So many people, Mariana Collected stories, 1959-1967

Maria Judite de Carvalho

Book - 2021

"A collection of Maria Judite de Carvalho's work between 1959 and 1967: twenty-six short stories about men and women trapped by a culture that values them as workers but not as people"--

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FICTION/Carvalho Maria
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Location Call Number   Status
1st Floor FICTION/Carvalho Maria Due Jan 27, 2025
Subjects
Genres
Short stories
Published
San Francisco, CA : Two Lines Press [2021]
Language
English
Portuguese
Main Author
Maria Judite de Carvalho (author)
Other Authors
Margaret Jull Costa (translator)
Physical Description
pages ; cm
ISBN
9781949641516
  • So Many People, Mariana
  • Life and Dream
  • Grandma Candida
  • The Mother
  • Miss Arminda
  • Christmas Eve
  • A Misunderstanding
  • The Sunday Outing
  • The Words Left Unsaid
  • A Love Story
  • A Balcony with Flowers
  • It Rained This Afternoon
  • The Shadow of the Tree
  • The Inconsolable Fiancée
  • The Birthday
  • The Wake
  • Journey
  • Seascape with No Ships
  • Everything Is Going to Change
  • Rosa at a Seaside Guesthouse
  • Anica, as she was Called Then
  • In a Mad Rush
  • His Love for Etel
  • In the First Flower of Youth
  • I Carry You All in My Heart
  • Adelaide
Review by Kirkus Book Review

A definitive collection of stories by a Portuguese master of the form. The stories that make up this remarkable volume are united by their quiet intensity, their commitment to internal turmoil, and their enduring interest in the lives, hopes, and miseries that are unique to women. They were originally published between 1959 and 1967 but for the most part, and except for a few small details, feel as fresh as if they'd been written just now. "He could have been a traveling salesman, a train conductor, or a sailor," Carvalho writes at the beginning of "Life and Dream." "However, he was none of those things because we do not make ourselves; we are shaped by circumstances." In "A Love Story," the narrator asks, "Did anyone admire or envy them; could anyone look at them without smirking?" An especially pathetic--and especially badly dressed-- couple is being discussed, and while the story comprises fewer than 10 pages, Carvalho manages to pack it with pathos, humor, bitterness, wit, and a surprise ending as well. In many stories, Carvalho takes on heavier topics--murder, adultery--but no topic is too light or too small for her attention. In "Miss Arminda," for example, the narrator takes the time to distinguish between the "people who knew her" and those "who thought they knew her only because they saw her pass by every morning." This insistence on the apparently mundane is further proof of Carvalho's masterful eye--and her abiding faith, whether stated or unstated, in the inherent dignity of women's experiences. That's not to say that she focuses only on women, but her gaze does tend to land on subjects that likely would have been labeled frivolous at the time she was writing. Elegant stories full of a dry and subtle wit, intricately observed scenes, and a full range of emotion. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.