To 2040

Jorie Graham, 1950-

Book - 2023

"A collection of poems by Jorie Graham"--

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Subjects
Genres
Poetry
Published
Port Townsend, Washington : Copper Canyon Press [2023]
Language
English
Main Author
Jorie Graham, 1950- (author)
Edition
First edition
Physical Description
95 pages ; 24 cm
ISBN
9781556596773
  • Are We
  • On The Last Day
  • I
  • I Am Still
  • Translation Rain
  • To 2040
  • They Ask Me
  • Dusk in Drought
  • Dis-
  • I Catch Sight of the Now
  • Day
  • In Reality
  • Can You
  • The VR
  • Cage
  • Timeframe
  • Fog
  • Why
  • This Vase of Quince Branches You Sent Me
  • The Quiet
  • Dawn 2040
  • Coda
  • Then the Rain
  • Acknowledgments
  • About the Author
Review by Booklist Review

"And you there, gather these words up now & store them as seed." Having laid waste to what the distressed, disoriented speaker in Graham's exquisitely elegiac, all-but apocalyptic fifteenth collection belatedly recognizes as a paradise, that is, Earth, humans of the near future are bereft. Even language is unstable as autocorrect interferes and data replaces experience. The speaker longs for birds and gentle rain while suffering through a worsening drought. Dust rises; wildfires rampa people are displaced; drones keep watch, and diseases attack. Utter catastrophe doesn't have to happen, but we haven't much time to avert the worst. Graham writes, "You are told to remember the message u / accidentally forgot to attend to." The poems alternate in form between truncated, sputtering lines stacked in narrow columns and poems made of lancing, right-justified lines that feel dead-ended. These gorgeous, dismaying, and piercing cautionary lyrics are tragic dispatches from a grim possible future spawned by our distraction and hunger for the wrong things. Clarion and virtuoso, Graham prods, "are you not listening." These poems must be heard.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Graham ( The Last Human) stuns with this end-of-life-as-we-know-it guide for those who may need to prepare for the last, ethereal blows; "The earth says/ it is time. Everyone checks their watch./ Your destination is in sight. Be/ ready. Brace." Settings range from "Rocks// burning in the/ distance. Then distance/ burning" to medical facilities and domestic spaces where a quince branch blooms in a vase. The book inhabits the shape-shifting grammar of the future perfect: "Did we// survive at the end/ of this story, I ask/ the sun. I give up/ on tenses here." The end is imagined and undone again: "I am spending my life, I thought. I am un-/ prepared. It is running thru/ my fingers. The wind is/ still wild. My bones hurt sometimes/ causing pain. It is not terror./ I feel for the cash in my pocket./ I do not have time to prepare." At one point, the poet is addressed by the sun, who first encourages, "Be there, as long as you can,// take it, be there/ as I rise"--and finally condescends, "But how/ I admired yr/ breathing... The end is/ a hard thing to// comprehend. You did not /comprehend it." This is a rare gift: an ardent and pitiless anthem to a crazed, razed world. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Pulitzer Prize winner Graham's 15th collection is perhaps her finest and most profound work yet, revealing such astonishing individuality in the idiosyncratic, elliptical style she has perfected over more than 40 years that fellow poets may feel tempted to throw up their hands in despair. This is a poetry of passionate intensity and conviction that reverberates with an astonishing and almost spiritual transcendence. She asks in the first poem, "How do I/ find sufficient// ignorance. How do I// not summarize/ anything," and that question may be the key to her entire corpus: How do we find sufficient ignorance to see the world not as we expect it but as it truly is? Graham's very style demands that we summon up such ignorance, that we approach her broken lines and fragmented ideas with a kind of intellectual innocence, allowing the poem itself to teach us how to read it. Since the death of A.R. Ammons, no U.S. poet has demanded so much of her reader or offered so rich and mysterious a reward. Here we are reminded not of Eliot or Yeats but of Habakkuk, Hosea, and especially that voice from the end of Job that cries out, "Gird up your loins man, and I will question you…." VERDICT A masterpiece that belongs in every library where poetry is found.--Herman Sutter

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Are We extinct yet. Who owns the map. May I look. Where is my  claim. Is my history verifiable. Have I included the memory of the animals. The animals' memories. Are they still here. Are we alone. Look the filaments  appear. Of memories. Whose? What was Land like. Did it move through us. Something says nonstop are you here are your ancestors  real do you have a body do you have yr self in mind can you see yr hands--have you broken it the thread--try to feel the pull of the other end--says make sure both ends are alive when u pull to try to re-enter  here. A raven has arrived while I am taking all this  down. In- corporate me it squawks. It hops  closer along the stone wall. Do you remember despair its coming closer says. I look at him. Do not hurry I say but he is tapping the stone all over with his beak. His coat is sun. He looks carefully at me bc I am so still &  eager. He sees my loneliness. Cicadas begin. Is this a real encounter I ask. Of the old kind. When there were ravens. No says the light. You are barely here. The raven left a long time ago. It is traveling its thread its skyroad forever now, it knows the current through the  cicadas, which you cannot hear but which  close over u now. But is it not here I ask looking up through my stanzas. Did it not reach me as it came in. Did  it not enter here  at stanza eight--& where does it go now when it goes away again, when I tell you the raven is golden,  when I tell you it lifted & went, & it went. To 2040 With whom am I speaking, are you one or many, what are u, are u, do I make my- self clear, is this which we called speech what u use, are u a living form such as the  form I inhabit now letting it speak me. My window tonight casts light onto the snow,  I cast from my eye a glance, a touchless touch, tossed out to capture this shine we cast. I pull it in, into my memory store. I have lost track. It's snowed for more than we'd imagined at the start, it began, unexpectedly it began, it did not really  cease again, it slowed some days, melted as it fell on some, days passed thru snow  rather than snow thru days. Did it remember us at some point, when we cld hold no  more memory of day in mind. We had started with minutes. We had loved their fullness--cells flowing thru this body of time--purging all but their passing thru us & our letting them flow-through. But then they stopped being different. You couldn't tell one minute from another, or an hour, day, year. Years pulled their lengths through us like long wet strings, and we hung onto them, they strung us a ways along, & up, they kept us from drowning in the terrible minutes. Once I sat  down & cried as I watched the sun come up & the flakes falling as if not noticing the movmt from night into day--at least let there be difference--otherwise whatever remains of desire will go--otherwise there will be nothing I have saved--nothing to save--make day flower as a piece of time again--it's cold--dream is a hard thing to catch sight of--I said dream -- I said dream what is it I said--I said it because just  now, looking out, it's a reflex, I saw, as if a stain or residue of scent, a yellowing on  snow in patches, long thin stretches, like a very cold face remembering something it  wishes to forget, I saw a poverty touched by a lessening of poverty, a memory of a  chime on cold air, a strange flash as of birdshadow--so fast--though there are no  birds any longer--longer--I would have said ever again --but then there it is that  word I dread so--again--here where we have none of it or nothing but, we can't  tell--but it was the so-rare poking-through of the strange sun we have--& for an instant it gave us shadows--branches that do not move moved--against snow,  wall, pane, against trunk, intertwining & trembling inside other shadows, & all was alive. You feel the suddenly . You feel like an itch a thing you used to call so  casually yr inwardness , u feel yr looking at the knotting, the undoings of nothing in  nothing, gorgeous--cursive golds what wld u say now, say it now, do it now yr in- wardness thinks as you feel yr greed in yr eyes yr hands yr soul--how u drink what used to be just end-of-day, low light, any winter afternoon. Give me a day back. Give the slowing of dusk into gloaming. Give me a night. Shut something down, close  your fist over it, hold us tight, then unclench unfurl slowly release us again into light.  Give us a dawn. Give us the one note without warning where one call one cry breaks  & darkness releases a branch & if you wait the whole crown then the body will be  unhidden and handed over into yr sight. The sight of the watching human. I turn back-in as the accident the release of light is fixed & we are back in snowlight now.  How far forward r we. We used to speak of future. Speech had a different function  then. It's hard to know when to break the silence now. It has something to do with  the absence of night. We never knew we shld feel the rotation. We hurled  forward. Yes towards death but what joy. Didn't know it was a game. Should have  loved the hurtling, the losses, the hurry dilation delay fear surprise fury. We miss   the sense of abandonment yes we miss homesickness. We miss the vector in any  direction. You back there are you back there listening to me am I audible what do I  do to make this audible don't forget to ask when your time comes for presence .  Do not ask for forgiveness. Do not ask for youth. They will offer them up pristine and innocent. Do not listen. Do not make the silly mistake do not ask for eternity. Look behind you, turn, look down as much as you can, notice all  that disappears. Place as much as you can in your heart. It doesn't matter what's in  your mind. When you come here all you will be left w/is a heart they spill out, a tin cup, they count up what you put in it, they shake it into a small burlap sack, they weigh it, they tie it up, they do not give it back. It is then you are placed at your  window to watch. Then the snow begins. You are told to remember the message u  accidentally forgot to attend to. It is among the things they sequestered when they measured u. You must sit now and recall the message. The one put in yr hand but  not opened. You were busy. There was little time. Little notice was given. Its ink is  new. The fold in its paper single & crisp. The words glow in their crease. The unread  shines with its particular shine. It has been weighed. It was put to yr account &  burned. What was it, u must remember, what was yr message, what were u meant to  pass on? Excerpted from To 2040 by Jorie Graham All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.