Review by Kirkus Book Review
A Carnegie Mellon history professor tells the story of the deep and complex bond between him and his African American half brother. Slate, author of Colored Cosmopolitanism and Lord Cornwallis Is Dead, worshipped his older brother, Peter, "my best friend and the closest thing I had to a father." As an adult, the author realized that Peter would always be a mystery to him not just because of their seven-year age gap, but also because of the different experiences race imposed upon their lives. The brothers shared the same White American mother, but Nico's father was White, Peter's Black. Slate's maternal grandparents at first turned away from their daughter for marrying a Black man--though they grew to love Peter. "Their generosity reveals the Janus-faced nature of racism," writes the author. "The same people who stopped speaking to their daughter when she married an African treasured her mixed-race son." As the author was growing up, it became clear that even though he was "the bastard of the family" (his father and mother never married), it was Peter "whom everyone saw as out of place." Though both boys were equally bright, Nico finished college but Peter did not. When Peter was 21, an argument with a White man at a nightclub led to an altercation that caused him to lose his right eye. The incident left scars--both visible and invisible--on both brothers. Peter began a musical association with the hip-hop group Cypress Hill and eventually became a rapper and screenwriter. Meanwhile, the author became obsessed with discovering the truth behind police reports that could tell him nothing about either the motive behind the attack or "the role that race played that night." Throughout this powerful narrative, Slate reveals how race wounded a uniquely American family while also celebrating the broken but profoundly enduring love of two brothers who faced difficult issues of race from their own unique perspectives. A searing, hauntingly poignant memoir. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
