Alix's friends walks in. "There you are!" says the friend. She's wearing seventies-style faded jeans with an off-the-shoulder top and huge hoop earrings. "Zoe! This lady is my birthday twin! This is my big sister, Zoe." Josie smiles at Zoe and says, "Born on the same day, in the same hospital." "Wow! That's amazing," says Zoe. Then Zoe and Alix turn the conversation away from the Huge Coincidence and immediately Josie sees that it has passed, this strange moment of connection, that it was fleeting and weightless for Alix, but that for some reason it carries import and meaning to Josie, and she wants to grab hold of it and breathe life back into it, but she can't. She has to go back to her husband and her flatbread and let Alix go back to her friends and her party. She issues a quiet "Bye then" as she turns to leave and Alix beams at her and says, "Happy birthday, birthday twin!" "You too!" says Josie. But Alix doesn't hear her. 1 A.M. Alix's head spins. Tequila slammers at midnight. Too much. Nathan is pouring himself a Scotch and the smell of it makes Alix's head spin even faster. The house is quiet. Sometimes, when they have a high-energy babysitter, the children will still be up when they get home, restless and annoyingly awake. Sometimes the TV will be on full blast. But not tonight. The softly spoken, fifty-something babysitter left half an hour ago and the house is tidy, the dishwasher hums, the cat is pawing its way meaningfully across the long sofa toward Alix, already purring before Alix's hand has even found her fur. "That woman," she calls out to Nathan, pulling one of the cat's claws out of her trousers. "The one who kept staring. She came into the toilet. Turns out it's her forty-fifth birthday today too. That's why she was staring." "Ha," says Nathan. "Birthday twin." "And she was born at St. Mary's too. Funny, you know I always thought I was meant to be one of two. I always wondered if my mum had left the other one at the hospital. Maybe it was her?" Nathan sits heavily next to her and rolls his Scotch around a solitary ice cube, one of the huge cylindrical ones he makes from mineral water. "Her?" he says dismissively. "That is highly unlikely." "Why not!" "Because you're gorgeous and she's..." "What?" Alix feels righteousness build in her chest. She loves that Nathan thinks she's pretty, but she also wishes that Nathan could see the beauty in less conventionally attractive women too. It makes him sound shallow and misogynistic when he denigrates women's appearances. And it makes her feel as if she doesn't really like him. "I thought she was very pretty. You know, those eyes that are so brown they're almost black. And all that wavy hair. Anyway, it's weird, isn't it? The idea of two people being born in the same place, at the same time." "Not really. There were probably another ten babies born that day at St. Mary's. Maybe even more." "But to meet one of them. On your birthday." The cat is curled neatly in her lap now. She runs her fingertips through the ruff of fur around her neck and closes her eyes. The room spins again. She opens her eyes, slides the cat off her lap, and runs to the toilet off the hallway, where she is violently sick. Excerpted from None of This Is True: A Novel by Lisa Jewell All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.