The many masks of Andy Zhou

Jack Cheng, 1983-

Book - 2023

"Sixth grader Andy Zhou grapples with fitting in, befriends a bully, drifts apart from his childhood best friend, and gets to know grandparents who have just moved from Shanghai to live with his family"--

Saved in:
Subjects
Genres
Bildungsromans
Domestic fiction
Novels
Published
New York : Dial Books for Young Readers 2023.
Language
English
Main Author
Jack Cheng, 1983- (author)
Physical Description
309 pages : illustrations ; 22 cm
Audience
Ages 10 years and up.
690L
ISBN
9780525553823
Contents unavailable.
Review by Booklist Review

The author of See You in the Cosmos (2017) offers another realistic, character-driven middle-grade story that explores multiple issues. Sixth-grader Andy Zhou is doing the best he can at home and at school. His grandparents are visiting from Shanghai; his best friend, Cindy, wants him to try out for the school dance group; and his new science partner, Jameel, gives him a really hard time. As Andy struggles to navigate so many roles and changes, he begins to pull his hair, a body-focused repetitive behavior known as trichotillomania. He also faces microaggressions--not being seen as American, being labeled with Asian stereotypes. When reflecting on the question of whether he is gay, Andy recognizes and lives in the truth that he doesn't know what he is yet but does know that "it's more than one thing" and that he has "room for it to be that." Based on the author's own experiences, this is a compelling addition to middle-school and upper-elementary collections.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In Detroit, an artistic sixth grader facing changes at home and school seeks his identity in this contemplative novel from Cheng (See You in the Cosmos). Chinese American Andy Zhou prepares for his grandparents' arrival from Shanghai, working to help his family however he can. He also tries to be there for best friend and neighbor Cindy Shen, whose schemes involve bleaching their hair and auditioning for the school's dance club. But the bleach job results in bullying, dancing isn't really his thing, and Cindy soon starts spending time with new friends. As Andy encounters racist microaggressions at school and new worries at home, he joins the school's student-run production crew and--through art, anime, and a pet bearded dragon--finds common ground with his Chaldean American lab partner Jameel Zebari, who once bullied him. The changes nevertheless add up, impacting Andy's mental health and leaving him wondering who he really is. Cheng draws on personal experience, detailed in an author's note, to pen this novel of internal and interpersonal tensions that touches on mental health, disordered eating, and trichotillomania. Though some plot points feel abrupt, the message of becoming one's authentic self comes through loud and clear. Ages 10--up. (June)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 5 Up--Andy Zhou is entering sixth grade with a lot on his plate. His best friend, Cindy, has decided they're both dyeing their hair blond and joining the after-school dance program Movement (without telling their parents). His grandparents are visiting from China for an unknown length of time. And, his irreverent classmate Jameel picks on him at every opportunity. Andy gets to know Jameel, and the two strike up a friendship while he feels Cindy growing more distant and changing physically. He copes with this and the declining health of his grandfather, Ah Dia, by sketching, pulling out his hair, and working on crew for Movement's production of Lord of the Flies. This is a gentle tale of juggling shifting friendships, tough secrets, and the weight of trying to make everyone happy. Andy's first-person narration is eminently readable; Cheng's comedic timing and poignant use of metaphor make it easy to picture Andy's anxiety and self-consciousness as he braves middle school. Rich descriptions abound of Andy's Chinese and Jameel's Chaldean cultures, including food, performance, and family dynamics. The plot has an open conclusion: nothing complex is fully "fixed," but Andy is on the road to making amends with those he loves and establishing his own identity. The novel opens with a content note for bullying, racism, trichotillomania, parental death, and anorexia, and Cheng's author's note includes a number of relevant support resources. VERDICT A beautiful, contemplative novel that will stay with readers. Recommended for fans of Erin Entrada Kelly and Nicole Melleby.--Ashleigh Williams

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

On the morning after Andy Zhou's grandparents arrive in Detroit from Shanghai for a six-month stay, his best (and only) friend convinces him to bleach his hair. "We're going into middle school. This is our chance to make a statement." The scheme goes wrong, however, and Andy is left with blotches of orange hair, making him the target of bullying at the start of sixth grade. Middle school brings other challenges: grappling with his social life, racial microaggressions, and his grandfather's worsening health, Andy develops trichotillomania, a disorder that causes him to pluck his hair when he feels anxious. Cheng draws from his own personal experiences in creating an introspective, believable narrator whose internal monologue is often riddled with self-doubt. Although Andy struggles to find his voice, he's keenly attentive, translating his observations into doodles that open each chapter. After a rocky start, things begin to look up when an unexpected friendship with his bully emerges as they bond over anime and their families' respective cultural beliefs and customs, and Andy's artistic gifts are noticed by a supportive teacher. An afterword provides resources on various related topics, including body-focused repetitive behaviors, eating disorders, and bullying. Kristine TechavanichSeptember/October 2023 p.70 (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A Detroit tween comes into his own while adjusting to changes at home and dealing with the trials and tribulations of sixth grade. Starting middle school is daunting, and Andy Zhou is off to a rough start after the DIY bleach job that Cindy Shen, his best friend, convinces him to try results in patches of orange in his black hair, drawing the attention of bullies. Empathetic Andy tries his best to be the person that his friends and family need him to be, but juggling those roles isn't easy, especially when he's not sure what it is that he wants. With Cindy spending more time with new friends and mounting racist microaggressions setting off his "spider-sense," Chinese American Andy can't shake the feeling that he doesn't belong. But just as he resolves to keep his head down, he discovers that Chaldean American Jameel Zebari, one of his bullies, might have more in common with him than he thought. Peppered with anime and pop-culture references, Cheng's tale succeeds in capturing the nuances of shifting relationship dynamics during the vulnerable early years of adolescence, including mental health struggles. Although the reasons behind some of Andy's pivotal epiphanies may be a bit subtle for some readers, the story has a sincere heart that will resonate with tweens as they recognize themselves and their friends in the pages. A perceptive coming-of-age tale that captures the joys and complex anxieties of middle school. (content note, author's note) (Fiction. 10-13) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

SEPTEMBER Like an Ant, Probably "Andy, did you hear me? " Baba's eyes flick up in the rearview mirror. He switches to English. "You always look like thinking. What you thinking about?" "Nothing," I say, and stare out the window again. A motorcycle zooms by at full speed, weaving in and out of the freeway traffic. Baba flips back to Shanghainese. "I was saying, you know how difficult these past years have been for Hao Bu and Ah Dia. You have to help them, okay?" "Help them with what?" "With whatever they need," says Mama from the front passenger seat. "It's a different lifestyle here. Let's make their stay comfortable for them." Baba nods. "Ever since your ah dia little boy, his dream visit America. We have show he and Hao Bu best American time." Baba's eyebrows go up in the mirror."Xiaolei, you can make sign with they name! Have airport name sign for Hao Bu and Ah Dia see!" "Don't people only do that for strangers?" "Andy, come, " my dad says in his don't-argue-with-me voice. " Be a good grandson, okay? " Mama twists around and hands me her tablet. I open the drawing app, which still has my doodle from the last time Cindy and I hung out. I clear the screen. "Let's wait until they're settled first," says Baba, picking up their conversation from before. "You think they'll agree?" "Ma might. But Ba--you know that older generation. They don't really trust doctors ." "You're going to miss the exit." Baba clicks on the turn signal. "We'll take it step by step." I look up from the blank screen. "Mama, Baba, I don't know Hao Bu and Ah Dia's names." We pull into International Arrivals. Lines of cars are wait-ing already, parking lights red in the echoey underpass. My dad and I go through the spinning glass doors while my mom waits in the car--that way we don't get a ticket. "Ma, where are you!" Baba's shouting into his phone. His voice gets deeper and louder when he's on it, like he's making up for the tiny microphone holes. "We're just outside the baggage claim! " he says. " Send me a WeChat when you get this!" We find an open spot along the metal guard rail. I aim the tablet toward the sliding doors at the end, which have big red stickers saying do not enter. It's mostly other Chinese families here, but there are also drivers in suits and ties, holding up their own tablets and signs. Back in the car, Mama wrote out my grandparents' names so I could draw them bigger on the screen, and Baba told me how to pronounce them. I recognize my own last name, Zhou, but I've already forgotten the rest. "Andy," says Baba. " Go ask when they're coming out ." He points toward a guard sitting by the sliding doors. She's scrolling through something on her phone. "They'll probably be out soon," I say. "Go ask ." "Can't you just check the app?" "Go. Your English is better than mine," says Baba. "Quickly . " I hand him the tablet and duck under the rail, just as the doors at the end slide open. Out comes a businesswoman with a roller bag, her suit jacket draped over the handle. Behind her is a group of maybe college students with duffels and white sneakers, and wireless headphones around their necks. One of them has bleached blond hair--almost silver. He looks like a K-pop star. "Andy," says Baba behind me. He points at the guard again. I go up and try to get her attention. "Excuse me," I say, but it's so soft, she doesn't hear me. I try again, a little louder--" Excuse me? "--and wave my hand. The guard looks up from her phone. "I was wondering, um . . ." She points at the sign on the doors. "You're not allowed--" "Okay, thanks!" I retreat back to Baba. "She said to wait," I tell him. While we do, Baba goes into a story he loves, about the time he picked Mama and me up from this same airport. My dad came to Metro Detroit a few months before we did, so he could find a place for us to live, and get a car, and a job, and all his books for engineering school. "I come with Lang Uncle pick you up," says Baba. "I waiting and waiting but you and Mama no come out. I think, what the heck! Then I go up one escalate"--he points to the escalators behind us--"and when I go up, I see you and Mama come down other escalate same time!" I know the rest: Mama's carrying four-year-old me in her arms, and I'm reaching out for him, calling, "Baba! Baba!" As we're about to pass in opposite directions, she hands me over the railings, into his arms. When my dad tells the story, I can picture it all so clearly. But the onlything I actually remember is the split second I was dangling in the air between them. The feeling I was going to fall. "Ma! Ba!" my dad suddenly shouts. He stands on his tiptoes and waves. I get a flash of worry. After all this time,am I even going to recognize my own grandparents? But there they are, just like in our video chats--my grandma: chubby with silver curls, wearing a plain brown cardigan and pushing a cart stuffed with heavy luggage. Next to her is my much-skinnier grandpa, in a red wheelchair with a cane across his lap, being pushed by an airport worker. Baba ducks under the rail. He rushes over so fast, I'm still frozen on the other side, holding my tablet with my grandparents' names. The ones I can't read. Baba grabs the luggage cart from Hao Bu. He shouts over his shoulder, " Andy! What are you doing? Come help!" I go under the rail. "Wah, Xiaolei, you're getting taller," Hao Bu says when she sees me. "Do you remember your hao bu? How come you're so skinny? What have you been feeding him? " She says this last thing to my dad, then turns back to me. "Hao Bu's going to cook delicious food for you, okay?" I'm not ready for all her questions. I just manage a polite "Thank you, Hao Bu." "Where's his mother?" asks Hao Bu. "Is it just you two?" "She's in the car waiting," says Baba. "Look, old man, your grandson made you a sign!" I greet Ah Dia. Up close he seems tense and stiff, like he's clenching every muscle in his body. I show him the tablet and he blinks at me through his thick rectangular glasses. Chinese people don't really hug, but it feels too formal to shake his hand. So I end up just awkwardly patting him on the shoulder. Like he's a horse. Ah Dia tips his cane down and grabs the wheelchair arm. He starts to get up. "Ba! Stay seated!" my dad says, rushing over. "I can walk," says Ah Dia. "Old man, your son told you to stay seated!" says Hao Bu. "I can do it myself!" Ah Dia's trying to stand, but Baba and Hao Bu want him to sit. The airport worker backs away from the wheelchair, confused about the yelling. But this same thing happens when my parents are with their Shanghainese friends. They'll all talk louder and louder until they're basically shouting. It's like a snowball rolling downhill and turning into an avalanche. Back outside, my family avalanche-talks some more--Mama too--about how to fit my grandparents' bags in the trunk. While everyone is debating the perfect luggage arrangement, I help Ah Dia into the front passenger seat. I lock the wheelchair wheels, and reach out my hand so he has something to hold on to. He grabs it, then shifts his weight to my shoulder. His palms are meatier than I expect. His grip is surprisingly strong. "Watch your head," I tell him. But when he doesn't react, I think for a bit and finally come up with a few words in Shanghainese: "Dang xin. Nong dou." Careful. Your head. Ah Dia puts one hand on the top of the car door, ducks in slowly, then turns and bends, and finally lands in the front seat with a plop. A couple of years ago he slipped going down the stairs at their house in Shanghai. He hurt his spine really bad. Baba wanted us all to fly back to China, but flights were expensive, and I had school. So my mom and I stayed in Michigan. "Turn it on its side!" says Hao Bu. "No no, stand it upright!" shouts Mama. "Uhyo, I got it!" says Baba. I help Ah Dia click in his seat belt. Before I shut the door again, I say, "Careful. Your hands." It turns out that the luggage doesn't all fit in our trunk. Mama and I end up with a roller bag each across our laps, while Hao Bu sits on my other side, her big purse across her own lap. By the time we're on the freeway, I'm suddenly exhausted. But at least the avalanche stopped. As we go past billboards and warehouses, and a blue steel bridge, my dad asks my grandparents--in a normal voice--about their flight and airline food, and our relatives in China. Hao Bu does most of the talking, while Ah Dia answers in short ao s and mm s. I watch him fiddle with the AC vents, then open and close the glove compartment. Hao Bu nudges my elbow. "Here, little buddy. For you . " She smiles and hands me a pair of silvery snack bags-- airline pretzels. I say thanks and open one. The pretzels are salty and crunchy and good. I put the other in my pocket, careful not to let it get crushed by the luggage in my lap. I know Cindy's going to like them because they're the mini kind, and she collects things that are just a little bit smaller than normal. Like, two-thirds the size. The first time we saw those eight-ounce cans of Faygo Red Pop, she pretty much lost her mind. "Xiaolei," Hao Bu starts, then says my American name in a sing-songy voice. "Aaandy . . . how are your studies? " "His grades are okay," Baba answers for me. "He always gets a few wrong on his tests. Always ninety-two, ninety-three. Never one hundred." I move a little in my seat, but the luggage presses me down. "What year is he in now?" "Going into sixth," says Mama. "School starts next week." Hao Bu turns to me again. There's a mischievous grin on her face. "Xiaolei, did you know? When your ah dia was in school, he was a huge troublemaker. He hardly did his homework--most of our teachers hated him!" "Your ah dia, he just play ah play ah play," says Baba. "He huge playboy!" I know what Baba's getting at, but I don't think that's the right word for it. Mama chuckles. Hao Bu smiles and shakes her head. I watch Ah Dia again, riding quietly in the front passenger seat. I follow his eyes out the window to the trees and billboards flicking by, to the giant model car tire on the side of the freeway, the one that's so big that if you stood right under it, you'd probably feel like an ant. Super Saiyan Cindy's standing over me when I wake up the next morning. Or more like, when she wakes me up. She's shaking my shoulder, calling my name. I yawn and rub my eyes. "Why are you here so early?" I ask. "It's already past noon, dummy." "It is?" She nods and looks around the living room, like she doesn't understand why I'm sleeping on our pull-out sofa bed. Our dads went to college together, and when we were in second grade, our families started renting two floors of the same house. It's called a duplex. The Shens have their own entrance upstairs from the backyard, but there's a door between their stairs and our kitchen that we leave unlocked. I sit up. "My grandparents are sleeping in my room," I explain. "I heard you come in yesterday," says Cindy. "Are they still . . ." She looks toward the hallway to the bedrooms. "I think so. My mom said they have jet lag." Her voice gets quieter. "I can't believe your parents would make you give up your room. I'd be so mad." Should I be mad? I didn't think of it like that. Hao Bu and Ah Dia are living with us for six months, and Mama and Baba said we should give them my room so they can be more comfortable. Maybe I also stayed up too late watching TV last night. Cindy nudges me with her knee. "Our parents went to Costco. Now's our chance." She smirks and holds up a bulging plastic grocery bag. "What's that?" "See for yourself." I scoot to the edge of the sofa bed and peel off the blanket. Cindy shrieks and one-eighty spins away from me. Her ponytail almost slaps me in the face. " Andy . Get dressed first." I look down. Oops--I'm in my underwear! "You might as well just put on your swim trunks," she says, her back to me still. She starts toward the bathroom. "I'll go set everything up." "Set what up?" It's like a miniature city: bottles and boxes, tubes and tubs. Cindy shakes the grocery bag and a flat brush with black bristles clacks onto the tile floor. "What . . . is all this?" I pick up a bottle with a drawing on it of a purple fox. The pointy ears kind of make it look like the purple demon emoji. I get a weird shiver. "Andy. We went over this," Cindy says. She grabs the bottle out of my hand and replaces it with her phone. A Korean girl is talking into the camera. The title underneath the video says bleaching asian hair: the right way. Now I remember. Cindy wanted me to help bleach hers. I just didn't realize she'd be able to get everything so quickly. How does she even have the money to pay for all this? "Thuy helped me out," she says. Cindy always knows what I'm thinking, sometimes even before I do. She perks up. "I forgot something. Hey, are you watching the video or what?" I go back to the video. The girl is explaining the different steps, talking about how to mix the bleach paste. Mama started dyeing her hair last year too, after she found three gray hairs in a row and freaked out. But she dyes it dark, and the stuff she uses is only one box, not a bajillion bottles like this. Cindy gets back as I'm finishing the video. She's changed into her purple bathing suit. Is she . . . trying to match the shampoo bottle? She hands me a pair of big rubber cleaning gloves and an empty tofu con- tainer. "Shouldn't we at least wait till our parents are home?" I ask. "My mom can help, she--" I stop. Maybe Mama doesn't want people to know she dyes her hair. "Andy." Cindy gives me a look that says The whole point is to do it when they're not home . She climbs in the bathtub and unties her ponytail, then reties everything into four sections like in the video. I breathe out. I guess we're really doing this. "Don't worry," she says. "I trust you." That's why Cindy's my best friend. She has enough confidence for the both of us. I put on the gloves and find the bleach powder. I scoop it into the tofu container, then look for the other ingredients. Most of the bottles are almost empty, and I have to turn them upside down and shake to get the stuff inside to the opening. The ones I don't recognize, I just skip. It's probably better to follow the video's directions. The last bottle is the big one that says volume developer 30. When I squeeze a glop into the tofu container, the opening makes a soft fart sound. I giggle and Cindy rolls her eyes. Then I take the brush and start mixing. It reminds me of mixing paint colors in art class, or the time Cindy and I made slime. Except this stuff is more goopy and smells like bathroom cleaner. "Ready when you are," says Cindy, looking over her shoulder. I take a lock of Cindy's hair in my hand. Even through the gloves, her hair feels soft and silky, not thick and wiry like mine. It's also the first time, I realize, that I've touched her hair. "What are you waiting for?" she asks. "Nothing." I'm glad Cindy's facing away from me, because I think my cheeks just turned red. I brush on the goop, starting with the ends, not the roots, like in the video. A little bit at a time. It's oddly satisfying, smoothing out the goop, watching her hair absorb it. I finish one section and start on the next. Meanwhile, Cindy sits super still and quiet, with her eyes closed, almost like she's praying. "Andy, you're always so helpful," she says in a soft voice. "You really care about other people." I feel a little dizzy when she says this, but it's probably just the bleach fumes. I finish all four sections. There's still a little bit of goop left. We wrap Cindy's head in a plastic grocery bag like in the video, and as we do, I can already see the color changing. Cindy starts the timer on her phone and I take off the gloves. My hands are all clammy from wearing them. "Okay, your turn," says Cindy. "Wait. What do you mean my turn?" She starts putting on the gloves. "Andy, we're going into sixth grade. We're going into middle school . This is our chance to make a statement." "A statement?" I know about middle school. Locker combinations and bells that ring every fifty minutes. Clubs and sports and school dances and health class, and a bunch of different teachers, instead of just one main one. And eighth graders. I don't know why anyone would want to make a statement in front of eighth graders. "That's right, a statement." Cindy nods. "Besides, I think you'd look pretty cool with Super Saiyan hair." I do think it'd be pretty cool to have hair like Goku from Dragon Ball Z . I could even wear my orange Turtle School shirt the first day! But then I remember: eighth graders. "Is it me or is it kind of stuffy in here?" I reach for the door. Cindy cuts me off. She turns on the vent fan instead. "Better?" I look at our reflections in the mirror, Cindy with her bag-head, me with hopefully not a future bag-head. We used to be the same size, but ever since her growth spurt, she's gotten both taller and heavier than me. "What if I, um, did something else?" I suggest. "Something not as . . . drastic? Maybe I can grow a mustache." Cindy tilts her head. "Too . . . time-consuming," she says. "I haven't even hit puberty," I point out. She looks at me like, I am not amused . But when I start cracking up, she can't help giggling too. Then she gets all serious again. "Andy, please ?" she says. "Do this with me? I mean, haven't you ever wished you could be a different person? Like, a better version of yourself? It's going to be a bigger school, with mostly kids we don't know and who don't know us. This is our one shot." I want to say that we'd have another shot in high school. And then again when we start college. But Cindy's eyes look big and shiny, like she actually might cry. I glance at the tofu container, and at the plastic bag around Cindy's head, and then I remember the K-pop guy I saw at the airport, with the silver-blond hair. I picture him pointing at me and winking, his teeth sparkling like diamonds, saying: You too can have cool hair like me! A word pops out: "Fine." Cindy breaks into a smile so big, you wouldn't even know she was almost crying a second ago. I climb in the tub and crouch, facing the wall like she did, while Cindy mixes up more bleach goop. I notice that some of the grout between the tiles is a little pink and dirty. Baba scrubbed the whole bathroom the other day to get ready for Hao Bu and Ah Dia, even though Mama's usually the one who cleans. He must've missed a spot. There's a fart noise. I look over my shoulder. "Is, um, everything okay?" "It's fine, don't worry." Cindy's shaking and squeezing the Volume Developer bottle but it's only making more fart sounds. Nothing's really coming out. "If there isn't any left, then--" "We're okay. I'll use more of this other stuff. Turn around." "But the video said--" "Turn around." I breathe out and face the wall again. I close my eyes. After a while, I feel Cindy put the first bit of goop in my hair--there's no going back now. A minute later, my scalp starts tingling. A slimy glop falls on my shoulder. "Oops!" says Cindy. She wipes it with her glove, but that just leaves a bigger wet smear. The tingling gets more intense. "Is it supposed to burn like this?" "That's how you know it's working. Keep still." I squeeze my eyes closed even tighter. I try to imagine the two of us showing up on our first day with Super Saiyan hair. I think about all the books and shows that I've read and seen, about kids with big goals like saving their family's house from getting bulldozed by the bank, or defeating the evil wizard who killed their parents, or taming the nine-tailed demon fox inside of them to become the greatest Hokage in the history of the Leaf Village. It's like Cindy said--they have to be better versions of themselves in order to get what they want. But what if you've never thought about what you want? I sniff a couple times, and I can't smell the bleach fumes anymore. Either the vent sucked them all up, or I got used to them, and something bugs me about both those possibilities. We wait. Back in the living room, Cindy flops on her belly on the sofa bed and starts scrolling through dance challenges. I curl up in the side chair and doodle in one of my new school notebooks. We always hang out down here in the summer because it's cooler on the first floor. Last year, all we did was watch Demon Slayer and My Roommate Is a Cat, and eat those Asian freezer pops from 88 Mart--the ones that look like two sausage links. It was the best. "I can't believe summer's already over," Cindy says, still looking at her phone. "It felt even shorter than last year." "Do you think it's just going to keep feeling that way?"I ask. "The older we are, I mean." "It's only going to get worse." Cindy nods. "The Chinese kids at that international high school . . . did you know their parents make them go take summer classes for college credit?" "Who told you that?" "Trevor Lang went this year." Cindy shrugs. "I heard my mom talking about it with Liu Niang Niang. You know, ChinaNet." All the moms know everything going on with the other Chinese families through a combination of WeChat, shouty phone calls, and showing up unannounced at each other's houses. It's like their very own Chinese gossip internet. Cindy giggles at something on her phone. I go back to my drawing. I try to sketch Cindy's feet, but it's hard because her toes are curling back and forth. It's more of a doodle, anyway. I'm not like the really artistic kids who draw dragons or their own made-up superheroes. The stuff I draw is usually right in front of me. Cindy pops up before I can finish. "Found one!" she says, then immediately covers her mouth. She glances toward the bedrooms. We listen for signs that we woke up my grandparents, but there's just the hum of the window AC. I close my notebook and slide next to Cindy. She shows me the dance challenge on her phone. I watch the video loop a few times, and the people in it are moving so fast. Too fast. "Um . . . you're gonna have to show me," I tell her. "Slowly." "No no, it's easy!" She giggles. Then she breaks the dance down at half the speed: "See? All you do is rowboat, rowboat, windshield wipers . . . then pull-up, pull-up, airplane, spin!" Cindy's like one of those people who has perfect pitch, who can play any song after hearing it once. Except instead of for music it's for dancing. She stands her phone against the TV and we practice a few times until I get the hang of it. Then she hits record in the app. I mess up at the end and spin the wrong way, but Cindy doesn't seem to mind. We play it back and try not to laugh too loud. The dance looks even funnier with our plastic bag heads. I remember something. "Hold on," I tell her. I go into my shorts pockets from yesterday and pull out the mini pretzels. When she sees them, Cindy's eyes get wide and sparkly like an anime character. She snatches the bag right out of my hand. "Andy, you're the best!" she says, in her happiest, most excited quiet voice. She gives me a big hug, our plastic bag heads crinkling together. The timer goes off. I follow Cindy back to the bathroom, and watch from the hallway while she peels the bag off and checks her hair in the mirror. The goop is completely absorbed. Even the ends are a rich yellow blond. I think it worked! Then, out of the corner of my eye, I notice the light change. I hear faint voices, car doors closing. I look toward the kitchen just in time to see Cindy's dad come in through the back, carrying two frozen ducks. And he sees me. Wearing a plastic bag on my head. I turn toward Cindy. She's sifting through the shampoo bottles. "I'm gonna shower upstairs," she says. "Um . . ." "I'll bring it back when I'm done. You have twenty more minutes for yours. Do you want my phone for the timer?" I point at the kitchen. "Well, do you or not?" I keep pointing. Now Cindy's mom's standing in the doorway too. There's a confused look on both her parents' faces. It's only then that Cindy comes into the hallway to see what I'm pointing at. And everything goes crazy. Her parents start yelling in Shanghainese at a million words a minute. Her dad stomps into our kitchen, carrying the frozen ducks under his arms like footballs, the vein in his forehead bulging. He almost corners Cindy by the fridge, but she slips around him and darts upstairs, crying, hugging the purple fox shampoo to her chest. Doors slam. More yelling. Hao Bu comes out of the bedroom, her eyes half-open and her hair messy from sleep. "What's all the commotion?" she asks. At the same time, Mama and Baba burst in through the front door with our groceries. Baba looks left and right. "Andy, what happen! Everything okay?!" Mama points. "How come there's a plastic bag on your head?" I open my mouth to explain, but no words come out. My chest swells. My face goes numb. I lead them into the bathroom and wave at the mess of bottles and tubs and bleach goop. Water swooshes through the pipes upstairs, and this sets me off. I start crying too. Baba and Mama look at each other. Then Baba goes back into the kitchen. Mama sits me down on the toilet lid, with Hao Bu watching from the doorway, and turns on the shower. She adjusts the faucet handle, making sure the water's not too hot or cold. Then she unties the plastic bag around my head. "Xiaolei, come," she says. "Let's wash that out." I rub my eyes and climb into the bathtub. It's then that I notice, reflected in the tub's faucet, my new hair--the new me. And I'm-- Oh. It's. . .Different Labor Day passes. Tuesday comes too soon. It's different than I imagined--seeing all these kids in school, in the same place at once. It's not that I didn't know they'd be here. It's more like I forgot to picture everyone moving . Walking down the hallways in twos and threes, hugging friends they haven't seen all summer, clustered in groups around their new lockers, talking and laughing. "Ohmigod you look so different!" Annie Zhang's telling Cindy. "You did such a good job!" Thuy Pham adds, holding up a strand of Cindy's bleached blond hair. From the way Cindy's glowing, you can't even tell that she and her parents yelled at each other all weekend. Or that they took away her phone. "Andy helped," she says. "We bleached his hair too!" I step out a little from behind Cindy. "Mine didn't comeout as good," I tell them. I wore my Detroit Tigers cap this morning but made it two steps past the front entrance before the vice principal told me hats aren't allowed. "It's not that bad," says Cindy. Annie and Thuy look at my hair. My blotchy, orange-and-black hair. My definitely not-blond hair. Thuy is literally biting her tongue. I think I see Annie's eye twitch. "It'th nyth," says Thuy. "It's . . . different?" says Annie. A locker slams down the hall. A kid in a gray hoodie yells, "Watch it!" and scrambles to pick his notebooks up off the floor. Then the start bell rings, a long, crackly tone that feels too loud. Everyone hurries to class, Cindy and me included. I walk next to her and keep tight to the wall. I'm kind of glad she's a little bigger than me now. Thank god we have homeroom and first-period science together. Hazel Heights Middle School is shaped like two big pizza boxes, overlapping at the corners. In the middle of the overlap, there's a glassed-in courtyard with ferns and grasses and purple wildflowers, and a single skinny tree with full green leaves, just starting to turn orange-pink. There's even an old wooden bench. It all looks calm and peaceful--the exact opposite of the hallways around it. Science is a few doors down from the courtyard. When we walk in, the teacher, Mr. Nagy, has us stand by the tall lab counters along the edges of the room. Rows of two-person tables run up and down the middle, and posters of cells and animal kingdoms and evaporation hang on the walls. Up by the long lab counter in front, I spot a lower table with aquariums and terrariums on it. I think I see a newt. Mr. Nagy calls us up one by one for attendance, and to give us our books and seat assignments. He's going alphabetical, so I know I'm last. When he gets to my name, his mouth starts to twist, but then he stops. "I'm not even going to attempt to pronounce this," he says. I go up and tell him, "Call me Andy." "Ah, that's much easier," he chuckles. "Andy it is." I get a weird tingle across my scalp, almost like a Miles Morales spider-sense. Mr. Nagy hands me a textbook that says life sciences. I hurry to my seat in the back right corner, one row behind Cindy and this short redheaded kid, Kevin Walsh. When I walk by, Cindy presses her lips into a line, like she's saying Just ignore it. My table partner isn't here today. At least I get some space to myself. It feels safer back here, in the corner. I dig out my notebook and the planner they gave us in homeroom. Maybe I'll get lucky and every class will have alphabetical seating. Mr. Nagy's partway into his introduction when there's a loud knock at the door. A tall Middle Eastern kid in a gray hoodie comes in with a hall pass. "Jameel Zebrai," says Mr. Nagy, reading his name off the pass. "Good of you to join us." He hands the kid one of the last textbooks and nods toward my table. "You're next to Andy." "It's Zeb ari, " Jameel tells Mr. Nagy. We briefly make eye contact. It's the same kid from the hallway this morning--the one whose stuff spilled all over the floor. When Jameel sits down, I can almost feel the air changearound me. His textbook lands on the table with a loud slap . I don't know if he did it on purpose, and Mr. Nagy glances our way like he's also wondering. I start drawingin my planner, mostly just to have something to do. But as class goes on, something about Jameel makes me keep looking over. He's so tall and lanky that he barely fits into the seat. First he's staring at the terrariums at the front of the room. Then he's slouched back in his chair, twirling his pencil. I notice that, above his upper lip, he has a very faint mustache. We make eye contact again. I look away too late. "Quit staring," he says. "I'm not . " "Whatchu drawing?" I cover my planner. Jameel points at my orange-and-black hair. "What are you, half leprechaun?" "No." Kevin, the redheaded kid, looks over his shoulder, then quickly turns back. Jameel snorts. It's almost impressive how he can make fun of both of us with a single word. And scary. After a while I feel a sharp poke on my elbow. I ignore it, but for some reason, Jameel keeps at it, keeps poking me with the metal end of his pencil. The eraser is already missing. There are already chew marks on the sides. It gets so annoying that I make the mistake of saying, a little too loudly, "Stop." Cindy looks over her shoulder. Mr. Nagy clears his throat. "Mr. Zebari, is there a problem back there?" "Why you asking me? I didn't say nothing." "Is there a problem?" Mr. Nagy repeats. "No problem," Jameel grumbles. Inside me, a little alarm is going off. I don't see Cindy again until lunch. And the only other class we have together is seventh-period honors math. So I'm with her at the start, middle, and end of school, like the buns on a Big Mac. In between, I'm on my own. Somehow I make it through the rest of the morning. Random seventh or eighth graders laugh and say "nice hair" in the hallways, but I find out that if I use water to keep it flattened, you can't see the blotchiness as much. In language arts we have reverse -alphabetical seating, and kids snicker when it's my turn to say something interesting that happened over the summer. But in social studies, the attention is more on Jason Shaheen, who keeps asking Mx. Adler about Eastern Europe, and keeps asking it in a Dracula voice. While we wait in the lunch line, Cindy tells me about her own morning: "Sarika Shah stayed the summer with her relatives in New Jersey, and they took the train into New York City, isn't that cool? And this new girl Molly, she's doing symphony band too and--oh! I heard when Mx. Adler's in a grumpy mood they'll make the whole class write essays . . ." I remember what Cindy said about starting middle school and making a statement. We both made statements all right, just very different ones. "Andy, you have your iceman stare again." "Huh? Oh--sorry." Cindy and I watched this video one time about cave-people that got frozen in ice. She said I have the same blank look in my face when I'm daydreaming. "I talked to Thuy," she says. "She can get extra bleachstuff, but she has to wait till her parents' salon uses morebottles first. How much money do you have saved up?" "I don't know, six dollars maybe? How much does she want?" "More than that." Cindy sighs. "I wish we got allowances like American kids." "We get red envelope money." "Yeah, but that's not the same. And Lunar New Year isn't till January." We pick up our pizza squares and apple slices. We spot Annie and Thuy and some other kids from our elementary school at one of the tables. I scan the cafeteria for Jameel, but I don't see him. I do, however, get a whiff of a bright, flowery orange smell: a group of four girls, probably eighth graders, walking our way. They're all tall and thin andwearing yoga pants and carrying fancy metal water bottles. The girl in front, a Black girl with tight curls of pastel-pink hair, is holding a stack of flyers and a roll of tape. From the way Cindy's staring, I can tell she's noticed them too. When the tall girls pass us, the pink-haired one glances at Cindy and says, "I like your hair." "Thanks," says Cindy, not missing a beat. "I like yours too." "Thank you! Here, take one--" The girl hands Cindy a flyer. "Hope to see you there!" We watch the tall girls tape a couple more flyers up on the wall, then float off into the hallways. We both look down at the paper in Cindy's hand. It says, in big bold letters at the top: MOVEMENT Underneath that, it says: HHMS DANCE COMPANY Informational meeting! Auditorium this Friday @ Lunch! #hhmsmove #bethere Cindy stares at me with her mouth open a little, like she almost can't believe it. I remember a word I had to look up when reading a book once: incredulous . She's incredulous. Then her face changes, as if she's noticing something for the first time. "Why's your hair wet?" Excerpted from The Many Masks of Andy Zhou by Jack Cheng All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.