Review by Publisher's Weekly Review
Kingfisher (What Moves the Dead) continues her hot streak with this equally haunting, heartfelt, and darkly humorous horror riff on "Sleeping Beauty." The fairy Toadling is "neither beautiful nor made of malice, as many of the Fair Folk are said to be," but instead "fretful and often tired" due to her exhausting efforts to keep a certain princess confined within a tower surrounded by a wall of thorns. It would be an easier job if tales of the princess did not keep spreading, unabated even by an early medieval outbreak of the Black Death. These stories draw Halim, a curious and courteous Muslim knight in search of a good quest. Halim is not put off by Toadling's habit of turning into a toad when overwhelmed or frightened, and befriends her, helping Toadling to move past 200 years of dread to explain just who--or rather what--is in the tower, and how the fairy came to be responsible for keeping it there. The slow reveal of Toadling's connection to the princess, and what the princess actually is, fashions a subtle and satisfying horror story, while Kingfisher's trademark wit and compassion transforms "Sleeping Beauty" into a moving meditation on guilt, grief, and duty, as well as a surprisingly sweet romance between outsiders. There are no false notes here. (Aug.)
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Review by Library Journal Review
Why was Sleeping Beauty trapped so thoroughly in her castle? That's the question asked in Kingfisher's (Nettle & Bone) inside-out version of the classic fairy tale, told through the eyes of Toadling, the almost-fairy with the too-kindly heart trapped by a spell gone wrong. She isn't the princess, although she might have been. Toadling is the fairy "godmother" tasked with keeping a changeling "princess" from doing any more harm than she already has. When a kindly would-be knight finally arrives to solve the mystery, Toadling has to decide whether to trust in his seeming goodness or maintain the protections that have trapped her every bit as much as the beautiful but deadly princess within. This marvelously fractured fairy tale takes a well-known and well-loved story and turns it completely around, into a story about love not being enough, duty not being sufficient, and love and joy being found in the unlikeliest of people and places. VERDICT Highly recommended for anyone who loves to see fables fractured into new and different shapes, similar to Alix E. Harrow's A Spindle Splintered.--Marlene Harris
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