Better living through birding Notes from a Black man in the natural world

Christian Cooper

Book - 2023

"Christian Cooper is a self-described Blerd (Black nerd), an avid comics fan, and an expert birder who devotes every spring to gazing upon the migratory birds that stop to rest in Central Park, just a subway ride away from where he lives in New York City. When birdwatching in the park one morning in May 2020, Cooper was engaged in the ritual that had been a part of his life since he was ten years old. But when a routine encounter with a dog-walker escalates age old racial tensions, Cooper's viral video of the incident would send shockwaves through the nation. In Better Living Through Birding, Cooper tells the story of his extraordinary life leading up to the now-infamous encounter in Central Park and shows how a life spent looking... up at the birds prepared him, in the most uncanny of ways, to be a gay, Black man in American today. From sharpened senses that work just as well in a protest as in a park, to what a bird like the Common Grackle can teach us about self-acceptance, Better Living Through Birding exults in the pleasures of a life lived in pursuit of the natural world and invites you to discover your own. Equal parts memoir, travelogue, and primer on the art of birding, this is Cooper's story of learning to claim and defend space for himself and others like him, from his days as a writer for Marvel Comics, where Cooper introduced the first gay storyline, to vivid and life-changing birding expeditions through Africa, Australia, the Americas and the Himalayas. Better Living Through Birding is Cooper's invitation into the wonderful world of birds, and what they can teach us about life, if only we would stop and listen"--

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  • Introduction
  • An incident in Central Park
  • Blackbird
  • The book of Ramus
  • Halcyon days
  • In a happy place
  • Knocking down doors in the house of ideas
  • Life turned upside down
  • Elegy
  • On top of the world
  • Family matters
  • The tragedy of Francis
  • Another incident in Central Park
  • Out of Alabama.
Review by Booklist Review

When New Yorker Cooper was birding one spring morning in 2020 in Central Park, as he has often done for many years, a disturbing incident, captured on videos that went viral, catapulted him into the public eye and (speaking for the public) we should be forever grateful. Cooper, a self-professed "Black queer nerd," is an avid birder and in this beautifully written memoir he brings the reader along on his life's journey. As the author says, birds are always available and are for everyone to enjoy, and his tales of urban and international birding more than make this point. Mentored in his youth by the leader of local Audubon bird walks, Cooper found his place in the ranks of birders. He also found escape and inspiration in science fiction and comic books, ultimately landing a job editing and writing for Marvel Comics where he was the first to introduce gay story lines. Cooper recounts global forays around the world that immersed him in the natural world, sharing birding tips throughout, while his honesty about relationships and family make him feel like a friend. When the trajectory of his life leads to the fateful encounter with a racist white woman in Central Park, we understand his decision not to seek revenge for her false accusation, but rather to share his experience. This remarkable story will resonate with birders, nature lovers, and everyone who has been made to feel as though they're outside the mainstream.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Cooper, a Black birder who first gained media attention after sharing a video of him being falsely accused by a white woman of threatening her in Central Park in 2020, debuts with a lively, thoughtful memoir in which he defines himself by the hobby he was pursuing the afternoon he made headlines. Identifying himself as a "Black gay activist birder," Cooper recounts his longtime love for the winged creatures, nurtured during his Long Island childhood and college years at Harvard. With colorful and sometimes snarky commentary ("southern screamer" birds are "not to be confused with a vocal Alabamian in the throes of excitement"), Cooper reflects on how his hobby provided skills, including sensory sharpness he's since deployed at protests and other potentially hostile confrontations, that have helped him navigate the world as a gay Black man. In addressing the Central Park incident, he elegantly frames it within both his own bird-focused narrative and a broader conversation about racism and police brutality: "I have lived my whole life as a Black man in the United States. I don't have to go all the way back to Tulsa and Rosewood and Emmett Till to know what it means for a white woman to accuse a Black man, and who would likely be believed." These more sweeping arguments are never made with a cudgel; instead, they organically emerge from his captivating personal story. Meanwhile, his passion for birding could make hobbyists of even the most avian-agnostic. This rewarding memoir adds heft and heart to the headlines. Agent: Gail Ross, Ross Yoon Agency. (June)

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Review by Library Journal Review

This unforgettable memoir, featuring fun birdsongs between chapters, is well narrated by Cooper, the science and comics writer who was falsely accused of threatening a white woman in Central Park in 2020 as she was walking her dog and he was bird-watching. Listeners who only know Cooper from that viral video will be delighted to discover that the Central Park encounter is not even close to being the most interesting thing about this self-described "Black gay activist birder." Cooper shares his captivating life story in a pleasant, raspy voice, from his Long Island childhood and college experiences at Harvard to his globetrotting adventures, while elegantly exploring weighty issues such as generational trauma and Black and LGBTQIA+ intersectionality. One of Marvel's first openly gay writers, Cooper describes how he struggled to come to terms with his sexuality and how his hobby helped him develop the skill set that helps him to travel more easily through the world as a gay Black man. VERDICT This brilliant multidimensional nonfiction debut by Cooper, now the host of National Geographic's Extraordinary Birder, should be cherished by all memoir fans and will strike a chord with his fellow sci-fi and comics fans.--Beth Farrell

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A celebration of the delights of watching birds. On Memorial Day 2020, Cooper was bird-watching in Central Park when he asked a dog walker to comply with the park's rules and leash her dog. Her angry response prompted him to video the interaction on his phone--including her call to the police claiming that "there's an African American man threatening my life." Posted by one of Cooper's friends, the video ignited a "firestorm of attention." That racist incident brackets the author's engaging debut memoir chronicling his transformation from a nerdy kid on Long Island in the late 1960s, who confessed that he was gay only to one friend, into a Black, queer activist who revels in bird-watching. Cooper became a birder on nature walks with his father and during the family's yearly summer camping trips to national parks. As they drove, he read Peterson's Field Guide to the Birds, surprising his parents when he could identify some of the species they encountered. Birding was an immediate pleasure. "One of the best things about birding," he writes, "is how it pulls you out of your inner monologue and forces you to observe a larger world." Feeling like a misfit in high school, Cooper found Harvard more welcoming. He discovered the Harvard Ornithological Club and the Gay Students Association, and he came out to his three roommates. The author recounts many remarkable bird sightings in his travels in Central Park and around the world, and he peppers the text with birding tips--e.g., don't learn birdsongs from recordings but rather from attentive listening. As the author shows, birding was a constant amid personal tumult: affairs and a brief marriage; renewing his relationship with his difficult father; the deaths of his mother and grandmother; protesting racism and anti--LGBTQ+ violence; and introducing the first gay superhero when he wrote for Marvel Comics. Candid reflections from an appealing guide to the birding life. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 An Incident in Central Park I am a Black man running through New York's Central Park. This is no leisure run. I'm not pushing for a new personal best, though my legs pump in furious rhythm. I'm running as if my life depends on it. And though my heart pounds, it's as much out of mounting panic as it is cardiovascular stress. I know what this looks like. My sneakers are old and muddy, my jeans in need of a good washing, and my shirt, though collared, could at best be described as unkempt. I am a Black man on the run. And I have binoculars. This is not how this evening was supposed to unfold. But all it took was a brief exchange of words to put me in flight. Twilight is racing along the horizon, and I've got half an hour of light left at best. As the sun sinks behind trees wreathed in its glow, so, too, does a feeling of desperation in the pit of my stomach. I'm running out of time. I check the alert on my phone again and curse myself for turning it off for the entire workday. I'd faced several grueling tasks with hard deadlines and had found the constant vibrating notifications from the Manhattan Rare Bird Alert too indiscriminate ("rare" being rather loosely defined by some contributors) and too distracting during working hours. I preferred to do my birding early in the morning anyway. Then I would head directly to the office, where my colleagues have grown accustomed to my business-questionable attire this time of year (functional and subject to deferred laundering; the demands of my spring migration schedule don't permit much else). So it wasn't until 6:00 p.m. that I turned my phone on and saw the text from Morgan: "Are you going to go see the Kirtland's Warbler?" Amusement at what obviously had to be a prank quickly morphed into disbelief as I read the chain of alerts that had preceded it. "Oh my God, oh my God, oh my God!" I sputtered, snatching the binoculars off my desk and hurtling out of the office without explanation. At least one co-worker would tell me later that he was certain someone had died. Now, having sprinted from my office in midtown to the west side of the park near the Reservoir, I slow as I near where I think I need to be. After a few minutes a sinking feeling settles in that I must be in the wrong spot. But as I round a bend in the path, I see a mass of people--nearly all of whom I recognize--and know I've found the place. Birding Tip The fastest way to find a widely reported rarity is to look not for the bird but for the coagulation of birders already looking at it. Reading my stricken expression and ragged gasps as the cocktail of panic and exertion that they are, Mike peels off from the crowd and intercepts me. "Breathe," he says, calm, compact, and dryly British as always. "It's still here; we're looking at it right now." And with a little help from my friends, I find the right spot in the right tree; lock onto the motion among the leaves; and raise my binoculars with hands shaking with anticipation. A bird, slate blue and yellow and smaller than a sparrow, moves from branch to branch with a pump of its tail. I see a unicorn, come alive before my own eyes. In order to truly appreciate that moment, you must first understand something about this particular bird. The rarest songbird in North America, Kirtland's Warbler is a creature even more unlikely to be spotted in Central Park than the gay Black nerd with binoculars looking up at it. It nests strictly in jack pines of a certain age, habitat requirements so specific that in all the world there are only about six thousand of the birds, restricted to a breeding range that consists almost entirely of a small patch of Michigan. Kirtland's Warblers return there every spring from their wintering grounds in the Bahamas, traveling hundreds of miles to do so. Yet in that routine annual journey, one of these tiny bundles of feathers happened to wander a bit off course, or maybe, like me, this rare bird yearned to taste life in the big city, where freaks of nature of every kind are welcome. It would end up somewhere in the eight hundred acres of Central Park, a tiny thing flitting behind the leaves of the park's eighteen thousand trees teeming with a million or so other avian visitors, including other warblers from which, to the untrained eye, a Kirtland's is indistinguishable. In the words of Captain James T. Kirk, "Finding a needle in a haystack would be child's play by comparison." Enter the birder Kevin Topping. He happened to be at the right place at the right time, but though luck plays a part in any sighting, there's so much more to getting the bird than that. A birder is alert to the presence of creatures that "civilians" would likely never even notice; they'd just walk right past. A birder's eyes lock onto a particular kind of motion in the trees, distinct from that of leaf movement in the wind, or to a particular shape that, motionless, is meant to camouflage into its surroundings. And a birder's ears never turn off, akin to a police scanner that snaps the attention into focus and sends one springing into action when, from amid the constant chatter, an urgent message (a distinctive bird vocalization) comes through. Then there's the accumulated knowledge base that an experienced birder brings to bear--a familiarity with what to watch for in what habitats, and an almost intuitive grasp of the subtle details of behavior, of plumage, that let you sort one kind of bird from another. Kevin Topping not only had the skill to find the bird but knew enough to know what he was looking at, and he had the presence of mind to get the word out to the broader birding community in a timely fashion. That's how, for the first time in history, a Kirtland's Warbler was recorded in Central Park. It's as if you stepped into your backyard and saw a wild tiger prowling your lawn, or as if you looked over the side of a boat to catch a wink and smile from a mermaid before she dove beneath the waves. Or as if a real live unicorn stepped out of the forest. This, then, is the seventh of the Seven Pleasures of Birding, and perhaps the greatest thrill of the pastime: Seventh Pleasure of Birding: The Unicorn Effect It's the thrill of seeing at last for oneself a creature that until then has existed only in the imagination. But while number 7 is the high-octane moment, other pleasures make birding a joy for almost anyone, as I have tried to tell my feckless friends; they wonder why I abandon them every year in May, the peak of Central Park's spring songbird migration, when I become an early-rising, sleep-deprived mess of a man instead of carousing with them. After one too many attempts to explain, I codified those aspects of the birding experience into the Seven Pleasures of Birding, for ease of dissemination to the uninitiated, and of those seven pleasures, this comes first and foremost: First Pleasure of Birding: The Beauty of the Birds If you've never seen a male Scarlet Tanager in full breeding plumage--a bird of such incandescent hue, set off by jet-black wings and tail, that it makes a stoplight look dim--then a knock-your-socks-off experience awaits you. And that's just the beginning of the show, from the gaudy, Technicolor riot of a Painted Bunting to the serene, pristine grace of a Great Egret; from the effortlessly soaring majesty of a Golden Eagle to the fierce frenzy of a hummingbird; from the bold color blocks of a Red-Headed Woodpecker to the exquisite nuance of pattern and muted tones of a Lincoln's Sparrow . . . But most people don't realize the reasons why, of all the spectacular creatures with which we share this planet, birds captivate us as no others can. What makes birding such a phenomenon? Why not "mammaling" or "insecting"? Certainly those pursuits have their adherents, as the thousands who visit Africa on safari or who catalog butterflies can attest. And in fact, there's a large degree of overlap among all these obsessions, counting myself as one of the multi-obsessed; once you tune in to one aspect of nature, you eventually become aware of the whole connected network of life around us. Birding, however, occupies a sweet spot of accessibility: The variety of birds, no matter where you are around the globe or what kind of place you're in--city, suburb, country; mountains, woodland, field, swamp, shore, or out to sea--greatly exceeds the limited number of species of mammals in the same area; and many of those mammals are nocturnal and/or hidden beneath the soil or under the sea, restricting observation. Bugs, on the other hand, present the opposite problem: The crazy profusion of insect species is nigh impossible to master, or else, in temperate climes in the wintertime, there are almost none at all. With birds, no matter the time of year, there's always something to see. Excerpted from Better Living Through Birding: Notes from a Black Man in the Natural World by Christian Cooper All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.