Big bold beautiful me

Body positivity shines through a jaunty rhyming text from Yolen and Stemple-Piatt, in which a cast of children--portrayed with varying abilities, body types, and skin tones--each embraces their embodiment, introducing a feature that others have commented upon. "Some kids gawk at my legs and my thighs,/ 'cause they're thick like columns/ that reach to the skies.// But they help me jump, even higher than my sister," offers one child flying high on a playground swing. Individual examples are then followed by the hearty refrain "When I look in the mirror,/ what do I see?// Big and bold and beautiful me!" Burgett's images effectively use mirrors to depict the kids' attitude shifts as they share their stories--from initial peering to celebrating their own reflection. As the expressive children, one by one, gather to play at a nearby park, readers may well be feeling the cheerful undercurrent of affirmation and support. Ages 4--8. (Sept.)

Children celebrate their abundant bodies, from their hair to their feet. Prolific author Yolen joins forces with her grandchild Stemple-Piatt to create a simple, rhyming picture book about the beauty and power of large bodies. Depicting kids with a variety of skin tones, the story employs a gentle formula to uplift physical features that children may feel self-conscious of, including wide feet, thick thighs, and long arms. Each child describes a body part that often attracts attention (a Black youth notes, "Some friends mention my very broad shoulders / Say I'd make small work of mighty big boulders"), followed by a positive framing of the part in question ("But I pull my shoulders back, and I walk with pride"). Each segment concludes with the titular affirmation: "Then I look in the mirror--and what do I see? / BIG and BOLD and BEAUTIFUL me!" As each child repeats the celebratory refrain, Burgett's cheerful illustrations portray them alongside kids from previous spreads, emphasizing connection and belonging. Disability isn't discussed in the text, though characters with disabilities (including a child with a limb difference and another child who uses a hearing aid) are depicted. In a growing landscape of body-positive children's literature, this book's overworked rhymes keep it from shining, but those looking for a gentle introduction to body acceptance will find it a solid option. (This book was reviewed digitally.) An upbeat, uncomplicated ode to bodies that are big, thick, broad, and boundless. (Picture book. 4-7) Copyright (c) Kirkus Reviews, used with permission.