Black river orchard A novel

Chuck Wendig

Book - 2023

"A small town is transformed when seven strange trees begin bearing magical apples in this horror novel from the bestselling author of Wanderers and The Book of Accidents"--

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Subjects
Genres
Horror fiction
Fantasy fiction
Novels
Published
New York : Del Rey 2023.
Language
English
Main Author
Chuck Wendig (author)
Edition
First edition
Physical Description
620 pages ; 24 cm
ISBN
9780593158746
9781529101133
Contents unavailable.
Review by Booklist Review

The township of Harrow has a secret. A round, red, delicious secret. Seven trees in its orchard grow apples unlike any others. When you eat them, you feel stronger, more alive, like you've never felt before. Soon, that feeling--that burst of vitality--is all you crave. You won't believe what you'll do to keep it, or what horrors lurk in the soil. The latest by the author of the Miriam Black urban fantasy series, the apocalyptic novel Wanderers (2019), and the horror-filled The Book of Accidents (2021) is a dark, frightening tale that will chill readers to the core. Wendig has numerous storytelling gifts, but his strongest has always been his approachable characters. No matter how far-fetched the situation (running from murderous ants in Invasive, 2016, or from the New Republic in the Star Wars novel Aftermath, 2015), his characters are recognizably human. Here, it's easy to imagine getting caught up in the lure of the apples whose red skin is so dark they're almost black. After taking one bite of this scary book, readers will want more.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Bestseller Wendig (the Wanderers series) wows with this wildly unsettling horror tale set in Bucks County, Pa. When Calla Paxson was 12, her father, Dan, came home with a shriveled apple core that resembled a human finger, declaring that he would use the core to create an orchard that would make their family's future and fortune. Five years later, the orchard has produced enough fruit for Dan to set up a stall at the town market, where his Ruby Slipper Apples (so named by Calla), are an unexpected hit, bringing in far more money than anticipated. Some consumers even come to consider themselves addicted to the unique fruit, which offers "a near-perfect balance of tartness and sweetness--that sour, tongue-scrubbing feel of a pineapple, but one that has first been run through a trench of warm honey." Gradually, however, Wendig reveals that something darker lurks beneath the orchard, its weirdness affecting the family, as when one of the orchard's trees impales two baby birds in their nest, and Dan, struck by a brief violent madness, snaps the mother dove's neck. Wendig is brilliant at slowly raising the plot's emotional temperature and making his characters, caught in a creeping nightmare, feel both real and empathetic. This masterful outing should continue to earn Wendig comparisons to Stephen King. (Sept.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

The myth of the poisoned apple belies the very real evil growing in a Pennsylvania orchard. If Wendig's latest is less paranoia-inducing than his techno-themed thrillers, it's just as squelchy, made more so by the primeval nature of the antagonist. In Harrow, Pennsylvania, Dan Paxson is trying to raise his daughter, Calla, with good intentions, but he's also a man with a chip on his shoulder. Little Dan, as he's known to the members of the Crossed Keys, a nasty little social club, is determined to rescue his dead father's legacy by resurrecting the family apple orchard and growing a singular, invasive species Calla dubs the Ruby Slipper. While Dan is already counting his future fortunes, we get to know Calla, 17-year-old burgeoning internet influencer, and her jock boyfriend, Marco, as well as plenty of other townsfolk. Among them are ultra-controlling lawyer Meg and her do-gooder wife, Emily, as well as Joanie and husband, Graham, whose S & M--themed Airbnb has rankled the locals. There are plenty of hints that something is amiss with Dan's apple, but as he begins selling it at local farmers markets, it begins to change the people who eat it, making them stronger, more formidable, and meaner. Into this mix stumbles easily the oddest and most likable outlier, John Compass, a modern-day combination of trained soldier, newly minted Quaker, and Johnny Appleseed, who's looking for a friend who went missing while searching for a long-rumored Dutch varietal. On the other end is Edward Naberius, a mysterious, white-cloaked "restorer of lost dignities," who is clearly more than he seems as well. Wendig writes doorstoppers, but it's safe to say there's something for everyone here, from the creepy Eyes Wide Shut vibe (complete with sacrificial rituals) to the Stephen King--laced dichotomy between the world's everyday cruelty and the truly grotesque carnage that follows. Both complex and compelling, a nightmare-inducing parable about our own wickedness. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 nomenclature Calla Paxson, now age seventeen, stood in the middle of their gravel driveway, nose down in her phone, trying very, very hard not to be distracted by her father, Dan, as he hurried back and forth from the shed to the pickup to the house and back again. Every time he went past, he had a new question for her--­ "Is Marco coming?" "Yes, Dad, Marco is coming, Jesus." Back and forth. "What time is it again?" "It's nine a.m., Dad," and as he went past, she added loudly, "aka entirely too early, okay?" Back and forth. "Did Marco say he'd be here at nine?" "Yes? No? I dunno, I'm not his boss, you are." Back and forth. "You know, you could help me? Carry these--­ oof --­boxes?" "That's not really--­like, not my thing." He eased the wooden crate of apples into the back of the pickup, but Calla wasn't paying attention. She held her phone up, blocking the view of him. With the camera reversed, she checked herself in the screen--­saw a thousand tiny flaws but steeled herself against caring about them. (Eyebrows too thin, ugh, mouth too wide, ugh, left eye with that odd golden fleck hiding in the green, a green that wasn't a pretty emerald but a muddy hazel the color of algal muck, uggggh. ) She chided herself for feeling that way. Be better, say something nice about yourself, and she told herself today was a damn good hair day thanks to the humid September weather. She was all golden locks with the center part, framing her face with long layers, but the negative thoughts kept nagging her from the back of her mind. Calla shook the bad thoughts out of her head and (since Insta was over) checked her follower count on Faddish, then (since TikTok was almost over) checked her followers on Appy, then on Nextra, and of course also on Insta and TikTok because obviously. The classics were the classics for a reason. Her follower counts hadn't budged since this morning. Or since last night. Or the night before. Gently, a hand reached out and eased the phone aside. The same hand, her father's hand, lifted her chin. Her father stood there in front of her. "It's not your thing," he repeated. "What?" "That's what you just said. 'That's not really, like, my thing.' " "Oh god you're about to give me a lecture, aren't you?" She sighed. "I just mean I don't know that I can move those boxes. They're heavy. I already tried to clean myself up this morning and I don't want to look like some farm girl --­" "No lecture. I promise, Calla Lily. You're right. This is your thing." He did a faux-­game-­show gesture toward her phone. "I feel like you're being sarcastic right now." "No sarcasm! I'm saying you wanna be a--­what's it called? An ­affluent--­" "Influencer. Jesus, Dad." "An influencer. " He smiled. He was f***ing with her, wasn't he? Was he f***ing with her or was he just this goofy? "Right. So I need your influence." She winced. "What?" He did this awkward moonwalk toward the truck, and then did an even-­cringier spin, snatching up one of the apples from the crate resting on the pickup truck's open gate. Dance-­walking his way back, he thrust the apple at her. "I told you I'm not eating one, apples are gross," she said. Dan Paxson put his hand over his chest and feigned injury. "You hurt me. You know that, right? My own daughter still won't try my apple. My pride and joy insults my other pride and joy. It's like my children are fighting. Sibling rivalry." "So dramatic." "I don't need you to try the apple, but the apple needs your . . . influence. You know what I mean?" She confessed: "I don't." Her father sighed. "Look, this is our first day at market. It's not just tables and produce anymore. You're right, it's not enough to be the farmer anymore. People go there to sell their . . . fancy puddings and their honeycombs, it's all pasture-­raised beef and duck eggs. It's produce you've never heard of like mizuna and kabocha and micro-­cilantro. And though I know this apple is beautiful with a taste that's--­" The words seemed to catch in his mouth. Was he getting emotional? He probably was, the big dork. (She loved her father's profound dorkiness. He was such a nerd because he cared so much about this stuff. She wouldn't admit any of this, not for a million followers on social. Maybe for two million.) "I need help selling it." "That's not what I do." Or what I want to do. "But you do. I see how much you put into your videos. You want people to . . . love the things that you love, and I love that about you. Maybe you could sprinkle a little of that pizzazz on this apple? Though I think there's an actual apple named Pazazz, come to think of it." He shrugged. "I'm just saying, you're my little branding genius, you have these explosive, firecracker thoughts, and I think this apple is really something special. Like you. But nobody will know if they don't try it. I need your magic, Calla Lily. I need your sparkle. " She rolled her eyes (trying to hide that, ugh, it felt nice when he said nice things about her). " Fine, I'll give a glow up to your dire little fruit." And it was dire. Pretty, maybe. Gothy, definitely. In the sun, it was a rich, black-­blooded red. But she couldn't say any of that. Gothy, black, red. It wasn't a Hot Topic apple. It did need something. "Does it have a name already?" He hesitated. Acting a little cagey. "I gave it a name. It--­" He flinched. "Didn't have one before." "Okay, fine, what did you name it?" Her father shrugged, like, Oh, no big deal, don't mind me. "I'm calling it the Paxson apple. After us. Our family. Our home." "Really. The Paxson." "Yeah. Why? Apples are--­you know, the heirlooms, anyway, they're named after the people who grew them. Baldwin, Ortley, or, uhh, Esopus Spitzenburg." Calla made a face like she'd just licked a moth. " No. You can't--­you can't use those as your comps. Those sound like Old People apples. Esopus? We're not Amish, Dad, god. No, you, like, go to the grocery store and the apples there have fun names, right? Honeycrisp, Pink Ladies, ummm--­" "SweeTango! Oh, Cosmic Crisp, too." "Yeah, okay, yeah. Whatever. So, you can't call it the Paxson. You just can't." She made a disappointed face. "Promise me you won't. It's mid. It hurts me on the inside. Please promise. Please." "Our name matters, Calla," he said, stiffening. She'd hurt him. But then his face softened and he leaned forward to take a big, sharp bite of the apple. His eyes closed and he breathed through his nose as he chewed. For a moment he seemed lost. He moaned around it. ( Gross. ) Finally he said: "You're right. It's too good for a boring name. So you're up, Little Miss Influencer. Influence me. Name this apple." Calla scrunched up her nose, plowing little furrows in her brow as she grabbed his wrist and moved it this way and that, pivoting the apple in her view. (She wasn't going to touch the apple because it was drooling juice from its bite wound.) "Dark, red, pretty. Like I'm staring into something deep--­" It almost pulled her gaze to it, even into it. As if she were staring into the hall-­of-­mirrors aspect of a gemstone's facets. That's it. "It's like a ruby. You wanted to name it after us?" At the end of the gravel drive, she saw the old sign that hung there, a wooden sign with their name carved into it. A name signaling their house. Their home. That's it, she thought. "There's no place like home." "What?" he asked. "Ruby Slipper." She paused. "There's no place like home. Ruby Slipper. It's like from that movie. The one with the scarecrow." Excerpted from Black River Orchard by Chuck Wendig All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.