The soldier's truth Ernie Pyle and the story of World War II

David Chrisinger, 1986-

Book - 2023

"The Soldier's Truth brings to life Ernie Pyle's years as a combat journalist in World War II. With a background in helping veterans and other survivors of trauma come to terms with their experiences through storytelling, the author brings empathy and insight to bear on Pyle's experiences. A tribute to an ordinary American hero whose impact on the war is still little understood, as well as a reckoning with that war's impact and how it is remembered, this book contributes to our understanding of war and how we make sense of it"--

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Subjects
Genres
Biographies
Published
New York : Penguin 2023.
Language
English
Main Author
David Chrisinger, 1986- (author)
Item Description
"Author's note: The following pages include details of suicide attempts and may upset some readers. If you find yourself in distress, call the 988 National Suicide & Crisis Lifeline by dialing 988, and if you fear that you may hurt yourself, please seek help from a medical or mental health professional. You can also text HOME to 741741 to speak with a trained listener and receive emotional support through the Crisis Text Line." --After title page verso.
Physical Description
379 pages : illustrations ; 25 cm
Bibliography
Includes bibliographical references (pages 359-365) and index.
ISBN
9781984881311
  • Author's Note
  • 1. Warhorsing Around
  • 2. At Last They Are in the Fighting
  • 3. Disappointing the Folks at Home
  • 4. Drifting with the War
  • 5. A Long Winter of Misery
  • 6. The Ghastly Brotherhood of War
  • 7. The Bitchhead at Anzio
  • 8. Walking the Long Thin Line of Personal Anguish
  • 9. Winning Their Battles
  • 10. Nothing Left to Do
  • 11. An End to All That Wandering
  • Acknowledgments
  • Notes
  • Bibliography
  • Index
Review by Publisher's Weekly Review

In this intriguing and admiring biography, Chrisinger (Stories Are What Save Us), director of writing seminars for The War Horse, retraces war correspondent Ernie Pyle's steps through the European and Pacific theaters of WWII. Born and raised in Indiana, Pyle innovated a new style of war reporting by focusing less on geopolitics and strategy and more on "what he called the soldiers' 'worm's eye view.' " From digging his own foxhole on the front lines in North Africa, to eye-witnessing the Normandy landings and the invasion of Okinawa, Pyle's reports humanized U.S. soldiers for readers at home, while simultaneously exposing the muddy, violent, and often useless nature of war. According to Chrisinger, Pyle managed to both "maintain morale and stir up the American public to do all they could to help finish the fighting so that their boys could finally come home." By the time he was killed by a sniper on Okinawa in 1945, Pyle had achieved critical and financial success, though his long absences from home exacerbated his wife's "bipolar disorder" and Pyle himself worried that he would "crack wide open and become a real case of war neurosis." Chrisinger's deep admiration for his subject comes through, as does his belief in the power of storytelling as a force for good. It's a fascinating portrait of a reporter who gave everything to get the story. (May)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

The World War II career of America's most popular war journalist. In 1944, with a Pulitzer Prize under his belt and his column circulating to more than 14 million readers, Ernie Pyle (1900-1945) was exhausted. He was ready to return from liberated France to his ailing wife and the seclusion of the New Mexico desert. However, the war drew him back in, and he died during the American landing on Ie Shima. Chrisinger, a writing instructor and author of Stories Are What Save Us: A Survivor's Guide to Writing About Trauma, illuminates the approach to reporting that won Pyle so many fans but cost him his life. The author shows how Pyle captured "the average guy's picture of the war" by living among soldiers, collecting their stories, and relaying them to his readers in immersive detail. Though he shows that Pyle's journalism was not without detractors--Arthur Miller thought it too focused on "the boys who make homes in foxholes" and not enough on the war's "meaning"--Chrisinger does not comment directly on Pyle's merit. Instead, he puts his writing into context for modern readers, providing "the stories beneath the stories Ernie told his readers" and the wider-angle accounts of troop movements and battles that Pyle typically left out. Moreover, the author provides ample quotations from Pyle's columns, showing us a portion of what wartime readers would have seen: a pilot trapped in his downed plane calmly smoking a cigarette and waiting for whatever came next; a soldier taking cover in an Italian cowshed and musing on the best way to keep his son out of the next war; the ride into Paris in August 1944 ("they tossed flowers and friendly tomatoes into your jeep"). Displaying Pyle's detailed snapshots of victory, levity, fatigue, death, and grief, Chrisinger leaves his readers free to form their own conclusions about Pyle's journalistic achievements. The compelling story of "America's most beloved war correspondent," who lost his life recording soldiers' real experiences. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 Warhorsing Around This is the last of these columns from Europe. By the time you read this, the old man will be on his way back to America. After that will come a long, long rest. And after the rest-well, you never can tell. Ernie Pyle, "Farewell to Europe," September 5, 1944 1 A warm summer rain soaked the men as they mounted muddy tanks and stuffed themselves into half-tracks or jeeps pointed east. The smell of soggy gear and idling engines overpowered the sweet scent of the honeysuckle that climbed the gray siding of a nearby three-story inn. In a darkened shed out behind the inn, a forty-three-year-old pipe cleaner of a man sat hunched over his portable typewriter, ankle deep in straw, his back curved like a cashew. "This morning we are sort of stymied as far as moving is concerned," he pecked out with his index fingers to his wife back home in New Mexico, "so in order not to waste the day I dug up a white metal table out of a nearby garden." After nearly three months of hellish fighting through the hedgerow country of France, the Americans and their allies were thirty miles from the center of Nazi-occupied Paris. Capturing Paris had never been part of the Allies' plan, which involved a strike through to the Low Countries, across the industrial heartland of Germany, and straight to the heart of Berlin. The supreme commander of the Allied forces in Europe, General Dwight D. Eisenhower, had grave concerns that if he marched his men into Paris, they would likely bog themselves down in brutal street-by-street combat with seasoned enemy troops and reduce one of the world's most magnificent cities to a charred graveyard. Not even an impassioned plea from the French commander, General Charles de Gaulle, had been able to dissuade him. On August 22, 1944, the French Resistance's chief of staff, Roger Gallois, slipped through German lines on the outskirts of Paris and found his way to General George S. Patton's headquarters. The situation on the ground was not what the Americans thought, Gallois told General Omar Bradley's chief intelligence officer. The Resistance movement in the capital city had infiltrated the police force, and the week before, fifteen thousand Parisian policemen had gone on strike. More than that, the tens of thousands of Resistance fighters had risen up to attack and harass their Nazi occupiers, even though they were armed with not much more than antique rifles and Molotov cocktails. In the days following the police strike, many more Parisians of all ages and abilities dug up paving stones, collected piles of furniture and other odds and ends, and felled trees to construct an elaborate network of more than four hundred street blockades. Even though they were outnumbered and now outmaneuvered, the Germans were nowhere near outgunned and would eventually crush the insurrection and inflict untold amounts of suffering and destruction as they retreated east-unless the Allies came to the rescue. This new intelligence quickly reached Eisenhower, who dispatched the Free French forces under his command to liberate their capital with American and British backup while the rest of his forces pushed east and north toward the Belgian border. On August 25, 1944-Liberation Day-after a brilliant sun burned away the morning mist, Ernest Taylor Pyle, better known as Ernie to his millions of readers back home in America, stuffed his typewriter into its case, slung his musette bag over his shoulder, and hopped into a jeep with a couple of fellow combat newspapermen. Through most of the early part of the day, they felt their way through gardenlike country toward the outskirts of Paris, far behind the lead tanks and the more daring Allied correspondents, such as Robert Capa, Ernest Hemingway, and Don Whitehead. The outer rings of the city hadn't been bombed much, Ernie was heartened to find, and most of the bridges were still safe to cross. Not at all desperate to be the first to secure that coveted "Liberated Paris" dateline under their bylines, Ernie and his companions entered the city from the south, along the Rue d'Orléans, where they discovered "a pandemonium of surely the greatest mass joy that has ever happened." Women in brightly colored blouses and skirts lined the wide city streets in a carnival-like frenzy, leaving only a narrow corridor of pavement for the hulking military vehicles to navigate. Aging veterans of the Franco-Prussian War stood at attention, saluting their liberators. Excited children bounced and waved. Some ran along jeeps with their hands extended, hoping for a shake but settling for slaps on the back or pats on the shoulder. The demented choir of shrieking shells and zipping machine-gun tracers the Allies had expected to encounter that day had mostly been replaced by cheers of Vive la France! and Vive l'Amerique! -even as pockets of German resistance in the city remained. "They tossed flowers and friendly tomatoes into your jeep," Ernie later reported. "One little girl even threw a bottle of cider into ours." "Once when the jeep was simply swamped in human traffic and had to stop," he wrote, "we were swarmed over and hugged and kissed and torn at. Everybody, even beautiful girls, insisted on kissing you on both cheeks." At least one ecstatic woman, with full pompadour and flashy earrings, reached out to grab Ernie by the slack in his collar. Before he could protest, she pulled his gray-bearded face, smudged with dust and lipstick, to her wine-colored lips. Thank you, oh thank you , she squealed between kisses. Thank you for coming. "We all got kissed until we were literally red in the face," he later recalled, "and I must say we enjoyed it." At long last, Ernie's ability to relish in the beauty of the world at war, something he feared might have atrophied inside his chest, suddenly flickered back to life. After inching through so much gratitude and joy for about an hour, Ernie had the driver pull over in front of a hotel near the Luxembourg Palace, across the river from the Louvre. They'd heard scuttlebutt that there were any number of desperate Germans holed up in the palace, firing indiscriminately at anything wearing green. While others fought, Ernie and two United Press correspondents wrote their first dispatches from Paris in a room overlooking the street below. "I had thought for me there could never again be any elation in war," Ernie wrote of that joyous day. "But I had reckoned without the liberation of Paris-I had reckoned without remembering that I might be a part of this richly historic day." The day after the city was liberated, Ernie and crew puttered over the Seine and past the Place de la Concorde and the gardens of the Champs-Élysées. From there, they meandered their way to the gilt-edged Grand Hôtel, across the street from the Allied press camp taking shape inside the Hôtel Scribe. Like Mary and Joseph, when Ernie and his companions arrived at the Scribe, they were told there was no room at the inn. Not long after the Nazi propaganda officers who had occupied the hotel had fled, some two hundred Allied correspondents "under an emotional tension, a pent-up semi-delirium," moved in and set up shop. Through the gilded lobby of the Grand Hôtel, up a set of marble stairs, and down the carpeted hallway all the way to the corner, Ernie found a room with clean sheets but no electricity. From the balcony three floors above the street, he grinned down in the afternoon sun at the joyous abandon below. After so much darkness, grateful Parisians had found the light. Standing there with several other correspondents, in as genteel a way as his tongue could muster, Ernie quipped, "Any GI who doesn't get laid tonight is a sissy." In fact, as one military study later showed, eight out of ten unmarried American soldiers had liaisons at some point during the war in Europe. About half of married soldiers did, too. But not Ernie. As the sun began to set, Ernie and his buddies made their way back across to the Scribe and claimed a table near the bar on the far side of the room. The booze did what Ernie wanted it to; it dissolved him. Soon a couple of dozen war correspondents had him encircled, eager to hear a tale or two from the little man everyone loved so much. At one point, the other famous Ernie-Hemingway-bellied up to the opposite end of the bar with the swagger of a lonely warlord, seemingly resentful of Pyle's command of his hangers-on. SLAP! Hemingway stung the air with a heavy hand on the bar top. A grenade he carried with him "just in case" pulled on the inside pocket of his field jacket. "Let's have a drink here," he spat from the corner of his bearded mouth. The bartender babysitting Ernie and his buddies turned. Hemingway motioned for him. "I'm Ernest Hemorrhoid," he roared across the room, "the rich man's Ernie Pyle!" Around eleven o'clock, in between rounds of cocktails, air-raid sirens wailed, snapping everyone back to reality. In a raid of vicious retaliation, German bombers flew low over the rejoicing city, dropping their payloads and strafing anything that moved. Back suddenly was the "little knot of fear" in Ernie's stomach. Back was the "animal-like alertness for the meaning of every distant sound." Back was the "perpetual weight" on his spirit that comes with "death and dirt and noise and anguish." Gin-saddened, Ernie Pyle realized he had reached his limit. What should have felt like a gigantic relief-celebrating the beginning of the end for Nazi Germany-had become another opportunity to die. The German air raid killed as many as two hundred people who probably thought their war was over. Another nine hundred were wounded. The next morning, Ernie sent a telegram to his longtime editor, dear friend, and amateur business manager, Lee G. Miller. "About done up," he started. Physically, everything was fine, Ernie added, "but dogged clear down inside and can barely keep columns going." That final German raid had brought home the truth. Ernie was wrung out. There was nothing left to give. It was time to come home. Excerpted from The Soldier's Truth: Ernie Pyle and the Story of World War II by David Chrisinger All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.