Something like home

Andrea Beatriz Arango

Book - 2023

Laura Rodríguez Colón has a plan: no matter what the grown-ups say, she will live with her parents again. Can you blame her? It’s tough to make friends as the new kid at school. And while staying at her aunt’s house is okay, it just isn’t the same as being in her own space. So when Laura finds a puppy, it seems like fate. If she can train the puppy to become a therapy dog, then maybe she’ll be allowed to visit her parents. Maybe the dog will help them get better and things will finally go back to the way they should be. After all, how do you explain to others that you’re technically a foster kid, even though you live with your aunt? And most importantly . . . how do you explain that you’re not where you belong, and you just wa...nt to go home?

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Subjects
Genres
Animal fiction
Novels in verse
Published
New York : Random House [2023]
Language
English
Main Author
Andrea Beatriz Arango (author)
Edition
First edition
Physical Description
248 pages ; 22 cm
Audience
Ages 10-14.
ISBN
9780593566183
9780593566190
Contents unavailable.
Review by Booklist Review

Laura Rodríguez Colón just wants to go home, but she made the decision to call 911, and now she's living with an aunt she didn't even know she had and learning the ins and outs of kinship foster care. Disgruntled by the situation, mad at herself, and longing for home, Laura stumbles upon someone who needs her just as much as she needs someone: a lost dog that, somehow, her aunt agrees to let her keep. Laura is certain that the dog, Sparrow, is going to be her ticket back to her parents as she trains him to be a therapy dog. At her new school, luckily, Laura is befriended by Benson, a boy fighting sickle-cell disease who happens to be a good trainer, and a great friend who doesn't judge her for her parents' addiction. Full of the author's signature heart-tugging verse, a character you just want to hug, and threads of friendship, family, and belonging, Arango's follow-up to her Newbery Honor debut is a triumph for readers who need comforting encouragement without having to ask for it.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Latinx 11-year-old Laura Rodríguez Colón believes that it's her fault she was separated from her parents and sent to live with her aunt, Titi Sylvia, a "rich perfect stranger" who resides on the other side of Laura's Virginia county. If she hadn't called 911, she thinks, her parents wouldn't have been sent to rehab for substance reliance, and she wouldn't be staring down the barrel of an uncertain future with Titi Sylvia, whose emotionally closed-off nature makes Laura feel isolated. Though she'd rather be with her parents, she's elated when Titi Sylvia lets her keep the abandoned pup that Laura finds in town, which she names Sparrow. When Laura is told that she can't visit her parents in rehab, she resolves to train Sparrow as a therapy dog, because "Children may not be allowed in Harmonic Way... but apparently therapy dogs and their owners/ are." Laura's improvised training seems to go well, until a disastrous event imperils her hard work. In moving, approachable verse, Arango (Iveliz Explains It All) thoughtfully portrays Laura's guilt and the constant push-and-pull of her desire to be with her parents and her growing connection with Titi Sylvia. Abundant bird facts--which Laura learned on daily walks with her father--add sensitive insight into Laura's interpretation of family and loyalty. Ages 10--14. (Sept.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 4 Up--Everything in Laura's life is wrong, and it is all her fault. If she hadn't called 911, then the police wouldn't have found her parents on pills, and she wouldn't have been sent to live with an aunt she doesn't know while her parents are in rehab. Haunted by her guilt and lack of autonomy, Laura is struggling to find a place in a new school and in a house with rules she doesn't understand when she discovers an abandoned puppy and sets out to train him as a therapy dog. Maybe he will be the key to visiting her parents so she can apologize and they can all go home together. Extraordinarily honest and sensitive, this novel in verse tactfully and gracefully deals with foster and kinship care and some of the many emotions involved. Laura and her aunt are both Puerto Rican, although Laura doesn't speak fluent Spanish, and some simple Spanish phrases are included through their dialogue. The verse format and word choice make this a more accessible option than some other books on similar topics. Throughout the story, Laura learns to accept that her love for her parents does not make her responsible for their actions, and to allow herself to have space in her heart for all those who love and care for her. An author's note supplies more information for readers who are not familiar with foster/kinship care, as well as encouragement to those who have experienced it firsthand. VERDICT So much affirmation, exploration, and positivity for those in similar situations are packed beautifully into these verses, making it a solid addition to collections.--Emily Beasley

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

If only life were as straightforward as the Rubik's Cube that Laura loves to solve. When this Virginia-set verse novel begins, the Puerto Rican sixth grader is on her way to a kinship foster-care placement "on the other side of town" with her titi Silvia, whom Laura has never met. Pulled from her admittedly chaotic life with her parents, who are struggling with addiction, Laura copes with the overwhelming changes that a new caregiver, new rules, a new school, and new peers bring, while suffering with extreme feelings of guilt over making the 911 call that resulted in her parents' being placed in rehab. Laura finds purpose in training a dog she rescues near Titi's house to be a therapy animal; her plan is to bring the dog to the rehab facility so she can finally see her parents. Arango's writing is intimate and heartbreaking, tackling such hefty issues as cultural identity, addiction, the pain of displacement and the anxiety it causes, and the adulation and rationalization that a child in pain can offer to adults they love. Arango (Newbery honoree for Iveliz Explains It All, rev. 9/22) accomplishes this with the believable voice of a girl in crisis and by tapping into compassion for all the characters amidst moving scenes of joy and connection. Amanda R. ToledoSeptember/October 2023 p.68 (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A powerful novel in verse about a girl coping after being ripped from her home. When 11-year-old Laura Rodríguez Colón calls 911 to save her parents from a possible overdose, authorities remove her from her home and place her into the care of Titi Silvia, her estranged aunt. Laura, who is Puerto Rican, resists "this borrowed life," anxiously awaiting the day her parents will be released from rehab. One day, she rescues a sick, abandoned puppy she names Sparrow, and he helps her feel better about everything. When the social worker informs her that children aren't allowed to visit the rehab center, Laura hatches a plan to train Sparrow to be a therapy dog and get inside that way. But when her parents leave without completing the program, Laura learns her stay with Titi may become permanent. Laura's distress increases when her mother shows up at school only to be sent away, leaving Laura torn between life with her aunt and love for her flawed parents. With the help of caring friends and adults, Laura learns that creating a new home doesn't have to mean discarding the old. The short sections written in accessible free verse create a segmented structure that mirrors Laura's experiences and drives the storyline. The clear narrative arc and strong symbolic system make the novel cohere, and Laura's emotional landscape is realistically contradictory. Arango's writing is a joy to read, combining strong storytelling, compelling characters, and rich language. Beautifully executed. (author's note) (Verse fiction. 10-14) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Time and Space The drive to Titi's house takes exactly eighteen minutes. I know because my current Rubik's Cube solving time is about two minutes, and I solve my scratched-up, faded cube a grand total of nine times. I can feel Janet watching me in the rearview mirror, probably wondering if I'm okay, and I wish for the hundredth time that I could twist my way out of her too-clean car, line my life back up as easily as the sides of my cube, erase all the ways I messed up this weekend, so that instead of driving to the rich side of town, I'd be at my parents' bright red food truck, and instead of a black bag of packed clothes at my feet, I'd be dishing up plates of yellow rice for my friends. Janet doesn't actually care how I feel. She's just here 'cause it's her job. So even though she offers to carry my bag after we park, even though I'm sweating through my shirt and my glasses keep slipping off, I carefully put the cube in my sweatpant pocket, lift my bagged-up things with my own two hands, take a deep breath, ignoring Janet, and start walking by myself toward my aunt's door and my weird       weird          new life. Did You Know? Most birds don't recognize their family members after more than a year has passed. So it makes sense that I'm wearing my favorite owl shirt as I stare at a woman I don't recognize, but that Janet assures me is my aunt. Titi Silvia is a doctor, but one that looks like a model, like the doctors on those TV shows my mom won't ever let me watch. And even though I usually try not to care about the clothes I wear or how they fit, I definitely care today as I feel her staring first at my hair and then at my wrinkled clothes, moving down to my socks and slides and then back up to my stomach, like everything about me is out of place, different from what she'd like. I don't know how I'm supposed to greet her, this woman that is basically a stranger and who looks nothing like me, so I just shrug at her awkward hola, wait for her to tell me where to put my stuff, and then I leave her and Janet talking and hide in the office,    aka my (temporary) new room. My Room That Is Not My Room Titi Silvia's apartment is beautiful, but it almost doesn't look real. It's all white and clean and full of art that makes no sense, and I can tell my aunt's really tried to turn her office into a bedroom for a kid, because there's a big inflatable mattress in the middle and she's added a princess blanket that is pretty babyish and way too pink, which she probably bought because she doesn't know what sixth graders actually like to watch on TV. And if I was here for different reasons, I'd probably just laugh at the blanket and bounce on the inflatable bed, but the problem is, I'm supposed to actually live here. Titi Silvia already mentioned something about Ikea and furniture as I slid past her in the hall, and who wants a temporary place to act like a forever one? Especially when that place is with a rich perfect stranger who the social services people keep telling you over and over and over    is "safer" than your parents    is a "good" solution    is someone you're "extremely lucky" to have offered you a home. My Aunt That Is Not My Aunt I hear Janet leave and I pick up my cube again. Not because I want to practice, but more 'cause I want to have an excuse not to talk if Titi Silvia decides to come in. I don't care what Janet says. This is not where I want to be. Especially when my aunt does walk in (she doesn't even knock!) and starts talking to me in soft Spanish    like we're not strangers and this is our shared language,    like she's always been around and this is a super-normal visit    and not what it actually is. All I've ever heard about my titi is that she'd never lend Mom money    when we needed it, never help Mom out    when she was sick, and Dad always tells me to ask when I don't know something, to not keep my questions inside, but even though I want to ask Titi why,    why didn't you help when we needed you?    why did you wait until now to show up in my life? it's hard to ask questions when you don't want to know the answers anyway, hard to talk when your head feels like    it's inside a bubble and your body feels like    shooting up into the air, harder, even, than listening to my aunt's constant    hola Laura, hola mi amor and so without looking up from my Rubik's Cube, I just lie and say:    no hablo español. Yo Sé The truth is, I do speak Spanish. A little bit. Just not the way Titi Silvia does. Dad was born here and understands it better than he speaks it, so I only ever spoke it with Mom. And if I'm being honest, whatever we were saying was more of a mixed Spanglish than whatever it is that Titi talks. The food we sold at the food truck? I got you. Prices and customer service? Nobody's ever complained. But Titi is fast-Spanishing awkward stuff about her recycling system and what my new school will be like, and it's not that I don't understand her. I do. But not as perfectly as I did Mom. Unpacking Titi Silvia leaves me by myself to unpack, but it's not like I brought a bunch of stuff. How do you prepare for the unpreparable? How do you fit your whole life in one bag? And how am I supposed to trust social services, trust Janet, when she won't trust me back? Questions I've Asked Janet How long will I be with my aunt? What will happen to our trailer? What will happen to the things I don't pack? When can I talk to Mom? When can I talk to Dad? What does kinship care mean? Why do I have a caseworker? What even is a caseworker? Do my parents know where I'm going? Who knows where I'm going? How long will I be with my aunt? Is this because I called 911? Is this my fault? Answers Janet Has Given Me Did You Know? Some birds hold funerals for the birds in their families that have passed away. Other birds will cry by empty nests for a long time hoping that the bird that died will    wake up    come back so they can all go on with their normal bird lives. I'm not a bird, but in case you can't tell yet, I kinda wish I was. Their lives seem so much simpler so much easier to understand. My two-bedroom trailer is empty of people now,    abandoned, and all because of me. And it feels like everyone just wants me to move on to be cool. But every time I think about me living with my aunt, think about my Crenwood neighbors gossiping about where we are, all I want to do is yell really really loud, shout at the world that this is not permanent this is not forever this was a mistake and my parents are getting better and if everyone would just wait a few days would close their eyes and go to sleep then everything would swirl back (like it never even happened) and we could all pretend nothing ever, ever changed. Riverview Elementary School RES is bigger than my old school,    nicer    cleaner with student artwork on every wall. My homeroom teacher is Ms. Holm, whose classroom is full of books and plants, and I'm happy to realize I'll get to stay with her all day, and not have to swap classrooms and memorize schedules that I know will just get me turned around. Before? Stuff like that didn't make me nervous. Now? I feel so lost I could almost cry. Too many changes, too many new things, too many goodbyes and hellos and silences in the dark, and so even though I know I'll only be at this school for a tiny amount of time, knowing where I'll spend my day knowing I have one assigned desk with my name duct-taped on, it's not something I needed before, but today? It makes me feel like a little snuggled-up parakeet. It makes me feel calm. Picture This You've been in the same town with the same kids all the way from kindergarten to sixth grade. And sure, maybe there's been a new kid here and there, but probably not a lot and usually at the beginning of the year. Then imagine you get to Riverview on a windy October day, on your very first year of middle school, on Picture Day (!) when you're not expecting any more change, and all of a sudden there's a new girl standing in front of your class, a girl you've never seen before but that clearly doesn't belong here: the food truck girl, the fidgety girl, the trailer girl from all the way across town. Just a Regular, Normal Kid I try not to stand out, really, I do. I didn't know it was Picture Day when I got dressed this morning, but I think my plain blue jeans and black hoodie are okay, the gel I used this morning keeping my thick and wavy brown hair in a frizzy ponytail that is at least semi-contained. But I'm still the new kid, which means Ms. Holm asks me to introduce myself, asks me to stand in front of the whole class, 'cause teachers somehow still haven't figured out how obviously terrifying having twenty-five pairs of eyes on you is. How it leaves you with absolutely nowhere to hide. The Introduction I Don't Make Hi. My name is Laura [LAH-OO-RAH] and I used to live on the other side of Loumack County, Virginia, in the Crenwood Trailer Park, but now (and just for now) I live with my aunt in this part of town. My parents are in rehab, which is why I'm here, in a school that hands out organic blueberry muffins for breakfast and has no writing on the bathroom stalls, in a classroom where probably everyone has a perfect family and nobody has any secrets and even though I wish you were all nice and friendly, I have a feeling you're not. The Introduction I Do Make Hi, I'm Laura [LAW-RAH]. I Miss My Friends Back Home I spend my lunch period in the library, because my amazing introduction didn't really win me any new friends, and as I play alone with the basket of fidget toys set out on one of the tables, I wish (for the hundredth time) that I knew how to explain to Remedios, Pilar, and Betsaida that I didn't ghost them, I got taken, that nobody asked me or cared what I thought about the whole thing at all, and if it had been up to me and not social services, I would have stayed with my parents, I would have never left home. Decisions I know I messed up back in Crenwood. Janet and Titi don't have to say it out loud for me to understand that it's true. But just because I let my parents down    this time doesn't mean I will again. And if Janet thinks I'm just going to forget everything that happened    she's wrong because I already repacked everything I had unpacked, my black bag sitting in the closet all ready to go. I just have to find a way to fix this, find a way to undo this, and then I'll be back with Mom and Dad and they'll be perfectly okay and I'll never never ever have to make another decision ever again. Someone Is Always Watching I may not have a phone, but I do have a laptop now, since every student at Riverview gets their own to take home. And when I google Harmonic Way (the place Janet said my parents are at), I see pictures of smiling people and gardens full of singing cardinals and board games and crafts and baking, though the Google reviews are only at 2.9 out of 5. I'm about to click into some of them, the reviews, to try to read what people have to say, but then my neck hairs start tingling and my arm hairs start prickling and when I look up, there's a kid with braids next to me at the table smiling and I slam my laptop shut. Trust Is Overrated The kid introduces himself as Benson, he/him. Says he's in sixth grade (but not my class), and although I eye him suspiciously, I tell him I'm Laura, she/her, and in Ms. Holm's class. Benson is Black and short and skinny, but what I most notice is his humongous smile-- like we've been friends our entire lives and are just meeting for lunch to catch up. And even though I'm pretty sure I'm frowning, he still tosses his stickered water bottle    up and down, smiling at me in between sips, his eyes twinkling into a laugh. He's weird, this Benson. Too friendly. Too nice. But just as I'm about to make an excuse, say something like how I need to head back to class, the bell rings        (thank you, thank you) and I hurry out, laptop and backpack in hand. Dad would tell me I'm being rude, but it's not like he's here to see this anyway. And I'm not sure what Janet from social services would say, but she definitely made it clear back at my trailer that she thought I should feel grateful for my aunt and my new school, which she talks about like it's    a forever thing, a "positive" change. Basically, adults know nothing. Nothing nothing period. And as for me? I'm definitely not ready to explain to anyone and especially not any of the kids at this rich, temporary school why I live where I live. My After-School Routine Because I Live with a Very Controlling Aunt Get off the bus at the Stonecreek Apartments and walk to building 1380, then climb the stairs to apartment C. Connect my laptop to the Wi-Fi and then message Titi at work to tell her    I'm here even though she could definitely just check her doorbell camera, which (like I'm some sort of prisoner) already records me on the way in. Titi Silvia Is the Worst Organized and I mean organized to the extreme. She has schedules for everything    like for cleaning (yuck) and for eating    or for how she washes and blow-dries her hair every Tuesday and Friday night, no exceptions, before pulling it back into a tight bun. Excerpted from Something Like Home by Andrea Beatriz Arango All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.