INTERNET_ART From the birth of the web to the rise of NFTs

Omar Kholeif

Book - 2023

"Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital. The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Naim June Paik, Heather Philipson, and Wu Tang. Tracing the key artists and innovators from the emergence of browser-bas...ed art to the dawn of NFTs, this is a tale for the present and the future"--

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Subjects
Genres
History
Published
London : Phaidon Press Limited 2023.
Language
English
Main Author
Omar Kholeif (author)
Physical Description
295 pages : illustrations (chiefly color) ; 21 cm
Bibliography
Includes bibliographical references (pages 281-288) and index.
ISBN
9781838664077
  • Prelude: Time is just a memory. What's in a name?
  • Beginnings: from here to there to everywhere
  • 1989: the year that changed the world
  • Will this destroy us?
  • Time machine: pioneering anarchists
  • The rise of the digital
  • Living media
  • You and me and everyone we know: find me in an ocean of images
  • The possibilities of a digital culture
  • The shape of the future
  • Is the earth a scorched cable?
  • We are the metaverse: a parting verse.
Review by Publisher's Weekly Review

Kholeif (Time, Forward!), senior curator at the Sharjah Art Foundation, charts the history of internet art in this exciting outing. Beginning in 1989 with the creation of the World Wide Web, Kholeif explains how the internet's "artists and curators, in tandem with programmers, engineers, and investors, altered contemporary culture forever." Among the influential players are Andy Warhol, who died two years before the internet's genesis but whose techniques of "constant... repetition of imagery and objects from popular culture" have become the internet's lingua franca; Trevor Paglen, who captured aerial images of the NSA headquarters in 2013 and distributed them online; and Judith Barry, who developed a website that enabled users to formulate requests for the Institute of Contemporary Art in Boston. Kholeif also discusses how browser art, telematic art, and NFTs have "fundamentally shifted"aspects of art-making, detailing how the proliferation of forms has broadened what stories can be told. Kholeif weaves in personal anecdotes, as well, from connecting with "hackers and tinkerers" whom he "soon discovered to be artists" in the internet's early days, to advocating for internet-native art as a curator. The history and analysis are informative and fast-moving, and Kholeif's takes on how art can change (and be changed by) technology are shrewd. Art historians and those interested in contemporary art will find much to gain. Photos. (Apr.)

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