The country of the blind A memoir at the end of sight

Andrew Leland

Book - 2023

"A witty, winning, and revelatory personal narrative of the author's transition from sightedness to blindness and his quest to learn all he can about blindness as a distinct and rich culture all its own. We meet Andrew Leland as he's suspended in the strange liminal state of the soon-to-be blind: He's midway through his life with retinitis pigmentosa, a condition that ushers those who live with it from complete sightedness to complete blindness over a period of years, even decades. He grew up with full vision, but starting in his teenage years, his sight began to degrade from the outside in, such that he now sees the world as if through a narrow tube. Soon--but without knowing exactly when--he will likely have no vision ...left. Full of apprehension but also dogged curiosity, Leland embarks on a sweeping exploration of the state of being that awaits him: not only the physical experience of blindness but also its language, internal debates, politics, and customs. He also negotiates his changing relationships with his wife and son, and with his own sense of self, as he moves from sighted to semi-sighted to blind, from his mainstream, "typical" life to one with a disability. Part memoir, part historical and cultural investigation, The Country of the Blind represents Leland's determination not to merely survive this transition, but to grow from it-to seek out and revel in that which makes blindness enlightening. His story reveals essential lessons for all of us, from accepting uncertainty and embracing change to connecting with others across difference. Thought-provoking and brimming with warmth and humor, The Country of the Blind is at once a deeply personal journey and an intellectually exhilarating tour of a way of being that most of us have never paused to consider--and from which we have much to learn"--

Saved in:

2nd Floor Show me where

362.41092/Leland
2 / 2 copies available
Location Call Number   Status
2nd Floor 362.41092/Leland Checked In
2nd Floor 362.41092/Leland Checked In
Subjects
Genres
Autobiographies
Biographies
Published
New York : Penguin Press [2023]
Language
English
Main Author
Andrew Leland (author)
Item Description
Place of publication from publisher's website.
Physical Description
xxv, 339 pages ; 25 cm
Bibliography
Includes bibliographical references and index.
ISBN
9781984881427
  • Author's Note
  • Introduction: The End Begins
  • Part I. Phantom Limp
  • 1. Seeing Stars
  • 2. National Blindness
  • 3. Blinded by Definition
  • Part II. The Lost World
  • 4. The Male Gaze
  • 5. Camera Obscura
  • 6. The Library of Babel
  • 7. The Makers
  • Part III. Structured Discovery
  • 8. Against Blindness
  • 9. Lady Justice
  • 10. Half Smiling
  • Conclusion: Endgame
  • Acknowledgments
  • Notes on Capitalization and Sources, and Image Descriptions
  • Index
Review by Booklist Review

In this thought-provoking memoir, the grandson of the famed playwright and screenwriter Neil Simon describes what it's like to lose his eyesight. More than two decades ago, Leland learned he would go blind from an incurable condition called retinitis pigmentosa. He compares the decline--a gradual, narrowing tunnel vision--to "ice cubes melting in hot water." Somehow he keeps his sense of humor, noting that his condition is painless "if you don't count the bruises that accumulate from violent encounters with inanimate objects." He honestly notes that he both embraces and reviles blindness, which both defines him and has nothing to do with who he really is. To make his points, he uses numbers. For example, a study found the general unemployment rate is usually around five percent, but for blind people, it's around seventy. Readers will find themselves rooting for Leland, his wife, and his son, and thinking a great deal about ableism and Braille, an essential tool; blind people who use it have higher rates of employment. That is one of many "wow, who knew" details offered in this memorable window into a remarkable life.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Believer editor Leland delivers a masterful exploration of disability in his brilliant debut. Living with retinitis pigmentosa, a condition that gradually results in total vision loss, since he was a teenager, Leland considers his ongoing transition from sightedness to blindness with ambivalence and curiosity: "I need to know how I will live, and what kind of blind person I'll be." While he mourns the loss of things like seeing his son's face and reading printed text, he discovers new, more tactile ways of being, such as letting his son guide him through a museum, or sweeping his fingers across "marvelous" lines of braille. Interweaving his own experiences, dozens of interviews with blind people and cultural experts, and forays into philosophy, history, and literature, Leland constructs a nuanced understanding of "blind politics, blind tech, blind culture, and blind struggle," discussing, among other topics, schisms within the National Federation of the Blind and the ways much modern technology can trace its roots back to "blind troubleshooters," whose innovations have become integrated into the broader culture. At the core of his inquiry are the paradoxes of disability: how does one understand blindness as both an impairment and a "neutral characteristic," and how can Leland accept his "new identity" as both central and incidental? Enriched y its sparkling prose, this is an extraordinary and intellectually rigorous account of adapting to change. Agent: Claudia Ballard, WME. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

When Leland (an editor at The Believer magazine) was a teenager, he was diagnosed with an untreatable case of retinitis pigmentosa, a group of rare genetic eye conditions that affect the retina. He learned that his sight would deteriorate as he aged; eventually, he would be blind. In this debut book, Leland explores the legends and metaphors of blindness in history, literature, myth and art and interweaves his firsthand experiences with the accounts of others about topics such as reading braille, using audio descriptions to enjoy media, and learning to use a cane. Discussions of representation and advocacy by people who experience blindness are paired with issues of employment, government assistance, and access to education. Leland's aim, as he moves through his own emotions of uncertainty and doubt to curiosity and pride, is to show the wide variety of experiences of blindness. VERDICT This informative and engaging memoir will appeal to readers who like to be entertained as they broaden their awareness of disability and others' lives.--Catherine Lantz

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Musings from the border between the countries of the sighted and the blind. While he was in college, journalist and podcaster Leland, an editor at the Believer, was diagnosed with retinitis pigmentosa, a degenerative eye condition leading to blindness. As he began writing this book, 20-some years later, his vision had deteriorated to the point that he sums up his status to a new blind acquaintance as "legally blind, using a cane, but still reading print." This memoir recounts the author's attempt to navigate the titular land, which, for him, is "no longer a legendary, proverbial sci-fi country [but] instead…a real place, populated by real people." He continues: "My hope is that…the sighted reader [will] likewise discover the largely invisible terrain of blindness, as well as other ways of living and thinking they might not have previously considered." His exploration touches on cultural perceptions of blindness ("a tour through the Western canon," he remarks with some acidity, "offers a highlight reel of blind abjection"); the socioeconomics of blindness; assistive technologies; learning to read braille as an adult; the elusiveness of treatment for RP, and more. In the process, Leland provides both fascinating capsule histories of the topics he's pondering, as with a survey of the disability rights movement, and searching glimpses into his own existential struggle to understand what it means for him to be blind. A discussion of racism and homophobia within the National Federation of the Blind, a leading advocacy group, reveals some uncomfortable truths. (Though much of Leland's exploration is mediated by the NFB, he takes care to explain that its advocacy has its detractors.) When the author gets personal, he does so with such honesty and vulnerability that by the end, readers will understand when he concludes, "The process of retinal degeneration has turned out to be one of the most generative experiences of my life." Emotional but never sentimental, this quest for insight delivers for its readers. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1. Seeing Stars There are as many ways of being blind as there are of being tall, or sick, or hot. But the popular view has always conceived of blindness as a totality. The blind bards wandering the countrysides of ancient Japan, China, or Europe, the blind housed in asylums in the Middle Ages, all the pupils in all the schools for the blind from the Enlightenment onward, blind beggars and lawyers, war veterans and toddlers-in the eyes of history, as well as those of most of their contemporaries, they all saw nothing. Modern dictionaries still subscribe to this sense: blindness is the antonym of vision, and connotes a destitution of sight. What else could it mean? Despite the poetic impulse to equate blindness with darkness, it's rarely experienced as a black veil draped over the world. Only around 15 percent of blind people have no light perception whatsoever. Most see something, even if it isn't very useful, by sighted standards: a blurry view of their periphery, with nothing in the middle, or the inverse-the world seen through a buttonhole. For some, scenes come through in a dim haze; for others, light produces a shower of excruciatingly bright needles. Even those with no light perception at all have little use for the popular image of blindness as darkness: the brain cut off from visual stimulus can still produce washes of brilliant color and shape. One blind man, whose optic nerve-the connection between the eyes and the brain-had been severed, described seeing a continuously swirling (and distracting) "visual tinnitus." The Argentine writer Jorge Luis Borges, decades into his blindness, still saw color, which sometimes disturbed him: "I, who was accustomed to sleeping in total darkness," he said, was bothered for a long time at having to sleep in this world of mist, in the greenish or bluish mist, vaguely luminous, which is the world of the blind. I wanted to lie down in darkness. The arrival or encroachment of blindness gives rise to a similarly dazzling range of experiences, an efflorescence of blind varietals. There are those born blind, with no visual memories, whose brains-including the visual cortices-develop using four (or fewer) senses to construct their view of the world. Those who become blind in early childhood often retain visual memories that can contribute to an intuitive understanding of visual concepts. The late-blinded may have the most cognitive work to do, forced to relearn basic skills like orientation and information-gathering through new senses, long after their brains' developmental plasticity has hardened. Some late-blinded adults consciously struggle to preserve their storehouses of mental images, like art conservators touching up old and fading masterpieces. People are blinded by their spouses or strangers, by acts of war or sports injuries, by industrial accidents and bad decisions, malnutrition and infection, genetic inheritances and spontaneous mutations. It's disingenuous to argue that blindness doesn't have a transformative impact on a person's life, but in every case, blindness is only part of the story. The life of a blind person is never fully (or even predominantly) defined by their blindness. Some (like Borges, and me) lose their sight gradually. I first noticed something wrong with my eyes in New Mexico. My mom and her boyfriend, Jim, had developed a romantic idea about the American Southwest, where they saw themselves riding horses and motorcycles in the high desert, a more genre-appropriate backdrop to their relationship than the strip malls of suburban New York. The summer before I entered fifth grade, we moved to a house about twenty minutes from downtown Santa Fe. I entered my new elementary school awkwardly, sitting on a utility box at recess, reading The Hobbit in the Hawaiian shirt and shorts I wore year-round. I made friends, eventually, and by middle school I had found my place in a crew of early-nineties southwestern prep-school bohemians, most of them a few years older than I was. I'd follow them into the hills, which were sandy and dotted with piñon trees and juniper bushes, and we'd smoke pot out of wooden pipes we'd bought from long-haired guys at the farmers' market. If I was too young to be smoking pot, I was definitely too young to be taking psychedelics, but I did that, too, keeping up with this group of brilliant and occasionally troubled weirdos in backward English driving caps and Stüssy jeans. We all hung out at Hank's house, because Hank's mom was maximally permissive, getting stoned with us and letting Hank decorate his room like the set for a post-punk staging of Alice in Wonderland. It was on the hill behind Hank's house that my journey toward blindness really began. I soon noticed that my friends were better at navigating those darkened hillsides than I was. At night, if I wasn't following directly behind someone, or paying painstaking attention, I would walk directly into a piñon tree. My friends laughed and marveled at how high I must have been, and I started to pursue that role: the bloodshot slo-mo wiseacre. The night sky was already perforated, splintered, and fractured, the constellations animated by hallucinogens; how could I be sure that there was anything wrong with my eyes while I was rattling the doors of perception so hard? At other times, the night blindness was more difficult to brush off. At the movies, I was increasingly unwilling to get out of my seat until the lights came up-the prospect of picking my way through a dark, undulating forest of knees and legs in search of the exit was embarrassing, a feeling that was compounded by the confusion I felt about why I seemed to be the only person experiencing it. When I mentioned this new impediment to my mom, she dismissed it: everyone has "night blindness," she said-it's dark at night! Eventually, I used some pre-Google search engines to diagnose myself. (My dad, who had moved to the Bay Area when we'd moved to New Mexico, had bought me a modem.) Searching for "night blindness" on the early web, I found information about eye diseases on a website whose name I've forgotten-the lean, lost grandfather of WebMD. Your eyes, this ancient website told me, have two types of cells: rods and cones. These make up the retina. The cones allow you to see color and account for central vision. The rods give you peripheral vision and are more light-sensitive; they allow you to see in the dark. Retinitis pigmentosa encompasses a family of inherited eye diseases that gradually kill off the rods. As a result, RP usually appears early in life as mild night blindness, before manifesting as slowly narrowing tunnel vision during the day. (One medical source I found later summarized my story with eerie precision: "Mild night blindness is often ignored by the patients and becomes apparent in the teen age, at evening parties.") RP concludes, usually in middle age, with a flourish: complete functional blindness. By this time, I was attending a boarding school in Ojai with the children of Montana ranch families and California Central Coast citrus barons. (My mom had begun getting more work as a screenwriter, so we had moved to Santa Barbara.) Night blindness had gone from an ambiguous inconvenience to a fact of life. I assumed I had RP, or something like it, but didn't discuss it with anyone aside from occasionally complaining about it to my mom. When other students snuck into the woods at night to smoke pot, I stayed in the dorm, reading or hanging out with the art-damaged pocket of anti-rancher resistance. I frequently worried that I'd permanently destroyed my intellectual capacity by eating so many psychedelics back in New Mexico; my peripheral vision was filled with flashers and floaters and spinning phantom ceiling fans, visual reminders of the fact that I had ruined a perfectly good brain. It wasn't until I'd returned home after my freshman year in college that my mom decided that I'd been complaining about my eyes long enough that I should get them checked out by a specialist. She got me an appointment at an eye clinic at UCLA, where I submitted to a long regimen of tests, including an ERG, which involves numbing your eyes and then attaching electrodes to your eyeballs to measure the amount of electricity your retinas are putting out in response to light. (It's like testing the charge on a battery, but the battery is part of your face.) When I finally met with the doctor, a soft mustachioed man named Dr. Heckenlively, he confirmed what I'd gleaned from Wikipedia's great- uncle years earlier: I had "classic RP." I could probably expect to maintain good vision during the day through my twenties and thirties. The night blindness would gradually become more severe, and my peripheral vision would erode. As I approached middle age, the degeneration would sharply accelerate. There is no treatment, he told me, but science is making great progress, so by the time I was really blind, in twenty or thirty years, there would hopefully be a cure. In the meantime, there were some vitamins I could take to try to prolong my useful vision. Did I smoke? Yes, of course I smoked. I also had a radio show on the college station called A Thousand Frowzy Steams . Well, the doctor told me, I'd need to quit immediately-cigarettes are terrible for ocular health. Can you see stars? he asked. This was something I'd already noticed: starlight had become too dim for me to register. It was also the detail that brought it all home for my mom. She sat up straight: "You can't see stars!" I don't remember sharing my mom's dismay. Part of this must have had to do with the fact that I'd already successfully diagnosed myself, and I felt validated by the doctor's confirmation of what I'd pieced together from the web. My main memory of the day is of Dr. Heckenlively himself, whom my current retinal specialist refers to with awe as a "giant in the field." His manner was so serious that it almost seemed inappropriate to have a vulnerable response to what he was saying-it felt like I was being enlisted into his army, or accepted into an elite internship program. The focus was on our newly shared endeavor, and I now had a grave responsibility. This was no time for blubbering. As my mom and I left the eye hospital, I wore a flimsy sheet of dark plastic under my glasses, protecting my dilated pupils from the glare of L.A. at noon. I remember fumbling in the bright restaurant we went to for lunch, my eyes struggling to adjust, knocking over a saltshaker as I reached for my iced tea. Afterward, we visited a museum downtown, where we saw a show of Richard Serra's Torqued Ellipses -huge steel sheets rolled into standing curves set within one another, creating open tunnels. Wandering through these brief mazes, each with only two or three turns to make inside, made it feel like the shape of the whole world had changed; the world itself became a torqued ellipse, with only a strip of the outside splashing in. I felt at once claustrophobic and expansive. The sculptures somehow made the world feel larger. *** Ancient Greek had one word for totally blind people, tuphlos , and a different one, ambluôpia , for "dull-sightedness." Ancient writers shared our modern predilection for using blindness as a metaphor for heedlessness and various other moral, intellectual, or spiritual failings. The Greeks and Romans spoke of blind ignorance, blind leadership, and the blindness of wealth and love; the Old Testament described bribery blinding its recipient, and the blindness of those who don't heed the voice of the Lord-those who "have eyes but are blind" (Isaiah 43:8). Bruegel's 1568 painting The Blind Leading the Blind makes literal (and adds several participants to) the biblical proverb "If a blind man leads a blind man, both will fall into a pit." The painting shows six blind men in a line across the canvas, each holding the shoulder or stick of the man in front of him. The blind guy at the back of the line looks like he's doing all right. As the eye travels across the composition, though, the aspect of disaster gradually increases: the faces contort with growing confusion and distress as the men grimace and stumble, until we see the final blind man, arms and legs thrown wide, falling backward into the proverbial pit. The rest of the men are about to fall in on top of him. Most disability histories describe the plight of blind people in these terms-as though they spent their lives in this muddy, cold pit. "Want and suffering were the rule rather than the exception and the blind were an economic liability," Richard S. French observed in his representative study, From Homer to Helen Keller. "Toleration alone makes such abysmal beggary possible, and rarely does the blind man rise above it." A tour through the Western canon offers a highlight reel of blind abjection: the pathetic stumbling of the cyclops Polyphemus, his eye pierced by Odysseus with timber that had been sharpened then heated to a glowing red point; Oedipus taking long pins from his mother's garment and plunging them into his eyes ("The bloody pupils / Bedewed his beard. The gore oozed not in drops, / But poured in a black shower, a hail of blood"); the third-century BCE biblical story of Tobit, who goes blind after a swallow shits in his eyes, believes his wife has become a criminal to support him, and prays for death. Several sources describe the practice in Athens and Sparta of killing congenitally blind babies, as well as those with deformities-"club feet, webbed hands, fused fingers"-and more severe conditions the Greeks classified as terata . The infants would be carried outside the settlement and placed on the side of the road, or in a hole, sometimes in clay vessels, to be killed by being "exposed to the elements," a weird euphemism we use to refer to the actual causes: hunger, cold, heat, animal attack, a flood of water. Beyond these grim portrayals, until the advent of disability studies in the 1990s, scholarly books dedicated to reconstructing the lives of disabled people were scant. Most histories of blindness were promotional tools: blindness organizations commissioned official histories (like Frances Koestler's The Unseen Minority, funded by the American Foundation for the Blind), and heads of blind schools wrote their accounts with a view toward assembling compendia of blind suffering to spur donations. Richard S. French, the sighted superintendent of the California School for the Blind, wrote in his own 1932 study that "not only the monstrous and crippled were destroyed but many infant blind must also have suffered a like fate." (French goes on to assert that "among the more primitive peoples . . . old, sick, and crippled persons were a drag upon free movement and a burden to society. They were disposed of in various ways, even buried alive and on occasion eaten.") Excerpted from The Country of the Blind: A Memoir at the End of Sight by Andrew Leland All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.