Surrealists in New York Atelier 17 and the birth of abstract expressionism

Charles Darwent

Book - 2023

An absorbing group biography revealing how exiles from war-torn France brought Surrealism to America, helping to shift the centre of the art world from Paris to New York and spark the movement that became Abstract Expressionism. In 1957 the American artist Robert Motherwell made an unexpected claim: "I have only known two painting milieus well: the Parisian Surrealists, with whom I began painting seriously in New York in 1940, and the native movement that has come to be known as "abstract expressionism", but which genetically would have been more properly called "abstract surrealism". Motherwell's bold assertion, that Abstract Expressionism was neither new nor local, but born of a brief liaison between America ...and France, verged on the controversial. Surrealists in New York tells the story of this "liaison" and the European exiles who bought Surrealism with them - an artistic exchange between the Old World and the New - centring on taciturn printmaker Stanley William Hayter and the legendary Atelier 17 print studio he founded. Here artists' experiments literally pushed the boundaries of modern art. It was in Hayter's studio that Jackson Pollock found the balance of freedom and control that would culminate in his distinctive drip paintings. The impact of Max Ernst, André Masson, Louise Bourgeois and other noted émigrés on the work of Motherwell, Pollock, Mark Rothko and the American avant-garde has for too long been quietly written out of art history. Drawing on first-hand documents, interviews and archive materials, Charles Darwent brings to life the events and personalities from this crucial encounter. In so doing, he reveals a fascinating new perspective on the history of the art of the twentieth century.

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Subjects
Genres
Biographies
Published
London ; New York, New York : Thames & Hudson, Ltd 2023.
Language
English
Main Author
Charles Darwent (author)
Physical Description
224 pages, 40 unnumbered pages of plates : illustrations (some color) ; 24 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780500094266
  • Introduction
  • Chapter 1. Before
  • Chapter 2. The New School
  • Chapter 3. The French Arrive
  • Chapter 4. Towards A New Painting
  • Chapter 5. Pollock Makes A Print
  • Chapter 6. To Eighth Street
  • Chapter 7. Blake, Bourgeois, Miró
  • Chapter 8. After
  • Acknowledgments
  • Notes
  • Further Reading
  • Picture Credits
  • Index
Review by Publisher's Weekly Review

In this meticulous history, art critic Darwent (Josef Albers) surveys the shift from surrealism to abstract expressionism on both sides of the Atlantic, finding the fulcrum at Paris's Atelier 17, a small print workshop established in 1927 and helmed by Stanley William Hayter. In Paris, the "unchallenged world capital of modern art," Atelier 17 in the late 1920s and the 1930s was a laboratory where European artists including Paul Klee and Max Ernst and up-and-coming Americans such as Alexander Calder could experiment with the tools and techniques of printmaking--particularly the burin, a brawny tool ideal for surrealist methods of drawing. When the rumblings of WWII sent artists fleeing from Europe, Atelier 17's New York outpost became an "arena for cultural exchange" where exiled European artists found freedom from the constraints of French surrealism, as well as inspiration in Indigenous art, while Americans embraced an "artisanal and muscular" style. By the war's end, New York's flourishing art scene had catapulted the American avant-garde to global renown--and Atelier 17 alums such as Mark Rothko and Jackson Pollock had helped popularize groundbreaking abstract styles. Darwent shines a light on the workshop's place in history, chronicling in lively prose a once-in-a-generation catalyst of artistic and intellectual ferment. Art lovers of all stripes will be fascinated. (May)

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